by
Foenkinos, David.
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Donnelley, Paul.
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Her Talk -- 6. Marilyn's Death -- 7. The Best & Worst Films -- 8. The 16 Directors Marilyn Agreed To
by
Shu, Rui.
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Deposition and Growth -- Chapter 4 -- 4. Characterization of Thin Films -- Chapter 5 -- 5. Characterization
by
Verstraten, Peter.
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-- Notes -- Bibliography -- Filmography -- Photo Credits -- Index of Concepts -- Index of Films -- Index of
6.
by
Morris, Desmond.
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-- Appendix 1: Bison in Films -- Appendix 2: Close Relatives of the Bison -- Appendix 3: Bison Hybrids
by
Seamon, John.
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Contents -- Preface -- 1 Memory Processes and Memory Films -- 2 Movies and the Mind's Workbench
by
Kirshner, Jonathan.
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Revisionist History -- 6. Privacy, Paranoia, Disillusion, and Betrayal -- 7. White Knights in Existential
by
Matyjaszewski, K. (Krzysztof)
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polymerization of vinyl monomers -- v. 4. Ring-opening polymerization and special polymerization processes -- v
by
Petty, Michael C.
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. Monolayer materials -- 5. Structure of multilayer films -- 6. Electrical phenomena -- 7. Optical properties
by
Bean, Kendra.
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-- 7. The End of the Affair -- 8. Twilight -- Epilogue: Legacy -- Chronology of Films -- Chronology of
by
Barker, Martin.
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Films -- 2. 'No True Glory': the film that never was -- 3. Constructing an 'Iraq war experience' -- 4
by
Polianin, A. D. (Andreia Dmitrievich)
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chapter 1 Fluid Flows in Films, Jets, Tubes, and Boundary Layers -- chapter 2 Motion of Particles
by
Cones, John W.
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. Concluding Observations -- Endnotes -- Selected Bibliography -- Articles, Films, Media Reports and Papers
by
Steffen, James.
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-- Introduction -- 1. An Artist's Origins: Youth and Early Ukrainian Films -- 2. Shadows of Forgotten Ancestors
by
Graham, Mark.
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, and Charlie Wilson's War -- PART 2: The Burqa Films -- 4. Land without Images: Kandahar -- 5. Afghan
by
Cornea, Christine.
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. INTRODUCTION: THE FORMATION OF THE GENRE -- 2. SCIENCE FICTION FILMS IN THE 1950s -- 3. SPACED OUT: BETWEEN THE
by
Biederman, Donald E.
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PUBLISHING -- Chapter 8 MUSIC PUBLISHING -- Chapter 9 SOUND RECORDINGS -- Chapter 10 FILMS -- Chapter 11
by
DeBauche, Leslie Midkiff.
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Coming of War. 1914-1917 -- 2 The Films of World War I, 1917-1918 -- 3 Programming Theaters and
by
Docter, Roald.
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IMAGES OF CARTHAGE IN THE 20TH AND 21ST CENTURIES: FILMS, COMICS AND GAMES -- 17 ANCIENT CARTHAGE IN THE
by
Hake, Sabine.
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-- 6. Postfascist Identity Politics: European Resistance Films in the New Millennium -- 7. Entombing
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Farrer, D.S.
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. Introduction -- Part I. Embodied Fantasy -- 2. Some Versions of the Samurai -- 3. The Fantasy Corpus of Martial
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Sommer, Alfred.
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ALL EVILS -- 3. GENES: Sometimes "Destiny," Sometimes Not -- 4. THE COMPLEX NATURE OF CAUSALITY -- 5
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Balio, Tino.
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Dynamics -- 5. French Films of the 1950s -- 6. Japanese Films of the 1950s -- 7. Ingmar Bergman: The Brand
by
Amer, Maher.
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in Polymer Films for Real-Time Characterization -- 4. Raman Applications in Synthetic and Natural
by
Gertz, Nurith.
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, Without Time: The Films of Rashid Masharawi -- 5. The House and its Destruction: The Films of Ali Nassar
by
Skaff, Sheila.
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, 1896-1908 -- 2 The Emergence of a Competitive Industry, 1908-18 -- 3 From National Cinema to Cinemain
by
Badley, Linda.
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-- Introduction -- 1. German Expressionism -- 2. Italian Neorealism -- 3. The French New Wave -- 4. The British
by
Moss, Marilyn Ann.
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Films -- 5 I See America Kissing: A Place in the Sun -- 6 The Art of Gun Slinging: Shane -- 7 Our Town
by
Keil, Charlie.
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-- 6. Analyzing Transition: Six Sample Films -- 7. Conclusion -- Appendix A: Notes on Method
by
Buhler, Stephen M.
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. Introduction: The Shakespeare Test -- 2. Ocular Proof: Three Versions of Othello -- 3. Documentary Shakespeare
by
Mooney, William H.
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. Celebrity -- 3. After The Thin Man -- 4. Lillian Hellman -- 5. Sexual Politics -- 6. Ethnic Politics -- 7
by
Zhou, Yichun, 1963, author.
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properties of smart materials -- chapter 11. Mechanical properties of thin films -- chapter 12. Mechanical
by
Andrews, David.
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: Auteurism and the Auteur Theory -- 3. From "Foreign Films" to "World Cinema" -- Part 2. Formats and Fetishes
by
Luckett, Moya.
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Era Spectatorship Theories -- 2. Progressivism and Early Feature Films: Textuality, Oversight, Uplift
by
Scott, Ian.
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LIVING YOUR SCRIPTS' -- Chapter 1 FILM, IDEOLOGY AND AMERICAN POLITICS -- Chapter 2 POLITICAL FILMS IN
by
Woodward, Gary C.
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Sociality -- Chapter 6. Finding a Way Through: The Films of James L. Brooks -- Chapter 7. Lessons from the
by
Choi, Jinhee.
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Tears! Gangster Cinema -- 4 I'm Not a Girl, Yet Not a Woman: Romance Films -- 5 Once Upon a Time in High
by
Teo, Stephen.
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, FROM WONG FEI-HUNG TO BRUCE LEE -- 4. THE RISE OF NEW SCHOOL WUXIA -- 5. THE WUXIA FILMS OF KING HU
by
Beach, Christopher.
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: Shampoo and Being There -- 6. There's Something Happening Here: Music in Ashby's Films -- 7. A Director
by
Ohmae, Nobuo.
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Excerpt:
. Materials for micro and nanotribology: liquid crystals, fluid films and other lubricants -- 7. Gas phase
by
Park, Jong-Hee.
