Cover -- Half-title -- Title -- Copyright -- Dedication -- Contents -- Preface -- Acknowledgements -- Introduction -- Visual anthropology -- Anthropology's 'iconophobia' -- Anthropology and the crisis of ocularcentrism -- Visualizing anthropology -- The organisation of the book -- Montage and mise-en-scène -- Part I Visualizing anthropology -- 1 The modernist moment and after, 1895-1945 -- Introduction -- The Lumière films -- Haddon and the Torres Straits expedition -- Anthropology, cinema and the Great War -- 2 Anxious visions: Rivers, Cubism and anthropological modernism -- 3 The innocent eye: Flaherty, Malinowski and the romantic quest -- 4 The light of reason: John Grierson, Radcliffe-Brown and the enlightenment project -- Part II Antropological visions -- 5 Cinema and anthropology in the postwar world -- Italian neorealism -- Cinéma vérité -- Direct cinema -- The consolidation of academic anthropology -- The rise of visual anthropology -- 6 The anthropological cinema of Jean Rouch -- Les Maîtres Fous -- Jaguar -- Moi, Un Noir -- Chronique d'un été -- 'The eye exists in a primitive state.' -- 7 The anthropological cinema of David and Judith MacDougall -- To Live With Herds -- Turkana Conversations -- The Australian Aboriginal films -- 8 The anthropological television of Melissa Llewelyn-Davies -- The early Maasai films -- Masai Women -- The Women's Olamal -- Diary of a Maasai village -- Memories and Dreams -- Towards a new anthropological television -- Epilogue -- Notes -- PREFACE -- INTRODUCTION -- 1 THE MODERNIST MOMENT AND AFTER, 1895-1945 -- 2 ANXIOUS VISIONS: RIVERS, CUBISM AND ANTHROPOLOGICAL MODERNISM -- 3 THE INNOCENT EYE: FLAHERTY, MALINOWSKI AND THE ROMANTIC QUEST -- 4 THE LIGHT OF REASON: JOHN GRIERSON, RADCLIFFE-BROWN AND THE ENLIGHTENMENT PROJECT -- 5 CINEMA AND ANTHROPOLOGY IN THE POSTWAR WORLD.

6 THE ANTHROPOLOGICAL CINEMA OF JEAN ROUCH -- 7 THE ANTHROPOLOGICAL CINEMA OF DAVID AND JUDITH MACDOUGALL -- 8 THE ANTHROPOLOGICAL TELEVISION OF MELISSA LLEWELYN-DAVIES -- EPILOGUE -- Index.