Introduction: Why Transdisciplinary Digital Art? -- Introduction: Why Transdisciplinary Digital Art? -- I Philosophies of the Digital -- The Ethics of Aesthetics -- Ethical and Activist Considerations of the Technological Artwork -- DIY: The Militant Embrace of Technology -- Tuning in Rorschach Maps -- Body Degree Zero Anatomy of an Interactive Performance -- Artificial, Natural, Historical -- The Colour of Time (God Is a Lobster and Other Forbidden Bodies) -- Behind the Screen: Installations from the Interactive Future -- II Digital Literacies -- Transliteracy and New Media -- Digital Archiving and "The New Screen" -- Digital Fiction: From the Page to the Screen -- The Present [Future] of Electronic Literature -- Transient Passages: The Work of Peter Horvath -- III Multimedia Composition and Performance -- Visceral Mobile Music Systems -- Designing a System for Supporting the Process of Making a Video Sequence -- Video Game Audio Prototyping with Half-Life 2 -- Computer-Assisted Content Editing Techniques for Live Multimedia Performance -- Computational Audiovisual Composition Using Lua -- Interrellation: Sound-Transformation and Remixing in Real-Time -- Functors for Music: The Rubato Composer System -- Inventing Malleable Scores: From Paper to Screen Based Scores -- Glimmer: Creating New Connections -- Variations on Variations -- IV Interfaces and Expression -- Gestures, Interfaces and other Secrets of the Stage -- Beyond the Threshold: The Dynamic Interface as Permeable Technology -- CoPuppet : Collaborative Interaction in Virtual Puppetry -- Experiments in Digital Puppetry: Video Hybrids in Apple’s Quartz Composer -- Formalized and Non-formalized Expression in Musical Interfaces -- V Digital Space: Design, Movement, and Robotics -- Interactive Spaces -- From Electric Devices to Electronic Behaviour -- Scentsory Design®: Scent Whisper and Fashion Fluidics -- Advances in Expressive Animation in the Interactive Performance of a Butoh Dance -- Anthropocentrism and the Staging of Robots -- VI Digital Performance in Urban Spaces -- Imaging Place: Globalization and Immersive Media -- About... Software, Surveillance, Scariness, Subjectivity (and SVEN) -- The NOVA Display System -- Four Wheel Drift.