Cover image for Initiation of Sound Change : Perception, production, and social factors.
Initiation of Sound Change : Perception, production, and social factors.
Title:
Initiation of Sound Change : Perception, production, and social factors.
Author:
Solé, Maria-Josep.
ISBN:
9789027273666
Personal Author:
Physical Description:
1 online resource (260 pages)
Series:
Current Issues in Linguistic Theory ; v.323

Current Issues in Linguistic Theory
Contents:
THE INITIATION OF SOUND CHANGE -- Editorial page -- Title page -- LCC data -- Table of contents -- Foreword and acknowledgements -- List of contributors and discussion participants -- Editors' introduction -- References -- Part I. Perception -- The listener as a source of sound change -- 1. Introduction -- 2. The background -- 3. Theories of sound change -- 4. Bringing it all together -- 5. Further implications and 'spinoff' of the theory -- 6. Conclusion -- References -- Perception grammars and sound change -- 1. Introduction -- 2. The nature of the input signal -- 3. Perception grammars for coarticulated speech -- 3.1 Listeners' use of coarticulation in real-word categorization tasks -- 3.2 Listeners' use of coarticulation in categorizing nonsense items -- 3.3 Real time processing of coarticulated speech -- 4. Perception grammars of coarticulated speech and sound change -- References -- A phonetic interpretation of the sound changes affecting dark /l/ in Romance -- 1. Introduction -- 2. Vocalization -- 2.1 Direct replacement -- 2.2 Glide insertion -- 2.3 Summary -- 3. Vowel shift and /l/ elision processes -- 3.1 Shift from /a/ to [f]/[o] -- 3.2 Absence of /l/ -- 3.3 Summary -- 4. General interpretation -- References -- The production and perception of sub-phonemic vowel contrasts and the role of the listener in sound change -- 1. Introduction -- 2. The MMN component -- 3. Methodology -- 3.1 Listeners -- 3.2 Creation of stimuli -- 3.3 Electroencephalogram (EEG) recording -- 3.4 Behavioral task -- 4. Results -- 4.1 Behavioral study results -- 4.2 ERP study results -- 4.3 Production and perception -- 5. Discussion -- References -- Part II. Production -- The coarticulatory basis of diachronic high back vowel fronting -- 1. Introduction -- 2. The physiological and perceptual basis of diachronic /u/-fronting.

3. Back-vowel fronting in standard Southern British -- 4. The effects of context on diachronic /u, ~/ fronting in SSB -- 5. Discussion -- References -- Natural and unnatural patternsof sound change? -- 1. Introduction -- 2. Differences in articulatory timing: Fricative loss and epenthetic stops -- 3. Postnasal voicing and devoicing -- 4. Ways to overcome the 'aerodynamic voicing constraint' -- 5. Conclusion -- References -- The gaits of speech -- 1. Introduction -- 2. Contextual optimality in H&H theory -- 3. Distance traveled and lenition -- 4. Increasing distance traveled by the articulator: Velar loops -- 5. Increasing the number of gestures produced: Speech errors -- 6. The gaits of speech -- 7. Speaking and listening -- 8. Conclusion -- References -- Part III. Social factors, structural factors and the typology of change -- Prosodic skewing of input and the initiation of cross-generational sound change -- 1. Introduction -- 2. The perseverance problem, transmission and incrementation in sound change -- 3. Prosodic skewing -- 4. Evidence from cross-generational transmission -- 5. Conclusion and implications -- References -- Social and personality variables in compensation for altered auditory feedback -- 1. Introduction -- 1.1 Motor control -- 1.2 Sound change -- 1.3 The present study -- 2. Methods -- 2.1 Subjects -- 2.2 Materials and procedure -- 2.3 Data analysis -- 3. Results -- 4. Discussion -- References -- Patterns of lexical diffusion and articulatory motivation for sound change -- 1. The source of sound change -- 2. Lexical diffusion -- 3. The role of word frequency in sound change -- 4. An articulatory basis for sound change -- 5. The roles of articulation and perception -- 5.1 Hypo-correction: Cause of change or reaction to articulatory change? -- 6. Candidates for perceptually-motivated change -- 6.1 Dissimilation.

6.2 Changes affecting low frequency words first -- 6.3 Changes that cannot be articulatorily gradual -- 6.4 Conclusion -- 7. A typology of sound change and phonological change -- 8. Fortition -- 9. Conclusions -- References -- Foundational concepts in the scientific study of sound change -- 1. Two conceptual breakthroughs in the study of sound change -- 2. Trouble in paradise -- 3. A problem for everyone -- 3.1 Example: English /r-/ -- 3.2 Example: Feature off-loading -- 4. Conclusions -- References -- Index of subjects and terms.
Abstract:
This paper sets out to survey, from the perspective of a working historical linguist, some issues which arise when one tries to conceptualize in some rational way the relationship between the two most crucial developments in the study of sound change in the past 150 years: the Neogrammarian hypothesis regarding the regularity of sound change and the 'phoneticist' hypothesis, which grounds sound change in the facts of human speech perception and production. In asserting that these are the most significant developments in this area I am of course expressing a firm belief that there is something fundamentally correct about these approaches. If they are both accurate in some deep sense, then it is important that we understand in just which ways they can or cannot be combined into one coherent picture of the world. This paper represents some preliminary consideration of this issue.
Local Note:
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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