by
Erhart, Julia, author.
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Gendering history on screen : women filmmakers and historical films / Erhart, Julia, author.
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Kanzog, Klaus, author.
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Excerpt:
Historical films -- Germany.
4.
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Özakman, Turgut, 1930-
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Historical films -- Turkey.
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Eisenstein, Sergei Mikhailovitch, 1898-1948.
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Historical films
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Aleksandrov, Grigori
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Historical films.
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Bloom, Orlando, 1977-
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Historical films.
by
Salmi, Hannu.
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Historical films.
by
sterberg, Bertil O., author.
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Historical films -- United States -- Catalogs.
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Morey, Kathryn Anne, 1987-
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Historical films -- History and criticism.
by
Francaviglia, Richard V.
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Historical films -- History and criticism.
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Niemi, Robert.
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Historical films -- History and criticism.
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Barta, Tony.
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Historical films -- History and criticism.
by
Michelakis, Pantelis.
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Historical films -- History and criticism.
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Eisenstein, Sergei Mikhailovitch, 1898-1948.
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Excerpt:
Historical films.
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Eisenstein, Sergei Mikhailovitch, 1898-1948.
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Historical films -- Russia (Federation)
by
Cullen, Jim, author.
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Historical films -- United States -- History and criticism.
by
Smyth, J. E., 1977-
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Historical films -- United States -- History and criticism.
by
Monk, Claire, 1963- editor.
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Historical films -- Great Britain -- History and criticism.
by
Mintz, Steven, 1953- editor.
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Historical films -- United States -- History and criticism.
by
Gibson, Mel.
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Historical films.
by
Peretti, Burton W.
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Historical films -- United States -- History and criticism.
by
Gallagher, Gary W.
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Historical films -- United States -- History and criticism.
by
Cartmell, Deborah.
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Historical films -- History and criticism.
by
Skoller, Jeffrey.
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Historical films -- History and criticism.
by
Tracey, Grant Annis George, 1960-
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Historical films -- United States -- History and criticism.
by
Chapman, James.
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Historical films -- Great Britain -- History and criticism.
by
İlhan, Biket.
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Historical films.
by
Scott, Ridley.
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Historical films.
by
Fiennes, Ralph.
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Historical films.
by
Schwartz, Stefan, film director.
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Historical films.
by
Özakman, Turgut, screenwriter. Dersimiz: Atatürk.
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Historical films.
by
Kosmidou, Eleftheria Rania, 1971-
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Historical films -- Europe -- History and criticism.
by
Akkad, Moustapha.
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Historical films.
38.
by
Petzold, Christian, 1960-
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Historical films.
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Özberk, Özge, 1976-
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Visual Materials
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Historical films.
40.
by
Davey, Bruce.
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Historical films.
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LeCoat, Jenney, screenwriter.
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Historical films
by
Lee, Daniel.
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Excerpt:
Historical films.
by
Frey, Mattias.
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Excerpt:
Historical films -- Germany -- History and criticism.
by
Beaudin, Jean, 1939-
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Historical films.
by
Döker, Hamdi, film producer.
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Historical films.
by
Miou-Miou, 1950-
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Historical films.
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Cheng, Long, 1954- film producer, actor.
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Historical films.
50.
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Sarde, Alain, 1952-
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Historical films.
52.
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Newell, Mike, 1942-
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Historical films.
by
Peretti, Burton W. (Burton William), 1961-
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Historical films -- United States -- History and criticism.
by
Pollack, Sydney, 1934-
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Historical films.
56.
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Amenabar, Alejandro, 1972-
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Historical films.
58.
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Mueller, Niels.
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Historical films.
60.
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Lowry, Dick.
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Historical films.
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Manson, David, writer.
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Historical films.
62.
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Dönmez, Altan, film director.
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Historical films.
63.
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Lancaster, Burt, 1913-1994.
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Historical films.
64.
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İlhan, Attila.
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Visual Materials
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Historical films -- Turkey.
by
Marlton, Steve.
