TABLE OF CONTENTS -- ACKNOWLEDGEMENTS -- INTRODUCTION -- PART I -- THE DONKEY-GOD AND THE HOLY STAKE -- A CLOCKWORK ORANGE, EXPLOITATION AND THE ART FILM -- RECYCLING THE FAIRY TALE -- THE BUSH REVISITED -- RECYCLING GOYA'S MONSTERS -- CULTURE OF SHIT -- ADVENTUROUS RESPONSES TO CULTURAL DIVERSITY -- AWAITING WORDS -- AN INTERPLAY OF SCREENS -- YOU KNOW MY NAME, BUT WHO AM I? -- PART II -- CULTURAL HYBRIDITY IN AFRO-CARIBBEAN WOMEN WRITERS -- NI SOY DE AQUÍ, NI SOY DE ALLÁ -- INTERRACIAL RELATIONSHIPS IN FICTION AT THE TURN OF THE 21ST CENTURY -- RECYCLING OLDER DISCOURSES -- RECYCLING THE PAST -- COMPLEXITY, CHANGE AND EUROPEAN CONVERGENCE IN HIGHER EDUCATION -- THE AGENTS OF PUBLIC ORDER ON THE ALERT -- RECYCLING 'CULTURE' AND THE CULTURE OF RECYCLING -- OUTSIDE THE KALEIDOSCOPE -- HISTORY AS RECYCLED DEBRIS -- CONTRIBUTORS.