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Films -- Chapter 4 Combustion Chemical Vapor Deposition (CCVD) -- Chapter 5 Polarized Electrochemical
by
Hammontree, Patsy G.
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FILMS CORPORATION TO FOX AND PARAMOUNT -- 6 HIGH PRODUCTIVITY -- 7 FROM FOX TO TWENTIETH CENTURY- FOX
by
Straub, Sandra.
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-- Chapter 3 Cultural Farewells -- Chapter 4 Death in the Health Care System -- Chapter 5 Death in the Family
by
Hashmi, M. S. J., editor.
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Excerpt:
-- Volume 3. Advanced forming technology / volume editor, Sergio Tonini Button -- Volume 4. Films and
by
Goldman, Eric A.
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Excerpt:
. Gentleman's Agreement and Crossfire: Films That Took on Anti- Semitism in 1947 (The 1940s) -- 4. The Young
by
Alonso, Harriet Hyman.
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? -- 4 A Pause for Jay Gorney -- 5 Yip's Path to Show Business Success -- 6 A Pause for Vernon Duke -- 7
by
McGrath, James F.
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Children, and Alien Resurrection, Joyce Janca-Aji -- Chapter 2: Sorcerers and Supermen: Old Mythologies in
by
Monk, Claire.
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'Authenticity', Engagement and Escape -- chapter 7 Audience Pleasures, Attitudes and Perspectives 2: 'Quality
by
Stoller, Paul.
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-- PART II: Visions in the Field -- 2 Eye, Mind, and Word in Anthropology -- 3 "Gazing" at the Space of
by
Waldron, Darren.
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" Popular" Cinema: Images of Resistance and Compliance -- CHAPTER 4 -- Out of the Films and into the
by
Cui, Shuqin.
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Revolutionary Narratives -- 4. Gender Politics and Socialist Discourse in Xie Jin's The Red Detachment of Women
by
Carroll, Noël.
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Excerpt:
: Conceptual Analyses -- 10 Photographic Traces and Documentary Films: Comments for Gregory Currie -- 11 Toward
by
Oriard, Michael.
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-- Introduction -- I In the Kingdom of Football -- 1 Reading, Watching, & Listening to Football -- 2 Local
by
Hoveyda, Fereydoun.
Format:
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Excerpt:
Cinema and Dreams -- 3 Photography, Painting, Cinema, and Realism -- 4 Influence of Literature on Cinema
by
Rosenthal, Alan.
Format:
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Excerpt:
. Clearing the Decks -- 3. Getting to Work -- 4. Writing the Proposal -- 5. Research -- 6. Shaping the Film
by
Cook, Roger F.
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-- Chapter 2: Ambient Sound -- Chapter 3: The Anti-Hauptstadt -- Chapter 4: Bad Sex -- Chapter 5: Beginnings
by
Deveny, Thomas G.
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in Argentine Cinema -- Chapter 3: Migration in Mexican Cinema -- Chapter 4: Migration in Films from
by
Grindon, Leger.
Format:
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History of the Boxing Film -- 3 "Down for the Count" Critique of the Success Ethic in the Boxing Film -- 4
by
Neibaur, James L.
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-- 4 Educational Pictures -- 5 Back at M-G-M -- 6 Columbia Pictures -- 7 Supporting Appearances in the
by
Palmer, R. Barton.
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Excerpt:
-- Chapter 4 -- Chapter 5 -- Chapter 6 -- Chapter 7 -- Chapter 8 -- Appendix C -- Bibliography -- Index.
62.
by
Proctor, Edward.
Format:
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Excerpt:
terminology and scholarship of Romani -- 3 A secret language? -- 4 How to begin -- 5 Locating and obtaining
by
Brill, Lesley.
Format:
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Excerpt:
: Kurosawa's: Throne of Blood -- 4. Crowds, Isolation, and Transformation in Welles's: Citizen Kane -- Part II
by
Vižintin, Jože.
Format:
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lubrication -- 4. Engine lubricants: present state and future developments -- 5. Lubrication in manufacturing
by
Barta, Tony.
Format:
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Excerpt:
'' as Mythic Cliche:́ The Films -- 3. Re-screening the Past -- 4. ''Smart Jews'' -- 5. ''A Stab in the
by
Ahmed, Sara.
Format:
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Excerpt:
: SPEAKING BACK -- 1 RIGHTS -- 2 ETHICS -- 3 WOMAN -- 4 SUBJECTS -- 5 AUTHORSHIP -- 6 (META)FICTIONS -- 7
by
Stillinger, Jack.
Format:
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Excerpt:
Creative Plagiarism: The Case of Coleridge -- 6 Pound's Waste Land -- 7 American Novels: Authors, Agents
by
Murray, Robin L.
Format:
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Excerpt:
-- 2. James Bond and Water Wars in Contemporary Film -- 3. Ready to Wear? -- Part 2: Eco-documentaries
by
Baron, Cynthia.
Format:
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Excerpt:
Promise: Genre and Auteur Analysis -- 7. Foodways in Documentary Films: Consumer Society in a Wider Frame
by
Pool, Jeannie Gayle.
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Excerpt:
-- Foreword -- Acknowledgments -- Introduction -- 1. Film Music Research: A Brief History (Wright) -- 2
by
Tzioumakis, Yannis.
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: TENDENCIES WITHIN THE STUDIO SYSTEM -- 2 INDEPENDENT FILMMAKING IN THE STUDIO ERA: THE POVERTY ROW STUDIOS
by
Forshaw, Barry.
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- Two Key Films -- 4. Personal Cinema: Fellini, Antonioni and Others -- 5. Personal Cinema - Key Films
by
Neroni, Hilary.
Format:
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Excerpt:
the Front Line: Portrayals of Violent Women in Recent Military Films -- 7. Conclusion: The Long Kiss
by
Falsetto, Mario.
Format:
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Excerpt:
Odyssey -- ( Time and Space: Part 2 -- Individual Films -- A Clockwork Orange -- Barry Lyndon -- The
by
Staff, National Research Council.
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Excerpt:
Free-Surface Films -- 8 What Do Drops Do? Surface Wetting and Network Geometry Effects on Vadose-Zone Fracture
by
Lev, Peter.
Format:
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Excerpt:
, Between the Lines, The Return of the Seacaucus Seven, The Big Chill -- Part 2 -- Chapter 5: Last Tango in
by
Hollinger, Karen.
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Excerpt:
Female Friendship Films -- 1 Women's Film Precedents -- 2 The Sentimental Female Friendship Film -- 3 The
by
Armes, Roy.