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Excerpt:
Historical films.
by
Landsberg, Alison.
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Excerpt:
Historical films -- History and criticism.
by
Di Carmine, Roberta.
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Historical films -- Italy -- History and criticism.
68.
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Forman, Miloš, film director, screenwriter.
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Historical films.
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Griffith, D. W. (David Wark), 1875-1948.
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Historical films.
by
Smith, Bent.
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Historical films.
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Barta, Tony, 1942-
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Excerpt:
Historical films -- History and criticism.
by
Thomas, Jeremy.
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Historical films.
by
Zwick, Edward.
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Historical films.
74.
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Kubrick, Stanley, film director.
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Historical films.
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Schamus, James, 1959- screenwriter, film producer.
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Excerpt:
Historical films.
by
Cartledge, Paul.
Format:
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Excerpt:
Historical films -- History and criticism.
by
Marshall, Rob.
Format:
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Excerpt:
Historical films.
by
Eichinger, Bernd.
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Historical films.
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Marsh, James, 1963- film director.
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Historical films.
80.
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Brody, Adrien.
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Historical films.
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Rickman, Alan, screenwriter, film director, actor.
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Historical films.
by
Costner, Kevin, film producer, film director, actor.
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Historical films.
by
Yip, Wilson, film director.
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Historical films.
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Nemes, László, 1977- screenwriter, film director.
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Historical films.
85.
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Hazanavicius, Michel, screenwriter, director.
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Historical films.
by
Oscherwitz, Dayna.
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Historical films -- France -- History and criticism.
by
Lloyd, Phyllida.
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Historical films.
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Bardem, Javier, 1969-
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Historical films.
89.
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Goldman, Alain.
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Historical films.
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Costner, Kevin, actor.
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Historical films.
92.
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Fiennes, Joseph, 1970- actor.
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Historical films.
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Tarantino, Quentin, screenwriter, director.
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Historical films.
94.
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Eisenstein, Sergei, 1898-1948, film director, screenwriter.
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Excerpt:
Historical films.
by
Pucci, Suzanne R.
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Excerpt:
Historical films -- History and criticism.
96.
by
Hughes, Ken, 1922-2001.
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Historical films.
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Nelson, Tim Blake.
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Historical films.
98.
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Hallström, Lasse.
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Historical films.
by
Stone, Oliver.
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Historical films.
100.
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Mikhalkov-Konchalovskii, Andrei Sergeevich.?UNAUTHORIZED
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Historical films.
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Anderson, Paul Thomas, film director, film producer, screenwriter.
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Excerpt:
Historical films.
by
Broadbent, Graham.
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Historical films.
103.
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Daldry, Stephen.
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Historical films.
104.
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Bevan, Tim.
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Historical films.
by
McQueen, Steve, 1969- film director, film producer.
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Historical films.
by
Brown, Stephen Joel, film producer
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Historical films.
107.
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Bigelow, Kathryn, producer, director.
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Historical films.
108.
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Davies, Andrew, 1936-
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Historical films.
by
Ben Ammar, Tarek.
Format:
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Historical films.
110.
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Newman, David, 1937-2003, screenwriter.
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Historical films.
by
Forman, Milos.
Format:
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Historical films.
by
Dwyer, Finola.
Format:
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Excerpt:
Historical films.
by
Firth, Colin, 1960-
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Excerpt:
Historical films.
by
Karmitz, Marin, film producer.
Format:
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Excerpt:
Historical films.
by
González Iñárritu, Alejandro, film director, screenwriter.
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Historical films.
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Garnier, Katja von, film director.
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Historical films.
117.
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McCarthy, Tom, 1966- film director, screenwriter.
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Historical films.
118.
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Robinson, Amy.
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Historical films.
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McKay, Adam, 1968- film director, screenwriter.
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Historical films.
by
Hanks, Tom.
Format:
Video disc
Excerpt:
Historical films.
by
Bryer, Lisa, film producer.
Format:
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Excerpt:
Historical films.
by
Bevan, Tim.
