Cover image for Traumatic Encounters in Italian Film : Locating the Cinematic Unconscious.
Traumatic Encounters in Italian Film : Locating the Cinematic Unconscious.
Title:
Traumatic Encounters in Italian Film : Locating the Cinematic Unconscious.
Author:
Vighi, Fabio.
ISBN:
9781841509501
Personal Author:
Edition:
1st ed.
Physical Description:
1 online resource (202 pages)
Contents:
Front Cover -- Contents -- Introduction -- Figurations of the Real: locating the unconscious -- Pasolini as a reader of Hegel -- The minimal gap between Othello's two headsd -- Suturing void -- Blow-up: about nothing, with precision -- A theorem on the non-existence of Terence Stamp -- The desert and the park -- Infinite repetitions of the same thing -- On neo-realism: excursus 1 -- Editing as Real, or death-drive in film theory -- Enjoying the Real: unconscious strategies of subversion -- The vraie femme's redemptive violence -- From the virtual revolutionary to the revolutionary virtual -- Masochism and the law -- Drive unbound -- Accattone : the excremental remainder -- Salò : the executioner's whip -- Kafkaesque encounters in the law -- Passionate attachments in the torture room -- On neo-realism: excursus 2 -- Adventures in the Real of sexual difference -- Negotiating the impossible -- The Lady who wasn't there -- Of love letters and undelivered messages -- La Femme n'existe pas! -- Mimesis and sublimation -- War of the sexes -- The abyss of feminine sexuality: unconscious figurations unlimited -- The postmodern Real: notes on the return of Oedipus -- La stanza del figlio: radicalising neurosis with Nanni Moretti -- The narcissism of the Beautiful Soul -- Father, can't you see I'm burning? -- L'ora di religione: gazing backwards with Marco Bellocchio -- The Oedipal legacy -- Virtuality and the demise of the symbolic -- Noir is noir -- Smile as objet a -- More paradoxes of feminine inconsistency -- I cento passi: resuscitating Oedipus with Marco Tullio Giordana -- Works Cited -- Index of Names -- Back Cover.
Abstract:
Traumatic Encounters brings together film and psychoanalysis in an vibrantly original way. By fusing Lacanian theory with Italian cinema, the book excavates the repressed knowledge that lurks in the subconscious structure of the film narrative. Essentially, the book explores the relationship between filmmaking and its subliminal underside by locating and reading elusive traces of the subconscious hidden within the murky alcoves of the film's narrative. The Italian directors and films discussed (Antonioni, Pasolini, Rosellini, etc.) all convey the aspiration to push cinema beyond its own representational status. By investigating the shadowy role of the unconscious in film, this book opens up a radical new way of "thinking cinema", particularly in terms of the parallels between cinema and sociopolitical spheres.
Local Note:
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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