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" -- 7. Mid-1970s Experiments with Narrative: "Glissements progressifs du plaisir" and "Le Jeu avec le
by
Winkler, Martin M.
Format:
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Troy -- 4: Petersen's Epic Technique: Troy and Its Homeric Model -- 5: Troy and the Cinematic Afterlife
by
Wilson, Kristi M.
Format:
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Excerpt:
. Remembering Revolution after Ruin and Genocide: Recent Chilean Documentary Films and the Writing of History
by
Smelik, Anneke M.
Format:
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Excerpt:
: Reconfigured Bodies -- 4. Fluid Ecologies: Changing Hormonal Systems of Embodied Difference -- 5. Parenthood
by
Koszarski, Richard.
Format:
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York -- Chapter 15: "We Have a City Here" -- Notes -- General Index -- Films and Television Programs
by
Cohen, Tom.
Format:
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Excerpt:
. Prehistory of the Afterlife of Cinema -- 3. A Performativity without Frame -- 4. "How Old Is Mae West?" -- 5
by
Hjort, Mette.
Format:
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Excerpt:
Globalization -- 2 Dogma 95: The Globalization of Denmark's Response to Hollywood -- 3 Participatory Filmmaking
by
Abdel-Bary, Elsayed.
Format:
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Excerpt:
Films -- 3 Processing Conditions and Durability ofPolypropylene Films -- 4 Solubility of Additives in
by
Cartmell, Deborah.
Format:
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Excerpt:
and Literature -- Notes -- 2. 'No Man's Elizabeth': The Virgin Queen in Recent Films -- Notes -- 3
by
Blaetz, Robin.
Format:
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Excerpt:
": Cecil B. DeMille's Joan the Woman, 1916 -- 3 The Demise of Joan of Arc -- 4 Joan of Arc between the Wars
by
Landy, Marcia.
Format:
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Excerpt:
Cinema -- 7. Language, Folklore, and Politics in the Films of the Taviani Brothers -- 8. Postmodernism as
by
Cobbin, Angela.
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-- 2. 1961 - The Apprentice -- 3. Another String to My Bow -- 4. Nathans and the Second Apprenticeship
by
Neumeyer, David P.
Format:
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Excerpt:
: Casablanca -- 3. Acoustic Stylization: The Film's Sound World -- 4. Music and Utopia: A Reading of the
by
Krings, Matthias.
Format:
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Excerpt:
Star Liner -- 4. Vice and Videos: Kanywood under Duress -- 5. Dar 2 Lagos: Nollywood in Tanzania -- 6
by
Rodriguez, Alvaro.
Format:
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Excerpt:
González) -- 7. Planet Terror Redux: Miscegenation and Family Apocalypse (Enrique Ga rcía) -- 8. The Border
by
Thomas, Sabu, editor.
Format:
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Excerpt:
Moushumi Ghosh -- 4. Synthesis of Polypyrrole/TiO2 nanoparticles in water by chemical oxidative
by
Balio, Tino.
Format:
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Excerpt:
. Stars in Business: The Founding of United Artists -- 7. Blueprints for Feature Films: Hollywood's
by
Botha, Martin.
Format:
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Excerpt:
-- Introduction -- Chapter 1: Early South African cinema: 1895-1948 -- Chapter 2: A few liberal voices in the 1950
by
Glancy, Mark.
Format:
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Excerpt:
-- Introduction -- 1. 'Temporary American Citizens': Audiences and Americanization -- 2. 'For the Purpose of
by
Knape, Joachim.
Format:
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Excerpt:
Historiography as Rhetoric in Medieval Times -- 7 On the Problems of Literary Rhetoric -- 8 Paratexts and the
by
Gershenson, Olga.
Format:
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Excerpt:
Soviet Union -- 2: Soviet Antifascist Films of the 1930s -- 3: The First Phantom -- 4: How a Soviet Novel
by
Haller, Robert.
Format:
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Excerpt:
Greenfield -- Preface -- Chapter 1: Beginnings -- Chapter 2: Planning and Discovery -- Chapter 3: Holograms
100.
by
Ryall, Tom.
Format:
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Excerpt:
cinema -- 6. Post-war films 2 - adaptation andthe theatre -- 7. The 'international' film -- 8. Asquith
by
Abrams, Doug.
Format:
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Excerpt:
American Sport Films -- 10 -- Reporting in Black and White -- 11 -- Duke Lacrosse -- 12 -- Asian Americans
by
LoBrutto, Vincent.
Format:
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Excerpt:
Cobain in Disguise While Paranoia Strikes Deep; 7. The Mayor of Castro Street; 8. Short Films, Work as a
by
McGee, Kristin A.
Format:
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Excerpt:
: All-Girl Bands and Sound Films in the Swing Era -- 3. Phil Spitalny's Musical Queens -- 4. The "Blonde
104.
by
Beattie, Keith.
Format:
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Excerpt:
-- Acknowledgements -- Introduction -- 1 Modernity, myth, colour and collage:the early films -- 2 Work and leisure
by
Greenhill, Pauline.
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/ Tracie D. Lukasiewicz -- 4. Fitting the Glass Slipper: A Comparative Study of the Princess's Role in the
by
Hayward, Philip.
Format:
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Excerpt:
-- References -- 2. An Audiovisual Foreshadowing in Psycho -- 3. Sound and Music in Hammer's Vampire Films
by
Lennard, John.
Format:
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Excerpt:
Shakespeare -- Part 3. Actors and Players -- 3.1 Lear -- 2.2 Goneril -- 2.3 Regan -- 2.4 Cordelia -- 2.5
by
Pages, Neil Christian.
Format:
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Excerpt:
: Riefenstahl and the Beauty of Soccer -- Part Two: Afterlife -- 4 The Afterlife of Triumph of the Will: The
by
Hockley, Luke.
Format:
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Excerpt:
Psychology - An Overview -- Chapter 1 - Cinema as Illusion and Reality -- Chapter 2 - Watching Films: The
by
Lennard, John.
Format:
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Excerpt:
-- 4.4 Verse, Prose, and Song -- 4.5 Metatheatre -- 4.6 Doubling -- 4.7 Special Effects -- 4.8 Exits
by
Watts, Cedric.
Format:
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Excerpt:
. Optical Effects and Defamiliarisation -- 6.4. Language -- 7. Rural Representation -- 7.1. Talbothays -- 7
by
Taylor, B. F.
Format:
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Excerpt:
British New Wave:a certain tendency? -- 2 From microscope to telescope: the films of Tony Richardson -- 3
by
Cohen, Tom.
