1.
by
Leitch, Thomas.
Format:
Electronic Resources
Excerpt:
Crime Films. Leitch, Thomas.
by
Alvarez, Max.
Format:
Electronic Resources
Excerpt:
Crime films -- United States -- History and criticism.
View Other Search Results
by
Kane, Leslie, 1945-
Format:
Electronic Resources
Excerpt:
The art of crime the plays and films of Harold Pinter and David Mamet / Kane, Leslie, 1945-
by
Sloniowski, Jeannette, 1946- editor.
Format:
Electronic Resources
Excerpt:
Crime films.
by
Street, Karen Lee.
Format:
Electronic Resources
Excerpt:
Crime films.
by
Forshaw, Barry.
Format:
Electronic Resources
Excerpt:
Crime films -- Great Britain.
by
Curti, Roberto, 1971-
Format:
Electronic Resources
Excerpt:
Crime films -- Italy -- Catalogs.
by
Spicer, Andrew, 1953-
Format:
Electronic Resources
Excerpt:
Crime films -- Dictionaries.
by
Freedman, Carl.
Format:
Electronic Resources
Excerpt:
Crime films -- History and criticism.
by
Anastasia, George.
Format:
Electronic Resources
Excerpt:
Crime films -- History and criticism.
by
Fay, Jennifer.
Format:
Electronic Resources
Excerpt:
Crime films -- History and criticism.
by
Munby, Jonathan.
Format:
Electronic Resources
Excerpt:
Crime films -- United States -- History and criticism.
by
Gervasi, Sacha, film director, screenwriter.
Format:
Video disc
Excerpt:
Crime films.
by
Delbosc, Olivier.
Format:
Video disc
Excerpt:
Crime films.
by
Young, Alison.
Format:
Electronic Resources
Excerpt:
Crime films -- History and criticism.
by
Kieślowski, Krzysztof, 1941-1996, screenwriter, film director.
Format:
Video disc
Excerpt:
Crime films.
by
Gladstein, Richard N.
Format:
Video disc
Excerpt:
Crime films.
by
Lee, Daryl.
Format:
Electronic Resources
Excerpt:
Crime films -- History and criticism.
by
Akar, Serdar.
Format:
Video disc
Excerpt:
Crime films.
by
Kimmel, Sidney, film producer.
Format:
Video disc
Excerpt:
Crime films.
by
Harlin, Renny.
Format:
Video disc
Excerpt:
Crime films.
22.
by
Forshaw, Barry, editor.
Format:
Electronic Resources
Excerpt:
Crime films -- History and criticism.
by
Bonaventura, Lorenzo di, film producer.
Format:
Video disc
Excerpt:
Crime films.
by
Besson, Luc.
Format:
Video disc
Excerpt:
Crime films.
by
Picart, Caroline Joan "Kay" S., 1966- editor.
Format:
Electronic Resources
Excerpt:
Crime films -- History and criticism.
by
Burton, Jon, screenwriter, film producer, film director.
Format:
Video disc
Excerpt:
Crime -- Juvenile films.
by
Gilroy, Dan, 1959- screenwriter, film director.
Format:
Video disc
Excerpt:
Crime films.
by
Scott, Ridley.
Format:
Video disc
Excerpt:
Crime films.
by
Packer, Will.
Format:
Video disc
Excerpt:
Crime films.
by
Bevan, Tim.
Format:
Video disc
Excerpt:
Crime films.
by
Lang, Fritz, 1890-1976, screenwriter, film director.
Format:
Video disc
Excerpt:
Crime films.
by
McDonagh, Martin, producer, screenwriter, director.
Format:
Video disc
Excerpt:
Crime films.
by
Baltasar Kormákur, 1966-, film director.
Format:
Video disc
Excerpt:
Crime films.
by
Fleischer, Ruben, film director.
Format:
Video disc
Excerpt:
Crime films.
by
Nolan, Christopher, 1970- film director, screenwriter.
Format:
Video disc
Excerpt:
Crime films.
by
Eisenberg, Jesse, 1983- actor.
Format:
Video disc
Excerpt:
Crime films.
by
Condon, Bill, 1955- film director.