Format:
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Excerpt:
Historical films.
by
Casey, Michael.
Format:
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Excerpt:
Historical films.
by
Parrill, Sue, 1935-
Format:
Electronic Resources
Excerpt:
Historical films -- History and criticism.
125.
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Lean, David, 1908-1991, film director.
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Historical films.
126.
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Close, Glenn, 1947- actor.
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Historical films.
127.
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Kaufman, Philip, 1936- screenwriter, film director.
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Historical films.
by
Pontecorvo, Gillo, 1919-2006.
Format:
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Excerpt:
Historical films -- Algeria.
by
Levin, Joni.
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Historical films.
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Vinterberg, Thomas, 1969- film director.
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Historical films.
131.
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Fields, Freddie, film producer.
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Historical films.
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Tyldum, Morten, film director.
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Historical films.
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Fiennes, Ralph, film director, actor.
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Historical films.
134.
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Howard, Ron, film director.
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Historical films.
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Herman, Mark, screenwriter, film director, film producer.
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Historical films.
136.
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Nunnari, Gianni, film producer.
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Historical films.
by
Caleb, Ruth.
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Historical films.
138.
by
Eichinger, Bernd.
Format:
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Historical films.
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Truffaut, François, screenwriter, film director.
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Historical films.
140.
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Wong, Edmond, screenwriter.
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Historical films.
141.
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Scorsese, Martin, film director, film producer, screenwriter.
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Historical films.
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Hudson, Hugh, film director.
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Historical films.
by
Phillippe, Ryan, 1974- actor.
Format:
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Historical films.
by
Guevara, Ernesto, 1928-1967. Pasajes de la Guerra Revolucionaria.
Format:
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Historical films.
by
Hayes, Jocelyn.
Format:
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Historical films.
by
Brühl, Daniel, 1978- actor.
Format:
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Excerpt:
Historical films.
by
Snyder, Zack, 1966- screenwriter, film producer.
Format:
Video disc
Excerpt:
Historical films.
by
Bordwell, David, author.
Format:
Books
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analysis of films. Film criticism : sample analyses -- Film history. Historical changes in film art
by
Lameris, Bregt
Format:
Books
Excerpt:
Lameris shows how archival films and collections always carry historical traces.
150.
by
Ezra, Elizabeth.
Format:
Electronic Resources
Excerpt:
VISIONS -- Early Short Films: The Eternal Return -- Cutting off the Past: Historical Trauma in
by
Prince, Stephen.
Format:
Electronic Resources
Excerpt:
, available to enhance both realist films and cinematic fantasies. He offers a detailed exploration of each of
by
Ginsberg, Terri.
Format:
Electronic Resources
Excerpt:
The Historical Dictionary of Middle Eastern Cinema covers the production and exhibition of cinema
by
Block, Marcelline.
Format:
Electronic Resources
Excerpt:
, as well as offering close analyses of films from a range of countries, genres, and historical moments
by
Cristiana Facchini
Format:
Books
Excerpt:
published a historiographical account of the 'historical Jesus', a discrete number of silent films devoted
by
Bottini, Cinzia, author.
Format:
Electronic Resources
Excerpt:
the '30s and '50s. UPA Films as Simplified Visual Language in Animation. The UPA Formula. Conclusion
by
Barker, Deborah E.
Format:
Electronic Resources
Excerpt:
-- Chapter 1. Confederate Abjection in D. W. Griffith's Early Civil War Films and Thomas Dixon's Clansman
by
Schiecke, Konrad, 1938-
Format:
Electronic Resources
Excerpt:
-- The movie palaces and the films that talked -- An era ends -- A rebirth -- The theatres. The theatres
by
Booker, Keith M.
Format:
Electronic Resources
Excerpt:
The Historical Dictionary of American Cinema provides broad coverage of the people, films
by
Reyland, Nicholas W.
Format:
Electronic Resources
Excerpt:
Reyland provides historical context for the music and explores the life of the composer, the narrative
by
James, Deveryle.
