Cover image for World Film Locations : Reykjavík.
World Film Locations : Reykjavík.
Title:
World Film Locations : Reykjavík.
Author:
Conolly, Jez.
ISBN:
9781841506760
Personal Author:
Edition:
1st ed.
Physical Description:
1 online resource (116 pages)
Series:
World Film Locations
Contents:
Front Cover -- Title -- Copyright -- Contents -- Maps/Scenes -- Scenes 1-7 -- Scenes 8-14 -- Scenes 15-20 -- Scenes 21-26 -- Scenes 27-32 -- Scenes 33-38 -- Essays -- Reykjavík: City of the Imagination -- 'A Stupid Man Built His Home On Sand': A Filmed Response to the Icelandic Banking Crisis -- Urban/Wilderness: Reykjavík's Cinematic City-Country Divide -- Cultural capital and corrugated iron: The 101 Reykjavík postcode on film -- Violently Funny: Comedic capers, claustrophobia, and Icelandic crime cinema -- Björk and Beyond: Reykjavík's Onscreen Relationship with its Music Scene -- A Moving Story: Reykjavík as a Global/Transnational Cinematic City -- Backpages -- Resources -- Contributor Bios -- Filmography -- Back Cover.
Abstract:
Though the creative community of Reykjavík, Iceland, has earned a well-deserved reputation for its unique artistic output-most notably the popular music that has emerged from the city since the 1980s-Reykjavík's filmmakers have received less attention than they merit. World Film Locations: Reykjavík corrects this imbalance, shedding new light on the role of cinema in a country that, partly because of its small population, produces more films per capita than any other in the world. The contributors to this volume trace cinema in Iceland from the 1979 establishment of the Icelandic Film Fund-before which the country's film industry barely existed-through today. In a series of illuminating scene reviews, they show how rapidly the city has changed over the past thirty years. In thematic spotlight articles, they go on to explore such topics as the relationship between Iceland and its capital city; youth culture and night life; the relationship between film and the local music community; cinematic representations of Scandinavian crime; and filmmakers' response to the 2008 banking crisis. Together, these varied contributions show how films shot in Reykjavík have been shaped both by Iceland's remoteness from the rest of the world and by Icelandic filmmakers' sense that the city remains forever on the brink of desolate and harsh wilderness.
Local Note:
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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