Format:
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Excerpt:
In-House Affair at the Embassy of Ao- -- Coda: Exploding Cameos -- Notes -- Index of Films -- B -- F -- I
by
Khomchenko, Alexander V.
Format:
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Excerpt:
-- -- 6. Measurements of absorption spectra of thin films -- -- 7. Applications of waveguide spectroscopy
by
Lakhtakia, A. (Akhlesh), 1957-
Format:
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films / Akhlesh Lakhtakia and Russell Messier -- 3. Photonic band gap structures / Joseph W. Haus -- 4
by
Kanani, Nasser.
Format:
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Excerpt:
; -- Chapter 4 - Processes for the deposition of metallic coatings; -- Chapter 5 - Film formation at an
by
McArthur, Colin.
Format:
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Excerpt:
-- Introduction -- 1 Where Did Brigadoon Come From? -- 2 Brigadoon and the Broadway Musical -- 3 Brigadoon and
by
Hawkins, Joan.
Format:
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Excerpt:
, Euro-trash, and High Art: The Place of European Art Films in American Low Culture -- 2. Medium Cool: Video
by
Connelly, Mark.
Format:
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Excerpt:
-- Introduction -- 1 God Bless Us, Every One: Movie Adaptations of A Christmas Carol -- 2 A Hollywood Carol's
by
Richards, Jeffrey.
Format:
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Excerpt:
-- 2. The Sun Never Sets: Sanders of the River -- 3. The Age of Consensus: South Riding -- 4. Why We
121.
by
Pulker, H. K. (Hans K.), 1933-
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organic glasses. 3. Nature of a surface. 4. Cleaning of substrate surfaces. 5. Glass and thin films. 6
by
Massumi, Brian.
Format:
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Excerpt:
: Introduction to Fear -- 2. The Broken Line -- 3. Califas -- 4. Liberty Net Computer Bulletin Board -- II
by
Bordwell, David.
Format:
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Excerpt:
-- Interpretive Doctrines -- 2. Routines and Practices -- Interpretation, Inc. -- The Logic of Discovery, or
by
Mendirek, Gizem, author.
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newly designed 4-(4,7-di(thiophen-2-yl)-1H-benzo[d]imidazol-2-yl)benzaldehyde monomer were studied
by
Freeman, Carol.
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Excerpt:
Image -- 1 Contemporary Art and Animal Rights -- 2 Marching on Thin Ice: The Politics of Penguin Films
by
Krämer, Lucia, 1973- author.
Format:
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Excerpt:
Cinema in Britain -- Facts and Figures -- 4. Britain and Indian Diaspora Films -- Questions of Nostalgia
by
Protschky, Susie.
Format:
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Excerpt:
: Kartini's image of a modernised Java / Joost Coté -- 7. Modelling modernity: Ethnic Chinese photography in
by
Webb, Lawrence.
Format:
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Excerpt:
Decline and Urban Renaissance -- 3. New York City: Cinema and Crisis in the Entrepreneurial City -- 4. San
by
Mather, Philippe.
Format:
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Excerpt:
Stylistic Systems -- Chapter 9: Photography in Film: Photographic and Documentary Aspects of Kubrick's Films
by
Nevins, Franics M.
Format:
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Excerpt:
Kids Films Directed by Joseph -- 2. Partition and Desire in the Films of Joseph H. Lewis -- 3. The
by
Kääpä, Pietari.
Format:
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Excerpt:
: Kaurismäki's Films in a Global Spectrum -- Chapter 7: The Potential of Post-humanism: Kaurismäki and the
by
Fox, Alistair.
Format:
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Excerpt:
of Transgression in the Early Films -- 3 Living in the Shadow of the Family Tree: Sweetie -- 4 "How
133.
by
Martin, Sean.
Format:
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Excerpt:
-- Introduction -- Chapter 1: Life and Times -- Chapter 2: Theory and Practice -- Chapter 3: The Student Films
by
Meskin, Aaron.
Format:
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Excerpt:
One: The Nature and Kinds of Comics -- 1 Redefining Comics -- 2 The Ontology of Comics -- 3 Comics and
by
Weiner, Robert G.
Format:
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Excerpt:
Transgressions of Pier Paolo Pasolini -- chapter 2 -- From Chicago to Watts by Way of Paris and Hollywood
by
Rehling, Nicola.
Format:
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Excerpt:
Heterosexual Masculinity: The Objectified and Commodified White Male Body -- 4 Terminal Bodies and Cartesian
137.
by
Borrowman, Shane.
Format:
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Excerpt:
Remake Practices under the Copyright Regime: French Films and Japanese Horror Films -- 7 Monsters
by
Priebe, Kenneth.
Format:
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Excerpt:
Stop-Motion Feature Films -- Chapter 2 An Interview with Screen Novelties -- Chapter 3 Building Puppets
139.
by
Davies, Ann.
Format:
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Excerpt:
-- Part II: The films -- 3 Salto al vacío: opening up the void -- 4 Pasajes: pathways through nowhere -- 5
by
Streible, Dan.
Format:
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Excerpt:
-- 3. UNDER THE LIGHTS: Filming Ringside in the Jim Jeffries Era, 1899-1904 -- 4. FAKE FIGHT FILMS: S
by
Lloyd, Christopher.
Format:
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Excerpt:
cinema -- 2 Occupation and its discontents -- 3 Reconstruction and retribution: Clouzot's post-war films
by
Gateward, Frances.
Format:
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Excerpt:
Modernityin the Fractured Films of Lee Chang-dongand Hong Sang-soo -- 7. Reflexivity and Identity Crisisin
by
Christie, Ian.
Format:
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Excerpt:
ancestors -- 2 Jay Leyda and Bezhin Meadow -- 3 Eisenstein's early films abroad -- 4 Recent Eisenstein texts
by
Kobashi, Koji.
Format:
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Excerpt:
Reactors -- 4. Other CVD Reactors -- 5. Crystal Orientations and Film Surface Morphology -- 6. Formation of
by
Shadoian, Jack.
Format:
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Excerpt:
/Post-Noir: The Top 14 -- Appendix 3 50 Post-Godfather Crime/Noir Films Worth a Look -- Appendix 4 Aging Well
by
Insdorf, Annette.
Format:
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Holocaust -- 2 Meaningful Montage -- 3 Styles of Tension -- 4 Black Humor -- Part II Narrative Strategies
by
Bunshah, R. F. (Rointan Framroze)
Format:
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Excerpt:
Bhushan and Bal K. Gupta -- 7. Applications to Cutting Tools / Otto Knotek, F. Loffler and G. Kramer -- 8
by
Forrest, Jennifer.