Format:
Electronic Resources
Excerpt:
against Women in Film explores the pernicious nature of rape in films from the silent era to the 21st
by
Booker, Keith M.
Format:
Electronic Resources
Excerpt:
The Historical Dictionary of Science Fiction Cinema provides broad coverage of the people, films
by
Shea, Therese.
Format:
Electronic Resources
Excerpt:
investigates their historical origins. Historical fact and imaginative fiction are carefully sorted through
by
Spinelli Coleman, Donatella, 1963-
Format:
Electronic Resources
Excerpt:
decades. This book offers an original analysis of the movement and its defining films from the perspective
by
Zacharasiewicz, Waldemar.
Format:
Electronic Resources
Excerpt:
, autobiographical accounts, travelogues, newspaper reports, films, and even cartoons and political caricatures.
by
Berghahn, Daniela, 1957- author.
Format:
Books
Excerpt:
represented in films such as East is East, Le Grand Voyage, Almanya -- Welcome to Germany, Immigrant Memories
by
Mira, Alberto.
Format:
Electronic Resources
Excerpt:
hundreds of cross-referenced dictionary entries on producers, directors, film companies, actors, and films.
by
Jurinski, James.
Format:
Electronic Resources
Excerpt:
"Tax Reform" is written for the layperson, and provides a brief historical portrait of the US tax
by
Staiger, Janet.
Format:
Electronic Resources
Excerpt:
early 1900s and its exploitation of sexual pleasure. Rich in historical detail and theoretical insight
by
Wilson, Ron.
Format:
Electronic Resources
Excerpt:
ethnicity in American culture in terms of otherness." Films studied include Musketeers of Pig Alley (1912
by
Weisser, Susan Ostrov.
Format:
Electronic Resources
Excerpt:
; masochistic love in films; pornography and its relationship to romance; and reality TV and Internet ads as
by
Larke-Walsh, George S., 1965-
Format:
Electronic Resources
Excerpt:
. This historical study explores the structure, myths and intertextual narratives found in the gangster
by
Reimer, Robert C.
Format:
Electronic Resources
Excerpt:
entries on directors, actors, films, cinematographers, composers, producers, and major historical events
by
Mortimer, Lorraine.
Format:
Electronic Resources
Excerpt:
historical and political upheavals in Eastern Europe-World War II, the unification and breakup of Yugoslavia
174.
by
Lebow, Alisa S.
Format:
Electronic Resources
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lens inward intersects provocatively (and at times unwittingly) with historical tropes and stereotypes
by
Forshaw, Barry.
Format:
Electronic Resources
Excerpt:
in a 1950s historical epic and the erotic obsessions of Fellini to the legacy of Sergio Leon's
by
Carabelli, Giulia
Format:
Books
Excerpt:
advertisements, stills from site-specific art performances and films, and maps, the book illuminates the contours
by
Teresa-M. Sala
Format:
Books
Excerpt:
, people, and historical, social and political events are listed to facilitate analysis in areas such as
by
Rocha, Carolina
Format:
Books
Excerpt:
historical film genres: the historical film genre per se and the gauchesque, a genre based on outlaw gauchos
by
Michalcyzk, John J.
Format:
Books
Excerpt:
experimentation and extermination of Jews and non-Jews in the gas chambers and crematoria. These films, some
by
Compan, Magali.
Format:
Electronic Resources
Excerpt:
understandings of contemporary violence. They all chart, with cultural and historical specificity, the way in
by
Landy, Marcia.
Format:
Electronic Resources
Excerpt:
, African, and Asian cinema, Landy engages in a counter-historical project that calls into question the
by
Armes, Roy.
Format:
Electronic Resources
Excerpt:
globalization, migration and immigration, and exile. This landmark book offers both a coherent, historical
by
Sifaki, Eirini.
Format:
Electronic Resources
Excerpt:
neighborhoods, poor suburbs, and slums often represented in postwar neorealist films-and then on to garden
by
Bijsterveld, Karin
Format:
Books
Excerpt:
soundscapes in historical documents, radio plays and films, and offers insights into themes such as film sound
by
Harries, Martin.