Format:
Video disc
Excerpt:
Crime films.
38.
by
Lin, Justin.
Format:
Video disc
Excerpt:
Crime films.
by
Bach, Aleksander, film director.
Format:
Video disc
Excerpt:
Crime films.
42.
by
Sinclair, Nigel, film producer.
Format:
Video disc
Excerpt:
Crime films.
by
Alfredson, Tomas, 1965- film director.
Format:
Video disc
Excerpt:
Crime films.
by
Cooper, Scott, 1970- film director, screenwriter.
Format:
Video disc
Excerpt:
Crime films.
by
Nolan, Christopher, 1970-
Format:
Video disc
Excerpt:
Crime films.
by
Gansel, Dennis, 1973- director.
Format:
Video disc
Excerpt:
Crime films.
by
Wyman, J. H., 1967-
Format:
Video disc
Excerpt:
Crime films.
by
Staermose, Soren, 1952-
Format:
Video disc
Excerpt:
Crime films.
by
Waugh, Scott, film director.
Format:
Video disc
Excerpt:
Crime films.
by
Gray, F. Gary, film director.
Format:
Video disc
Excerpt:
Crime films.
by
Dominik, Andrew, screenwriter, film director.
Format:
Video disc
Excerpt:
Crime films.
by
Jarmusch, Jim, 1953-
Format:
Video disc
Excerpt:
Crime films.
53.
by
Baird, Jon S., 1972- screenwriter, film director, film producer.
Format:
Video disc
Excerpt:
Crime films.
54.
by
Espinosa, Daniel, 1977- film director.
Format:
Video disc
Excerpt:
Crime films.
by
Fincher, David, film director.
Format:
Video disc
Excerpt:
Crime films.
57.
by
Padilha, José, film director.
Format:
Video disc
Excerpt:
Crime films.
by
Misher, Kevin.
Format:
Video disc
Excerpt:
Crime films.
by
Stµrmose, Soren.
Format:
Video disc
Excerpt:
Crime films.
by
Nicol, Bran.
Format:
Electronic Resources
Excerpt:
Crime films -- Great Britain -- History and criticism.
by
Ritchie, Guy, film director.
Format:
Video disc
Excerpt:
Crime films.
by
Herzog, Todd.
Format:
Electronic Resources
Excerpt:
Crime films -- Germany -- History -- 20th century.
by
Wan, James, 1977- film director.
Format:
Video disc
Excerpt:
Crime films.
64.
by
Ritchie, Guy, film director.
Format:
Video disc
Excerpt:
Crime films.
by
Vajna, Andrew G., 1944- film producer.
Format:
Video disc
Excerpt:
Crime films and programs.
by
Lin, Justin, film director.
Format:
Video disc
Excerpt:
Crime films.
by
Prince, Stephen.
Format:
Electronic Resources
Excerpt:
: Primary Sample of Films -- Appendix B: The Production Code -- Appendix C: Special Regulations on Crime in
by
MacDonald, Erin E.
Format:
Electronic Resources
Excerpt:
all of Evan Hunter's/Ed McBain's works, characters, recurring themes. From detective and crime stories
69.
by
Mason, Fran, 1962-
Format:
Electronic Resources
Excerpt:
Preface -- Exploring detective films in the 1930s and 1940s: genre, society and Hollywood -- "Such
by
Trevor Harris, Dominique Daniel (dir.)
Format:
Books
Excerpt:
l'agrégation d'anglais : le crime organisé à la scène et à l'écran, 1929- 1951. L'approche choisie a été de
by
Miller, Elizabeth Carolyn.
Format:
Electronic Resources
Excerpt:
" - Female Revolutionaries in Late-Victorian Dynamite Narrative -- Afterword -- Notes -- Films Cited -- Works
by
Meehan, Paul, 1948-
Format:
Electronic Resources
Excerpt:
, comedy and children's films -- Paranormal crime and melodrama -- The dark side of ESP : horror and
by
Richard Bégin
Format:
Books
Excerpt:
excentriques, les films de Raoul Ruiz abondent en thèmes et figures dites baroques. On y découvre aussi un
by
Hughes, Howard, 1905-1976, film producer.