Format:
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Excerpt:
. Economy and Aesthetics in American Remakes of French Films -- 4. The "Personal" Touch: The Original, the
by
Barış Kavur, Pelin, author.
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filling showed 2.4 – 2.9 D lower Listeria count than traditional caramel apples during 7-day cold storage
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strength at break of PLA was increased by 4.7% and 16.6% with 2 wt% HNT and m-HNT addition, respectively
by
Sharma, Surender Kumar. editor.
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Advanced Applications -- Chapter 7.Atomic and magnetic force microscopic studies of Co thin films and
by
Jackson, Andrew David.
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Game Developers (Chloé Paberz) -- 4 Locating Cosmopolitanism in the Films of E J-Yong (Chi-Yun Shin
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Tüzüner, Şeyda, author.
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reduction of AgNO3 via NaBH4. The particles were capped by cetyl ammonium bromide (CTAB) and were mixed with
by
Druick, Zoë.
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Canada's Amateur Film Tradition: Leslie Thatcher's Films and Contexts -- 4 "Mental Prophylaxis": Crawley
by
Lupack, Barbara Tepa.
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Films -- 4 "Taking Two Hides from the Ox": The Bull-Dogger and The Crimson Skull -- 5 "A Risky
by
Sherman, Daniel J.
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Economy of the Delay -- PART 4: 1968, THE MOVIE -- 12 Tempered Nostalgia in Recent French Films on the '68
by
Thomas, Dominic.
Format:
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Postcolonial évoluée -- 7 The Euro-Mediterranean: Literature and Migration -- 8 Into the European "Jungle
by
Spicer, Andrew.
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: An Independent Producer -- 2. Learning the Craft: Soho, Sex and Compton Films -- 3. Making the
by
Olney, Ian.
Format:
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-- 7 The Whip and the Body: The S& M Horror Film -- 8 Cannibal Apocalypse: Cannibal and Zombie Films
by
Marich, Robert.
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-- Introduction -- 1. Creative Strategy -- 2. Market Research -- 3. Traditional Media Advertising -- 4. Marketing
by
Prezioso, Joseph.
Format:
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Workflow -- Chapter 6 Developing -- Chapter 7 Pushing Film -- Chapter 8 Movie Films for Still -- Developing
by
Peele, Thomas.
Format:
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Representations of Queerness in Gangster Films -- 10 Straight Shooters, Stainless-Steel Stories, and Cowboy Codes
by
Watson, Elwood.
Format:
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Economy -- 2 Sexually Suspect: Masculine Anxiety in the Films of Neil LaBute -- 3 The Might of the
by
Neibaur, James L.
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Excerpt:
Sennett and the Keystone Studios -- Chapter 3: Chaplin's Keystone Films -- Chapter 4: Making a Living
by
Neale, Steve.
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-- Chapter 7. Colossals and Blockbusters, 1949-1959 -- Chapter 8. Roadshows, Showcases, and Runaways, 1956
166.
by
Saul, Mahir.
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: Nollywood Goes East -- Part II: Imported Films and Their African Audiences -- 6: Commentary and Orality in
by
Condrau, Flurin.
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, Tuberculosis, and Health Education Films -- 3 Targeting Patient Zero -- 4 Beyond the Total Institution: Towards
by
Humphries, Drew.
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Women in Hollywood Films -- Chapter 4. What About Women? The Representation of Women in Media, Crime
by
Naremore, James.
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Excerpt:
, Pastiche, Fashion -- 6 - The Other Side of the Street -- Asia -- Latin America -- Africa -- 7 - The Noir
by
Crompton, Roy.
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FoodPackaging Plastic Films -- 16 Legislative Aspects of the Use ofAdditives in Packaging Plastics -- 17 Direct
by
Rayner, Jonathan.
Format:
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documentary feature -- 2 Post-war British naval films and the service comedy -- 3 Hollywood and the one-ocean
by
Perkowitz, Sidney.
Format:
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: Dangers from Nature -- Chapter 2: Alien Encounters -- Chapter 3: Devastating Collisions -- Chapter 4: Our
by
French, Philip.
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: Westerns Revisited (2004) -- Introduction -- 1 Waiting for the End -- 2 Television -- 3 Comedies -- 4 The
by
Jarvie, Ian.
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MOUNTAIN, USDA APPROVAL AND REALISM -- 4 FILMS AND ACADEMIC PHILOSOPHY -- 4.1 MUNSTERBERG -- 4.2 CAVELL
by
Lyden, John C.
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Genre and Film Analyses -- 6 Westerns and Action Movies -- 7 Gangster Films -- 8 Melodrama, Tearjerkers
by
Mazierska, Ewa.
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the City and the Country: Moscow in the Films of Pavel Lungin -- Part Three: Case Study: Great Britain
177.
by
Leitch, Thomas.
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Conclusion: What Good Are Crime Films? -- Notes -- 1. The Problem of the Crime Film -- 2. Historical and
by
Grimshaw, Anna.
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Visualizing anthropology -- 1 The modernist moment and after, 1895-1945 -- Introduction -- The Lumière films
by
Yau, Esther C. M.
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Kong's New Wave Cinema -- 1. An Overview of Hong Kong's New Wave Cinema -- 2. The Emergence of the Hong
by
Kozloff, Sarah.
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Gangster Films -- 7. Misunderstandings: Dialogue in Melodramas -- Conclusion -- Notes -- Select Filmography
by
Lewis, Randolph.
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Richard Milhous Nixon -- 6. Art, Politics, and Painters Painting -- 7. Underground -- 8. Films of the
by
Çavdaroğlu, Elif, author.
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%) and degree of esterification (DE: 45%) than CFP (GA: 32.2% and DE: 36.7%). Purification of CSP gave
by
Silberman, Marc.
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Films -- Chapter 4. Representations of Art and the Artist in East German Cinema -- Chapter 5. Family
by
Mitchell, Edgar.
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-- 3 S preading My Wings -- 4 NASA Here We Come -- 5 Getting There -- 6 A Super Long Shot -- 7 The
by
Barnett, Vincent L.
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-- Appendix 2: Films Made from Elinor Glyn's Stories, 1914-1930 -- Appendix 3: The Prospects for UK Film
by
Bildhauer, Bettina.
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Dead Reanimated -- 3. Queer Time -- Part II: Lethal Letters -- 4. The Dangerous Power of Writing -- 5
187.
by
Martin, Sean.
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-- Introduction: Old Guards, New Waves -- 1. Pioneers -- 2. Against a Certain Tendency: The French New Wave -- 3
by
iSmithers.
