Contents -- Introduction ix -- Part I Rewriting the Historical Event, Anti-archive, Countermemory -- 1. "Pictures and Voices": Virginia Woolf's Three Guineas as Anti-archive 3 -- Anderson Araujo -- 2. Diasporas of Pain: Re-discovery and Re-writing of Mauritian History in Natacha Appanah's Novel Le dernier frère 15 -- Rohini Bannerjee -- 3. Rediscovering the First Manifesto of Futurism of F.T. Marinetti: From the First Manifesto to the Invention of the Avant-Garde 25 -- Jean-Pierre De Villers -- 4. Re-constructing Akhenaten: The Many Faces of a Pharaoh in Naguib Mahfouz's Akhenaten, Dweller in Truth 39 -- François Foley -- 5. The Political Artist: Picasso's Wartime Production and Wartime's Production of Picasso 51 -- Lindsay Kaplan -- 6. The Invasion of Belgium (1914): Memory and the Re-writing of History 63 -- Anne Urbancic -- Part II Rewriting Narrative, Reworking Texts -- 7. Re-writing Waverley: History and Secret History in Thackeray's Henry Esmond 77 -- John Baird -- 8. Heracles and Friendship in Euripedes and T.S. Eliot 87 -- Anton Jansen -- 9. Re-writing Grief: Edna St. Vincent Millay's Recrafting of Ancient Poetry of Grief and Loss 97 -- Carol Merriam -- 10. Recovering Paris: From the Erotic to the Heroic 107 -- Roberto Nickel -- 11. Re-writing the Colonial Experience: Robertson Davies' Use of Parody in Tempest-Tost 121 -- Kate O'Neill -- 12. Out of Ahab and into Dean's Car: A Comparative Study of Two Literary Vehicles 133 -- Sébastien Roldan -- 13. "Writing as Re-vision": Time, Space, and the (Re)Making of Mrs. Bentley in Sinclair Ross, Lorna Crozier, and Dennis Cooley 147 -- Andrew Stubbs -- Part III Reworking the Image, Visual Encounters in the Text -- 14. Subjection and the Creation of the Subject: Negotiating a Dissident Identity in the Poetry of Aemilia Lanyer 165 -- Elizabeth C. D'Angelo -- 15. On Being a Modern Poet 175.

R. Bruce Elder -- 16. The Translation of the Feelings: Ekphrasis in the Work of W.G. Sebald 187 -- J. Douglas Kneale -- 17. "The Goddess Seemed More Savage than Was Fair"- Erotic Encounters in Titian's Diana and Actaeon 199 -- Catherine J. Manning -- 18. About(disfigured)faces: Sophie Calle's Suite Vénitienne and W.G. Sebald's Austerlitz 213 -- Catherine Parayre -- Part IV Refashioned by the Image, the Self Redefined -- 19. Virginia Woolf's "The Lady in the Looking-Glass": The Image of Simulated Illusion 225 -- Alla Boldina and Michael De Vito -- 20. "We are not in Hollywood anymore": Female Representation and Spatial Relations in Jacques Doillon's Film Raja 235 -- Marzia Caporale -- 21. Unspeakable Anatomies 245 -- Catherine Heard -- 22. Re-writing the Script of Power: A Celebration of the Artifactual 253 -- Brian Lightbody -- 23. The Forbidden Narratives of Looking: Photography and the Anxiety of Self-Representation 261 -- Nancy Pedri -- 24. Autobiography, Photography, and Intertextuality: Rewriting Autobiography in Sophie Calle's Double Game 269 -- Rosa Saverino -- Index 283.