Format:
Video disc
Excerpt:
"An exciting story of organized crime's brutal control over Chicago during the prohibition era
by
Brasch, Ilka
Format:
Books
Excerpt:
marketing and exhibition and that they adapt the pleasures of a flourishing crime fiction culture to both
by
Kuppers, Petra.
Format:
Electronic Resources
Excerpt:
controversial Body Worlds exhibition of plastinized corpses, films like David Cronenbergs Crash that fetishize
by
Michalcyzk, John J.
Format:
Books
Excerpt:
experimentation and extermination of Jews and non-Jews in the gas chambers and crematoria. These films, some
by
Shary, Timothy.
Format:
Electronic Resources
Excerpt:
Encounters -- tough Girls -- Crime Until 1999 -- Crime after Columbine -- Conclusion -- 4. The Youth Horror
by
Goldsmith, Ben.
Format:
Electronic Resources
Excerpt:
-- Directors -- Disability in the Australian Cinema -- Short Films -- Bushranger -- War Cinema -- Crime
by
Lumley, Robert, 1951-
Publisher description http://www.loc.gov/catdir/enhancements/fy0809/2004478846-d.html
Format:
Books
Excerpt:
films of Cipri and Maresco / Abele Longo -- Adriati-citta : notes on a post-industrialist landscape
by
Gerwin van der Pol
Format:
Books
Excerpt:
/DK/UK/FR/FI/SE/DE/ IT/NO 2003), a film used as comparison. Both films exemplify that in the end, the
by
Forshaw, Barry.
Format:
Electronic Resources
Excerpt:
Scandinavian crime fictionThis information-packed study examines and celebrates books, films, and TV
by
Hitchcock, Alfred, 1899-1980.
Format:
Video disc
Excerpt:
It only takes one witness to spoil the perfect crime in one of the most acclaimed suspense films of
by
Shary, Timothy.
Format:
Electronic Resources
Excerpt:
Encounters -- Patriotic Purpose -- Tough Girls -- The African American Crime Drama -- Conclusion -- Chapter 4
by
Jankowska, Anna.
Format:
Electronic Resources
Excerpt:
(Irena Michalewicz) -- Part 4. Subtitling for the Deaf and Hard-of-Hearing -- It's Crime Time: About the
by
Rocha, Carolina.
Format:
Electronic Resources
Excerpt:
Nation in Three Argentine Films -- Chapter 10: Money to Burn, Burnt Money: Crime, Violence and
by
Baker, Aaron.
Format:
Electronic Resources
Excerpt:
Outsiders: Alienation and Crime -- Critical Violence and Out of Sight -- Words as Weapons: The Limey and
by
Dixon, Wheeler Winston.
Format:
Electronic Resources
Excerpt:
were common in popular films. Illustrated throughout with intriguing, rare stills and organized to
by
Shadoian, Jack.
Format:
Electronic Resources
Excerpt:
/Post-Noir: The Top 14 -- Appendix 3 50 Post-Godfather Crime/Noir Films Worth a Look -- Appendix 4 Aging Well
by
Mahadevan, Sudhir.
Format:
Electronic Resources
Excerpt:
-- Photo-Illustrations and Film -- Mimesis or Exemplarity? Crime Films and Photographs and the Legacy of Topicality
by
Convard, Quentin.
Format:
Electronic Resources
Excerpt:
des prisonniers -- Répercussions -- Vers une juridiction internationale -- Définir le crime contre
by
Convard, Quentin.
Format:
Electronic Resources
Excerpt:
l'histoire américaine -- La réorganisation du crime -- Des objectifs manqués -- En résumé -- Pour aller plus
by
Waldron, Dara.
Format:
Electronic Resources
Excerpt:
coinciding with a fascination with crime, death, murder, horror, etc. Films which address the problem of evil
by
Spicer, Andrew.
Format:
Electronic Resources
Excerpt:
, Michael Caine and Crime Thrillers -- 5. Rivalling the big boys: Wilbur Smith, Gold and Shout at the Devil
by
Geraghty, Lincoln.
Format:
Electronic Resources
Excerpt:
-- Historical Films -- Essay -- Reviews -- Musicals -- Essay -- Reviews -- War Films -- Essay -- Reviews
by
Hunter, Jefferson.