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- carbohydrates as multifunctional additives in emulsion polymerisation processes -- Paper 7 New developments in
by
Reason, Matthew.
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Engagement -- Introduction -- Chapter 7: Kinesthetic Empathy in Charlie Chaplin's Silent Films -- Chapter 8
190.
by
Silverstein, Michael S.
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Properties of Thin Porous Films -- 7. Microscopy Characterization of Porous Polymer Materials -- SECTION III
191.
by
Charlesworth, Michael.
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. Schoolboy and Student -- 3. Designing for Others, Painting, Super-8 -- 4. The Feature Films of the 1970s
by
Till, Rupert.
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References -- Discography -- Films, Television, DVDs and Videos -- Index -- A -- B -- C -- D -- E -- F -- G
193.
by
Bingham, Dennis.
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. Thirty Two Short Films About Glenn Gould: Ghost Picture -- 7. Ed Wood: The Biopic of Someone Undeserving
by
McNair, Brian.
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-- Chapter 1 -- Chapter 2 -- Chapter 3 -- Chapter 4 -- Par II Heroes -- Chapter 5 -- Chapter 6 -- Chapter 7
by
Aksak, Meral.
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catalyst thin films with three different thicknesses; 0.7 nm, 1.4 nm, and 6 nm, were utilized. It was
by
Stanfield, Peter.
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History of The Robe as Political Allegory -- Chapter 2: Un-American: Dmytryk , Rossellini, and Christ In
by
Mazierska, Ewa.
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visual motifs of Polanski's films -- 4. All the jazz and noise: Music in Polanski's films -- 5. Trust
by
Dessauer, Rolf.
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-- -- 6 A survey of HABI publications -- -- 7 The chemistry of HABIs -- -- 8 The development of DYLUX®
by
Hosono, Hideo.
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. Nanocylinder Array Structures in Block Copolymer Thin Films (K. Kamata, T. Iyoda) -- -- 6. Nano-Size Charge
by
Kaveney, Roz.
Format:
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. Comedy 1: Galaxy Quest -- 4. The Decline and Fall of the Alien Invasion -- 5. Comedy 2: Small Soldiers
by
Pomerance, Murray.
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. Survival of the Fattest: Contending with the Fat Boy in Children's Ensemble Films -- 4. Crazy from the Heat
by
Malay, Özge.
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. The permeability of the films were tested with modified-diffusion-vessels method at pH 2.5 and 7.4 and
by
Ty, Eleanor.
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, Multiraciality,and Asian American Subjectivity -- 2. "I'm Blackanese": Buddy-Cop Films, Rush Hour, and
by
Petsev, D. N. (Dimiter Nikolov), 1962-
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. -- -- Chapter 7 Structures and layering of fluids in thin films. -- -- Chapter 8 Theory of emulsion flocculation
205.
by
Bego, Mark.
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- The Brothers Marx -- 2. The Family Business - Show Business -- 3. The Vaudeville Years -- 4. Minnie's
by
King, Geoff.
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: Action Films -- 5 Seriously Spectacular: 'Authenticity' and 'Art' in the War Epic -- 6 Apocalypse, Maybe
by
Plate, S. Brent.
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Take it With You -- Part 4 Colonizing Community -- 7. "What Happened in the Cave?" Communities and
by
Bordwell, David.
Format:
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Excerpt:
Studies and the Vicissitudes of Grand Theory (David Bordwell) -- 2. Prospects for Film Theory: A Personal
by
Andrew, J. Dudley.
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-- REPRESENTATION AS PLOT AND PROCESS -- 4: Signification -- THE ASCENDANCY OF SEMIOTICS -- SEMIOTICS AND REALISM
by
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-tetravinylcyclotetrasiloxane (V4D4), 2-(perfluorohexyl)ethyl acrylate (PFHEA) and 2-(perfluoroalkyl)ethylmethacrylate (PFEMA
by
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ultrafiltration. The hazelnut meal globulins showed satisfactory oil absorption (7.4-9.4 g/g) and good foaming (7
by
Forshaw, Barry.
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-- Appendix 1 Publishing Translated Crime Fiction -- Appendix 2 The Petrona Perspective -- Appendix 3 Crossing
by
Austerlitz, Saul.
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Excerpt:
-- Introduction -- 1 I Love Lucy: "Lucy Does a TV Commercial" -- 2 The Honeymooners: "Better Living Through TV
by
Yacavone, Daniel.
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. Worlds of Feeling -- 6. Forms of Feeling: Mapping Affect and Emotions in Films -- 7. Cineaesthetic
by
McDonald, Bernadette.
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-- Chapitre 2 : Politique et escalade -- Chapitre 3 : Grimpeurs sans frontières -- Chapitre 4 : Sans oxygène
by
de Favereau, Corentin.
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bibliographique -- Sources complémentaires -- Littérature -- Films et documentaire -- Musées et monuments
by
Nasta, Dominique.
Format:
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Excerpt:
. The 4, 3, 2 Paradigm: Cristian Mungiu's Large-scale Phenomenon -- 12. Making Films for Wider Audiences
by
Cones, John.
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Portrayals in Hollywood Films -- Selected Bibliography -- Articles, Films, Media Reports and Papers: -- Books
by
Passerini, Luisa.
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II - Impossible loves -- Chapter 4: Love in two British films of the late silent period: Hindle Wakes
by
Szeri, A. Z.
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. Dynamic properties of lubricant films; 5. Effects of fluid inertia; 6. Flow stability and transition; 7
by
Boyacı, Derya.
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lysozyme from films at pH 4.5 and 5.0, by 2-4 and 1.2-1.5 folds, respectively. The zein and WP based films
by
Conard, Mark T.
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Aesthetic Appreciation -JASON HOLT -- 7. Art and Voyeurism in the Films of Woody Allen -JEROLD ABRAMS -- 8
by
Tishko, Tatyana.
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erythrocytes -- 4.2 Ozone therapy influence on 3D morphology of blood erythrocytes -- 4.3 Blood erythrocytes in
by
Capino, José B.
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Babies and Postcolonial Futures -- Part II. Transnational Imaginings -- 4. The Migrant Woman's Tale: On
by
Ede, Laurie N.
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-- Acknowledgments -- General Editor's Introduction -- 1. Setting the Scene -- 2. Early Stages: British Design in the
by
Cheung, Esther M. K.
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Independent Cinema in Hong Kong -- 7. Re-imagining Hong Kong-China from the Sidelines: Fruit Chan's Little
by
Vogels, Jonathan B.