Format:
Electronic Resources
Excerpt:
notion that the sight of historical catastrophe can destroy the spectator. The fragments of this history
by
Ramet, Sabrina P.
Format:
Electronic Resources
Excerpt:
LOVE (OF COUNTRY) GOT TO DO WITH IT? Civic Values in Democratic Transition -- PART I Historical Context
187.
by
Kaufman, Philip, 1936-
Format:
Video disc
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production artifacts, historical facts about the people portrayed in the film, and little known facts about
by
Bruzzi, Stella.
Format:
Electronic Resources
Excerpt:
* movies based on historical events, such as 'JFK' and 'Nixon' * faux documentaries such as This is Spinal
by
Hankin, Kelly.
Format:
Electronic Resources
Excerpt:
lesbian bar, looking at how it is portrayed in such films as Foxy Brown, The Killing of Sister George
by
Welch, David.
Format:
Electronic Resources
Excerpt:
entertainment. He demonstrates how the films sponsored by Goebbels were carefully coordinated for political ends
by
Lindskog, Annika
Format:
Books
Excerpt:
turn-of-the-century travel, to twentieth-century health films and the welfare state, nature ideology, Greenlandic
by
Kappelhoff, Hermann.
Format:
Electronic Resources
Excerpt:
individual experience (which existing political institutions cannot), he reads films by Sergei Eisenstein and
by
Balio, Tino.
Format:
Electronic Resources
Excerpt:
. The History of the Kinetoscope -- 3. The Movies in Vaudeville: Historical Context of the Movies as
by
Berezhnaya, Liliya.
Format:
Electronic Resources
Excerpt:
-- Religion and Politics in Soviet and Eastern European Cinema: A Historical Survey -- Part One Institutional
by
Altenberg, Tilmann.
Format:
Electronic Resources
Excerpt:
political cartoons, feature films and placards. In the light of the centennial commemorations, contributors
by
Crouse, Richard.
Format:
Electronic Resources
Excerpt:
-- Chapter Six: The Devils' Context -- Chapter Seven: The Film's Release -- Chapter Eight: Renaissance of The
by
Vidal, Belén.
Format:
Electronic Resources
Excerpt:
century, examining the ways in which contemporary cinema recreates the historical past. This book explores
by
Denzin, Norman K.
Format:
Electronic Resources
Excerpt:
identity narratives : historical and emergent stories of selfhood in a deindustrializing community
199.
by
Berrettini, Mark L.
Format:
Electronic Resources
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pioneering critical overview of his work and its cultural-historical context, Mark L. Berrettini discusses
by
Manuel Lisboa, Maria
Format:
Books
Excerpt:
Atwood's Oryx and Crake, to blockbuster films such as Blade Runner, Armageddon and The Terminator. The
by
Beumers, Birgit.
Format:
Electronic Resources
Excerpt:
-- Aleksandr Sokurov -- Historical Film -- Essay -- Reviews -- War Film -- Essay -- Reviews -- Comedy and
by
Saunders, Dave.
Format:
Electronic Resources
Excerpt:
readings of the major films, including 'Pumping Iron', 'Conan the Barbarian', The 'Terminator' series
by
Field, Amanda.
Format:
Electronic Resources
Excerpt:
detailed critical analysis. The book looks at the films themselves in combination with their historical
by
Zugenmaier, Peter. author.
Format:
Electronic Resources
Excerpt:
throughout the years, as addressed in a historical review, and has inspired significant progress in polymer
205.
by
Marshall, Bill.
Format:
Electronic Resources
Excerpt:
sauvages/Wild Reeds of 1994. This study locates André Téchiné within historical and cultural contexts that
by
Martin-Jones, David.
Format:
Electronic Resources
Excerpt:
, Chaos and Peppermint Candy. Each film is examined in light of a major historical event - including 9/11
by
Conrich, Ian.
Format:
Electronic Resources
Excerpt:
contributions to 'non-musical' films. Aimed at students of film studies, cultural studies and music, it explores
by
McArthur, Colin.