Format:
Electronic Resources
Excerpt:
: Jennings's Listen to Britain -- Two American Gangsters, English Crime Films, and Dennis Potter -- George
by
Humphries, Drew.
Format:
Electronic Resources
Excerpt:
Women in Hollywood Films -- Chapter 4. What About Women? The Representation of Women in Media, Crime
by
Phillips, Alastair.
Format:
Electronic Resources
Excerpt:
robbery sequence, it is both a classic French film noir and one of the greatest, most influential crime
by
Brode, Douglas, 1943- editor.
Format:
Electronic Resources
Excerpt:
/ Allison Craven -- Deviance in Disney: of crime and the magic kingdom / Rebecca Rabison -- Anti-semitism
by
Cunningham, Frank R.
Format:
Electronic Resources
Excerpt:
Trust a Cop Who Don't Take Money?" -- Dog Day Afternoon: The Contemporary Urban Absurd -- Network: Crime
by
Silberman, Marc.
Format:
Electronic Resources
Excerpt:
Cold: DEFA's Crime Films -- Chapter 8. A Late Genre Fade: Utopianism and its Twilight in DEFA's Science
by
Lewis, Janet.
Format:
Electronic Resources
Excerpt:
intrigue. Their fascinating story has also inspired a bestselling historical study and two films, including
by
Palmer, Tim.
Format:
Electronic Resources
Excerpt:
documentary and realism to the Tradition of Quality, as well as genres like comedy, crime film, and horror
by
Tasker, Yvonne.
Format:
Electronic Resources
Excerpt:
' in both its pleasure and its politics, arguing that these controversial films should be analysed and
by
Conolly, Jez.
Format:
Electronic Resources
Excerpt:
population, produces more films per capita than any other in the world. The contributors to this volume trace
by
Conolly, Jez.
Format:
Electronic Resources
Excerpt:
histories are appraised, as are its music scene, its familiar faces, its element of organised crime and its
by
Holbrook, Morris B.
Format:
Electronic Resources
Excerpt:
crime-plus-jazz genre. Pete Kelly's blues (1955) -- The Cotton Club (1984) -- Kansas City (1996) -- Jazz, films
by
Stanfield, Peter.
Format:
Electronic Resources
Excerpt:
Postwar Cycle of Boxing Films -- Chapter 5: The Violent Poetry of the Times: The Politics of History in
by
Chibnall, Steve.
Format:
Electronic Resources
Excerpt:
films including: * acclaimed recent crime films such as Shallow Grave, Shopping, and Face. * early
by
Conway, Kelley, Prof.
Format:
Electronic Resources
Excerpt:
masculinity. She shows how-in films such as Pépé le Moko, Le Crime de Monsieur Lange, and Zouzou-the realist
by
Forshaw, Barry.
Format:
Electronic Resources
Excerpt:
European noir fiction, films, and televisionThe invasion of foreign crime fiction, films, and TV-and not
by
Hortelano, Lorenzo.
Format:
Electronic Resources
Excerpt:
and explore important genres such as Biography, Guerra Civil (Civil War), Comedy, Crime, Documentary
by
Conard, Mark T.
Format:
Electronic Resources
Excerpt:
Ingmar:The Aesthetic Purging of the Great Model -PER F. BROMAN -- Act III: Five Films -- 11. The Dangers of
by
Ty, Eleanor.
Format:
Electronic Resources
Excerpt:
freedom that globalization promises in their depiction of the underworld of crime and prostitution. She
by
Krutnik, Frank.
Format:
Electronic Resources
Excerpt:
, Double Indemnity, Out of the Past and The Killers , alongside lesser known but nonetheless crucial films
by
Silver, Carol Ruth.
Format:
Electronic Resources
Excerpt:
-- Chapter 1 New York -- Chapter 2 Traveling South -- Chapter 3 The Crime -- Chapter 4 Justice -- Chapter 5
by
Springwood, Charles.
Format:
Electronic Resources
Excerpt:
world today. And guns are everything: a hard-won symbol of individual freedom, an index of crime and
118.
by
Neale, Steve.