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Films -- 6. Looking into Grey Gardens -- 7. Taking Direct Cinema into the 1980s -- Filmography -- Notes
by
McGillis, Roderick.
Format:
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Frontiersman (1938) -- List of Films Mentioned -- References -- Index -- A -- B -- C -- D -- E -- F -- G -- H
by
Gosse, Van.
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Anti-Interventionism -- 4 The Movement Inside: BBS Films and the Cultural Left in the New Hollywood -- 5 In the Name of
by
Khatib, Lina.
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Cinema and the Civil War -- Part I: Contexts -- 1. On Lebanese National Identity -- 2. A Brief History of
by
Ross, Janice.
Format:
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Experience, Lucy, and Beat Culture -- 6. Urban Rituals -- 7. From Spectator to Participant -- 8. Ceremony of
by
Sardanis, Andrew.
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Making -- 7. Rhodesians Never Learn -- 8. A Pan African Bank is Born -- 9. Marching On -- Part 2
by
Kelin, John.
Format:
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-- Chapter 4: Promises to Keep -- Chapter 5: "I Guess You're On Your Own" -- Chapter 6: "We All Loved Kennedy
by
Feinstein, Joshua.
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Cultural Policy, 1946-1956 -- Notes -- 2. The Discovery of the Ordinary: Berlin-Ecke Schönhauser and the
by
Sekkat, Zouheir.
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Photoisomerization -- Part B -- Photoisomerization in Organic Thin Films -- 4. Photoisomerization and
by
Möbius, D. (Dietmar)
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flow orientation in Langmuir-Blodgett films -- Chapter 3. Equilibrium and dynamics of 2D aggregating
by
Barrett, S. D.
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-- 3.3 Photoelectron Diffraction -- 4 Crystal Growth and Surface Preparation -- 4.1 Introduction -- 4.2
by
Dasari, Aravind.
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Tomography -- 2.1 Introduction -- 2.2 3D Observation at the Nanoscale -- 2.3 Application to Polymer Matrix
by
Field, Allyson.
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One Films (1967-1978) -- 3 Tough Enough: Blaxploitation and the L.A. Rebellion -- 4 Anticipations of
by
Smith, Jeff.
Format:
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Excerpt:
: Representing Race in Anti-Communist Films -- 4. Stoolies, Cheese-Eaters, and Tie Sellers: Genre, Allegory, and
by
Galow, Timothy W.
Format:
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Excerpt:
-- Chapter 5 Zeitoun -- Chapter 6 Short Stories, Short Short Stories, and Films -- Chapter 7 A Hologram for
by
Duberman, Martin.
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) -- Chapter 2 Rutgers College (1915-1918) -- Chapter 3 Courtship and Marriage (1919-1921) -- Chapter 4
by
Wawrzyn, Heidemarie.
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Palestine -- 4 Hitler Youth -- 5 NS Women in Palestine -- 6 Outsiders and Opponents -- 7 Nazi Members
by
Cohan, Steve.
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rape-revenge films -- 6 DARK DESIRES: Male masochism in the horror film -- 7 'MORE HUMAN THAN I AM ALONE': Womb
by
Kay, Glenn.
Format:
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Excerpt:
-- Introduction -- 1 Origins -- 2 The 1930s: The Zombie Film's Beginnings -- 3 The 1940s: Laughing at the Zombies
by
Abdushukurov, D. A.
Format:
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Excerpt:
. Modeling of Converters Representing Sandwiches, from Supporting Films and Converters -- 2.2.6. Modeling of
by
Merivirta, Raita.
Format:
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History 7 -- Films and History 7 -- Cinema and Ireland 13 -- Neil Jordan and the Film 'like a National
by
Nichols, Bill.
Format:
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FILMS -- 3 Toward a New Historiography: The Aesthetics of Temporality -- 4 Ordinary Film: The Maelstrom
by
Pierson, Michele.
Format:
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Representation": Texts on Ken Jacobs -- 3. Texts on Ken Jacobs -- 4. A Mischievous Little-Boy Revolution: The
by
Goldmark, Daniel Ira.
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Films: Comic Strips, Vaudeville, and the New York Style -- 3. The Heir Apparent -- Part Two. Systems and
by
Genzer, Jan.
Format:
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Excerpt:
: Harnessing a Ubiquitous Phenomenon to Accelerate Experimentation -- 2 Classification of Key Attributes of
by
Robinson, Andrew.
Format:
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Excerpt:
Aparajito -- 3. An Epic in Production: Making the Apu Trilogy -- 4. Working with Ravi Shankar: The Music of
by
Walter, Jonas T.
Format:
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-- Ultrananocrystalline Diamond.Amorphous Carbon Nanocomposite Films -- Abstract -- 1.Introduction -- 2.Deposition of UNCD
by
Kalnins, Teodors.
Format:
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. ELECTROSYNTHESIS OF PPY -- 3. ELECTROCHEMICAL BEHAVIOUR OF IRON IN AOT SOLUTIONS -- 4. CHARACTERIZATION OF THE FE
by
Rickels, Laurence A.
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. OPERATION ART -- 6. THE ART OF EVERYDAY LIFE -- 7. JOHANNA'S ARK -- OR, DOCUMENTARY FILM'S COVENANT WITH ART
by
Shary, Timothy.
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versus the Military Industrial Complex (Mick Broderick) -- Part 2: Politics and Style -- Chapter 4
by
Jagadish, C. (Chennupati)
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, Su-Huai Wei and S. Limpijumnong) -- 4. Pulsed Laser Deposition of ZnO (V. Gupta and K. Sreenivas) -- 5
by
Somayajulu, D. R. S. editor.
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Nano-Particles of Ni0.8Cu0.2Fe2O4 -- Evidence of Clustering in Heusler like Ferromagnetic Alloys -- Influence of
by
Gallagher, Patrick K. (Patrick Kent), 1931-
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Homogeneous Ethylene Copolymers -- -- 7. Recent Advances In Thermal Analysis Of Thermotropic Mainchain Liquid
by
Sekkat, Zouheir.
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Photoisomerization -- Part B - Photoisomerization in Organic Thin Films -- 4.Photoisomerization and Photo-orientation
Format:
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-- Introduction -- 1 The Garden in the Machine -- 2 Voyages of Life -- 3 Avant-Gardens -- Plates A -- 4
by
Dissanayake, Wimal.
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Remarks -- 1 Translingual Practice: The Discourse of Individualism between China and the West -- 2 Samsara
by
Bonča, Janez. editor.
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Excerpt:
Nitrogen Co-Modified Titanium Dioxide Nanocomposites -- Physical Properties of (As2Se3)1-x:Snx and(As4S3Se3
by
Andrews, David L.