Format:
Electronic Resources
Excerpt:
Historical Distortions -- 9 It Takes One To Know One: Braveheart's Appeal to the Proto-Fascist Psyche
by
Mayne, Judith.
Format:
Electronic Resources
Excerpt:
studies incude the place of the spectator in the textual analysis of individual films such as The Picture
by
Shary, Timothy.
Format:
Electronic Resources
Excerpt:
: Filmography of Youth Films, 1980-2001 -- Appendix B: Subjective Superlative Lists -- Notes -- Bibliography
by
Lu, Hsiao-peng.
Format:
Electronic Resources
Excerpt:
Farewell My Concubine -- Narrative Images of the Historical Passion Those Other Women -On the Alterity in
Format:
Electronic Resources
Excerpt:
With more than 30 films and countless accolades, Steven Spielberg has cemented himself among the
by
Bergman, Teresa.
Format:
Electronic Resources
Excerpt:
Exhibiting Patriotism, Bergman analyzes exhibits, interpretive materials, and orientation films at major US
214.
by
Faulkner, Sally
Format:
Books
Excerpt:
consequences of the movement of films across borders and between institutions. The first study of its kind
by
Cheshire, Ellen.
Format:
Electronic Resources
Excerpt:
traditional genres such as the western or costume drama, depending on the historical figure under scrutiny
by
Frame, Gregory.
Format:
Electronic Resources
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political and historical contexts, it addresses the ways in which representations of the president have
by
Hart, Stephen M.
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cinematographic techniques and visions. He also looks closely at the films themselves, examining how filmmakers
by
Ramey, Lynn T.
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concept of race. Using historical, literary, and artistic sources, Lynn Ramey shows that twelfth- and
by
Hamblyn, Richard.
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popular culture and blockbuster films. From the legend of Atlantis to the present day, this book casts new
by
Shiel, Mark.
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new historical evidence, Hollywood Cinema and the Real Los Angeles gives us a never-before-seen view
by
Champagne, John.
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masculinity in the Italian fascist era. Examining paintings, films, music and literature in light of some of
by
Caudill, Edward.
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websites as a medium of communication. Caudill draws from media sources, trial transcripts, films, as well
by
Langford, Michelle.
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cultural context for the films that have emerged from Germany - including some of the East German films
by
Friedman, Ryan Jay.
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structures of containment that tend to highlight rather than suppress historical tensions surrounding African
by
Tryon, Chuck.
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disciplines, Chuck Tryon addresses the interaction between production, distribution, and reception of films
by
Gutierrez-Albill, Julian Daniel.
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. Gutiérrez-Albilla succeeds in reconceptualizing Buñuel's Mexican and Spanish films beyond geographical, historical
by
Dodds, Klaus.
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, geography, and cultural diversity. Using examples ranging from historical maps and 007 films to the rhetoric
by
Dixon, Wheeler Winston.
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provide historical context, Visions of Paradise surveys a huge array of films that have offered us
by
Verhoeff, Nanna
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relationships between films about the American West, their surrounding films, and other popular media such as
by
Basting, Dirk. editor.
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-- Excimer-Laser Assisted Deposition of Carbon and Boron Nitride-Based High-Temperature Superconducting Films
by
Xiao, Zhiwei.
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historical context to the facts. The alphabetical entries are preceded by a substantial historical section
by
Kramer, Lloyd.
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-- Gender and Historical Understanding -- Canons, Texts, and Contexts -- Part III. Popular Films and
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Ghorbankarimi, Maryam.
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films into their historical, social, and political context.
by
Thanouli, Eleftheria.
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short-circuited the distance that is supposed to separate reality and fiction. The film's narration challenges the
by
Plamper, Jan.
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offering a broad survey of the psychological, biological, and philosophical basis of fear in historical and
by
Geraghty, Lincoln.
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-- Historical Films -- Essay -- Reviews -- Musicals -- Essay -- Reviews -- War Films -- Essay -- Reviews
237.
by
Chen, Ya-chen.