Format:
Electronic Resources
Excerpt:
-- ACTION-ADVENTURE -- BIOPICS -- COMEDY -- CONTEMPORARY CRIME: DETECTIVE FILMS, GANGSTER FILMS AND SUSPENSE THRILLERS
by
Furby, Jacqueline.
Format:
Electronic Resources
Excerpt:
Trauma: Grief, Amnesia and Traumatic Memory in Nolan's New Millennial Films, by Fran Pheasant-Kelly -- 8
by
Tapper, Michael.
Format:
Electronic Resources
Excerpt:
series such as Beck and Wallander. The first book of its kind about Swedish crime fiction, Swedish Cops
by
Hughes, Howard.
Format:
Electronic Resources
Excerpt:
, swashbucklers, political cinema, spaghetti westerns and 'poliziotteschi' crime films. The book also traces the
by
Higbee, Will.
Format:
Electronic Resources
Excerpt:
Films on Children -- Chapter 5: The Circular Ruins? Frontiers, Exile and the Nation in Renoir's Le Crime
by
Dickos, Andrew.
Format:
Electronic Resources
Excerpt:
Reception of the Film Noir -- HUAC and the Blacklist -- Fight Pictures -- Caper Films -- Crime Syndicate
by
Cadera, Susanne M.
Format:
Electronic Resources
Excerpt:
multilingualism in the construction of suspense in Alfred Hitchcock's films -- Part III. Transferring narrative
by
Wilson, Charles Reagan.
Format:
Electronic Resources
Excerpt:
Schools -- Criminal Justice through the Civil Rights Era -- Dueling -- Feuds and Feuding -- Films about
by
Sharp, Susan F., 1951-
Format:
Electronic Resources
Excerpt:
sensational coverage of homicides, the plethora of recreated television crime programs-such as America's Most
by
Hitchcock, Alfred.
Format:
Electronic Resources
Excerpt:
) -- Nova Grows Up (1938) -- Crime Doesn't Pay (1938) -- What I'd Do to the Stars (1939) -- Elegance Above
by
Irwin, William.
Format:
Electronic Resources
Excerpt:
: How to Hijack a Mind: Inception and the Ethics of Heist Films -- 9: Inception, Teaching, and Hypnosis
by
Hughes, Howard.
Format:
Electronic Resources
Excerpt:
making, locations and sets. It also explores each film's sources and influences, its impact on the crime
by
Rollins, Peter C.
Format:
Electronic Resources
Excerpt:
-- Elections and Party Politics -- Filmography -- Feminism and Feminist Films -- Filmography -- Railroads
131.
by
Rollins, Peter C.
Format:
Electronic Resources
Excerpt:
-- Feminism and Feminist Films -- Railroads -- Sexuality -- Slavery -- Myths and Heroes -- The American Adam
by
Deflem, Mathieu.
Format:
Electronic Resources
Excerpt:
-- Introduction: The criminology of popular culture -- References -- Part I: Crime and Social Control in the
by
D'Lugo, Marvin.
Format:
Electronic Resources
Excerpt:
and Uses of Autobiography in Almodóvar's Films -- Inventing the Self: Autobiography between Fact and
by
Stone, Rob.
Format:
Electronic Resources
Excerpt:
Instincts -- The Rewriting of the Script during Editing and Dubbing -- The Film's Release and Reception
by
Economist, The.
Format:
Electronic Resources
Excerpt:
drinkers -- Wine drinkers -- Alcoholic drinks -- Smokers -- Crime and punishment -- Police -- Robberies
by
Pant, Millie. editor.
Format:
Electronic Resources
Excerpt:
. Improvised Cyber Crime Investigation Model -- Chapter 67. Performance of Wideband Falcate Implantable Patch
by
Phillips, Alastair.
Format:
Electronic Resources
Excerpt:
Responsibilities: The Evolving Figure of the Artist in Renoir's Films, 1928-1939 -- The Artist is "Good for Nothing
by
Frisby, Craig L.
Format:
Electronic Resources
Excerpt:
of Genetics -- The Impact of Crime on Neighborhoods and Families -- Children's Exposure to Crime
Limit Search Results