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Excerpt:
-- References -- Chapter 7: Magnetic Control of Spin in Molecular Photonics -- 7.1 Introduction -- 7.2 A Survey
by
Silver, Carol Ruth.
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-- Chapter 1 New York -- Chapter 2 Traveling South -- Chapter 3 The Crime -- Chapter 4 Justice -- Chapter 5
by
Nagib, Lúcia.
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HISTORY AND POLITICS OF IMPURITY -- 1. From Impurity to Historicity -- 2. The Politics of Impurity -- PART
by
Davis, Ronald L.
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-- Chapter 2. Early College and England -- Chapter 3. Marriage, Graduation, and Summer Stock -- Chapter 4
by
Fink, Charlotte Christina.
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Female -- 7.2. Single Women's Attractiveness and Sexuality meet Age -- 7.3. Single Older Women in
by
Grant, Barry Keith.
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(Andrew Tudor) -- 2. The Idea of Genre in the American Cinema (Edward Buscombe) -- 3. A Semantic/Syntactic
by
Virk, Hardev Singh.
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Excerpt:
PbTi0.7Zr0.3O3 and Co0.6Zn0.4Fe2O4-PVDF-BaTi0.7Zr0.3O3 Multiferroic Composite Films -- Ferromagnetic
by
Schlesinger, Mordechay.
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CONSIDERATIONS -- 2 ELECTRODEPOSITION OF COPPER -- 3 ELECTRODEPOSITION OF NICKEL -- 4 ELECTRODEPOSITION OF GOLD
272.
by
Kaeaepae, Pietari.
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-- Chapter 7: The problems of post-national integration: Aki Kaurismäki's international films, 1989-1992 171
by
Smedley, Nick.
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-- Case Study 2: Sex, Violence and Alcohol: Billy Wilder in the 1940s -- Chapter 4: The Devil is a Woman
by
Elliott, Paul.
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Self -- 3. Neuroscience and Embodiment: Exploring the Thinking Flesh -- PART TWO: THE FILMS -- 4. On
275.
by
iSmithers.
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is still unsolved -- Paper 7 Polymer-nanophosphor composites for some light relief -- SESSION 4
by
Talmon, Miri.
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Soldier on the Israeli Screen (Eran Kaplan) -- 6. The Lady and the Death Mask (Judd Neʼeman) -- 7. Coping
277.
by
Harper, Graeme.
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: Introduction - Cinema and Landscape -- PART I: The Invention of the Cinematic Landscape -- Chapter 2: Landscape
by
Organization, World Health.
Format:
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films with Giemsa stain -- Learning unit 6: The microscope -- Learning unit 7: Examining blood films
by
Knight, Timothy.
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FILMS 1941-1952 -- PART 2 THE CROONER COMES BACK 1953-1959 -- FROM HERE TO ETERNITY -- SUDDENLY -- YOUNG
by
Rapra, iSmithers.
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films -- SESSION 2: SMART TEXTILES -- Paper 5 Preparation and application of responsive coatings
by
Serlin, David.
Format:
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Excerpt:
Australia and Asia -- 2. Cultural Communication in Picturing Health: W. W. Peter and Public Health Campaigns
by
Amad, Paula.
Format:
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Excerpt:
-- Acknowledgments -- Abbreviations -- Introduction -- 1: World Souvenir: "Mr. K" and the Archives de la Planète -- 2
by
Compo, Susan A.
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Good Horse -- 3 Hi, I'm Warren -- 4 Have Gumption--Will Travel -- 5 Bullfights and Boots -- 6 A Diamond
by
Telle, Jason R.
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Solid State NMR -- Abstract -- 1. Introduction -- 2. Li-7 NMR Studies of Hard-Carbon Pores -- 3
by
Griffiths, Robin.
Format:
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4: The Body Picturesque: The Films of Bavo Defurne -- Chapter 5: The Mechanical Reproduction of
by
Austin, Thomas.
Format:
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Excerpt:
theses on self-inscription -- Chapter 4: ' …To Leave the Confinements of His Humanness': Authorial voice
by
Low, Brian J.
Format:
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Excerpt:
Disequilibrium: Social Relations in the Cinematic Society, 1968-89 -- 7 Conclusion: The Century of the Cinematic
by
Borofsky, Rob.
Format:
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American Anthropology -- 4 Broader Issues at Stake in the Controversy -- 5 Keeping Yanomami Perspectives in
by
Walker-Kuhne, Donna.
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FUTURE -- 1. Research/Product -- 2. The Business of Art -- 3. Diversify Staff -- 4. Diversify
by
Kellow, Brian.
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. 1904-1914 -- 4. 1914-1920 -- 5. 1920-1924 -- 6. 1925-1927 -- 7. 1927-1929 -- 8. 1929-1930 -- 9. 1930
by
King, D. A. (David Anthony), 1939-
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ultrathin metal films on TiO<INF>2</INF> surfaces. -- 12. Intrinsic stress of epitaxial thin films and
by
Rancourt, James D.
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7. Future prospects. 7.1. Ion beams; 7.2. Nonvacuum processes; 7.3. Inhomogeneous films; 7.4
by
Naficy, Hamid.
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. Organizations sponsoring "newscasts" by telephone in Los Angeles -- Table 4. Feature fiction films made by
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Sciammarella, Cesar. editor.
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Derivatives Encoded in Fringe Patterns -- 4.Recent Optical Measurements for the Mechanical Properties of Thin
by
James, David E.
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-- Introduction -- Chapter 1 Distribution Center for Experimental Films -- Chapter 2 Personal Chronicle: The
by
Wieckowski, Andrzej.
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MEDIATORS -- 7.3 HETEROGENEOUS SYSTEMS: SURFACE-CONFINED P450 FILMS -- 7.4 THOUGHTS ABOUT THE FUTURE OF P450
by
Merida-Jimenez, Rafael M.
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Transvestite to the Transsexual Óscar Guasch & Jordi Mas 51 -- 4-Embodiments of Class and Nation in Eloyde la
by
Crutchley, Edward B.
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Materials for Effects and Other Special Colours -- 6 Films, Foils and Labels -- 7 Inks, Paints, Coatings
by
Phillips, Kendall R.
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Left -- Part Three: Desolate Frontiers in the Films of John Carpenter -- 7. Sites under Siege: Dark
by
Imae, Toyoko.
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Films -- IV.3 Dynamics of Polymers -- IV.4 Inhomogeneous Structure and Dynamics of Condensed Soft Matter
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