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feminism" and its limitation in the narrative of martial arts films -- Narrative analyses of women and
by
Dobos, Corina.
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Kameda -- "Something nice to remember". Silence and Memory between Generations in Two Gulag Films - Oana
by
Mitchell, Neil.
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film scenes and evocative essays about key directors, themes, ideas and historical periods that explore
by
Hirsch, Joshua.
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, looking at Schindler's List and a work about a different form of historical trauma, History and Memory, a
by
Oldham, Gabriella.
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" Keaton's performance, devoting a separate chapter to each. She analyzes each film's strengths, weaknesses
by
Sadoff, Dianne F.
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, Sadoff contrasts films not merely with their nineteenth-century source novels but with crucial historical
by
Betz, Mark.
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the flowering of European art films in the postwar era is inseparable from the complex historical and
by
Rayner, Jonathan.
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requires the consideration of these films as texts for popular historical transmission. Their frequent
by
Frontani, Michael.
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, broadcasts, albums, films, and videos, the study covers the band's career in the United States. Michael R
by
Spadoni, Robert.
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reception of films of the transition period reveals that sound films could seem to their earliest viewers
by
Malek Khouri
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historical context within which they were produced and viewed. As such he proposes a radically new outlook on
by
Belasco, Warren, Dr.
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' markets, debates over genetic engineering, and more. Placing food issues in this deep historical context
by
O'Brien, Charles.
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. Extending beyond recent Hollywood cinema, Charles O'Brien undertakes a geo-historical inquiry
250.
by
Leitch, Thomas.
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Conclusion: What Good Are Crime Films? -- Notes -- 1. The Problem of the Crime Film -- 2. Historical and
by
Greene, Naomi.
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political and historical perspectives toward the nation's more distant past, which also emerged in these
by
Larsen , Neil.
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studies, Larsen proposes the need for a freshly conceived historical materialist approach to Latin
by
Savran, David.
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anticommunism crusades. Through a detailed reexamination of their plays, films, and short stories, Savran argues
by
Fischer-Nebmaier, Wladimir, editor.
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questions and takes narration seriously, engaging with novels, films, local history accounts, petitions to
by
Herbert, Daniel.
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around movies and collectively made movies meaningful. When films became tangible as magnetic tapes and
by
Lewis, Janet.
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intrigue. Their fascinating story has also inspired a bestselling historical study and two films, including
by
Barrueto, Jorge J.
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, specific Hollywood films not only mirror American history but also a variety of political discourses that
by
Bildhauer, Bettina.
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role in the development of cinema. Filming the Middle Ages is the first book to define medieval films
by
Kääpä, Pietari.
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films; independent productions; blockbuster cinema; and Finnish cinema's industrial and historical
by
Galt, Rosalind.
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, charting political, aesthetic, and historical developments through innovative readings of some of the most
by
Vidal, Belén
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century, examining the ways in which contemporary cinema recreates the historical past. This book explores
by
McBride, Joseph.
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documented narrative of the historical and psychological contexts in which those films were created, McBride
by
Cowie, Elizabeth.
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noteworthy films, including Spike Lee's When the Levees Broke, John Huston's Let There Be Light, and Milica
by
Solomons, Gabriel.
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. Complimenting these scenes from such varied films as Chinatown, Falling Down, The Player and Boyz n' The Hood
by
Whittaker, Tom.
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on space, his films have consistently documented the dramatic historical and social transformations
by
O'Leary, Alan.
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analytical categories for an intriguing corpus of films and offers careful accounts of works and genres as
by
Bengtson, John.
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burgeoning Los Angeles and Manhattan landscapes preserved in the background of his films. The book represents
by
Becker, Christine.
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history. Stardom is approached as an effect of, and influence on, the particular historical and industrial
by
Carter, Donald Martin.
Format:
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historical constellations of displacement, from Darfurian refugees to French West African colonial soldiers
by
Miller, Jamie.
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and a bearer of historical truth. _x000D_ _x000D_ Miller analyses key films, from the classic musical
by
Sorlin, Pierre.
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-- Cabiria, masterpiece of historical films -- Assunta Spina, or the spell of conventions -- Fantasies -- 2
by
Wayne, Mike.
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French Films From The 1990s -- Historical Drama -- Contemporary Stories -- References -- 3. Pan-European
by
Martin, Robert K.
Format:
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so much a historical category as a mode of thought haunted by history, a part of suburban life and
by
Lang, Robert.
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contemporary Tunisian films, many by some of the nation's best-known directors, including: Man of Ashes (1986
by
Rosenthal, Alan.
Format:
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historical events. Never was this more evident than during the best-picture showdown between The King's
by
Frame, Gregory.
Format:
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political and historical contexts, it addresses the ways in which representations of the president have
by
Köhne, Julia Barbara
Format:
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published between 1890 and 1920, and, second, subset feature films since the mid-1980ties, which re-echo the
by
Nasta, Dominique.
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historical and cultural factors influencing contemporary Romanian cinema, this volume covers the careers of
by
Passerini, Luisa.
Format:
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-- Part I - Disciplinary and historical contexts -- Chapter 1: Cinema and academia: of objects of love and
by
Keller, Sarah
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often breathtaking films offer insights into cinema and the experience of modernity. This collection
by
Newman, Michael Z.
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" divisions. Understanding American indies involves more than just considering films. Filmmakers, distributors
by
Ede, Laurie N.
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Drake's parlour, Hogwarts School … and a thousand other visions of British films. Moreover, 'British Film
by
Keith, Reader.
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approaches -- Gendered readings -- Historical and industrial approaches -- Auteurist approaches -- 5. La
by
O'Shaughnessy, Martin.
Format:
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-- Appendix 1: Renoir's films -- Appendix 2: Cast and creative personnel -- Appendix 3: The evolving script
by
Lau, David.
Format:
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with historical events, films, modernist poetic texts, and works of art-but from this allusion and
by
Cheuk, Pak Tong.
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. Tong relates the movement to a wider historical context of the developing society and culture of Hong
by
Hanson, Helen.
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identities, desires and roles across a long historical period. 'Hollywood Heroines' therefore offers us new
by
Aufderheide, Patricia.
Format:
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(particularly the works produced during World War II), historical documentaries, and nature films. Her thematic
by
Krutnik, Frank.
Format:
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generic framework and draws on recent historical and theoretical research to examine both the diversity of
by
Purseigle, Pierre.
Format:
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Excerpt:
) -- Chapter Eleven. New Writers, New Literary Genres (1914-1918): The Contribution of Historical Comparatism
by
Flinn, Caryl.
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HISTORY THROUGH CAMP AND KITSCH -- 5. Restaging History with Fantasy: Body, Camp, and Sound in the Films
by
Gehring, Wes.
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often synonymous with parody; and finally, parody in the 1990s. Films discussed include Destry Rides
by
Adler, Kurt.
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interviews with funeral directors, major historical events like the funerals of John F. Kennedy and Rudolf
by
Cairns, Graham.
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construction of cinematic space: An architectural perspective on the films of Jean Renoir and Yasujiro Ozu
by
Carta, Silvio.
Format:
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: Illustrative Documentaries: A Dominant Way of Seeing -- Sardinia in Fascist Documentary Films (1922-1945
by
Smith, Jeff.
Format:
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Excerpt:
Historical Films -- 6. Roaming the Plains along the "New Frontier": The Western as Allegory of the Blacklist
by
Small, Edward S.
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heightened reflexivity of these films transmit meaning through images rather than words. A deft historical
by
Hughes, Howard.
Format:
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filmmakers who have immortalised their stories on screen. It tells both the story of the historical events of
by
Chiang, Chih-Yun.
Format:
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-- 3 Theorizing Ambivalence: Ambivalent Formations in Ang Lee'sTransnational Films and Their Audiences
by
Price, Brian.
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social resistance. We then see how, after May 1968, his films were in fact a series of reflections on the
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