Archetypes in Literatures and Cultures : Cultural and Regional Studies In Collaboration with Sevinj Bakhysh and Izabella Horvath.
Title:
Archetypes in Literatures and Cultures : Cultural and Regional Studies In Collaboration with Sevinj Bakhysh and Izabella Horvath.
Author:
Geybullayeva, Rahilya.
ISBN:
9783653024715
Personal Author:
Physical Description:
1 online resource (304 pages)
Contents:
Cover -- Table of Contents -- Preface -- Part 1: National or Transnational, Source or Interpretation -- From Archetypal Situation to Archetypised Words or Words as a Unit of Semantic Reinterpretations. Rahilya Geybullayeva (Azerbaijan) -- Similarities in World Literature: Azerbaijani and Greek Epics (toward Invariants). Kamal Abdullayev (Azerbaijan) -- Eurasian Folksong Texts as Carriers of Poetic Archetype. Izabella Horvath (China - USA) -- Scientific Discourse of Post-Totalitarian Regimes: Fears and Hopes. Aslan Mamedly (Azerbaijan) -- Part 2: Eastern Archetypes in the West: Rumi, Ashik-Kerib, Qurriat Al-Ayn -- Renditions of Rumi in Europe and North America. Simon Sorgenfrei (Sweden) -- Archetype of the Creator: the Semantics of Cultural Universals of the East (Mikhail Lermontov's "Ashik- Kerib"). Tatiana Megrelishvili (Georgia) -- Desiring the Oriental "Other" in the Persian Poems of Velimir Klebnikov. Angelina Saule (Australia) -- Part 3: Archetype as a Symbol and Image -- Hamlet and Iskandar: The Breakdown of the Persona Archetypeas a Condition for Identity Formation. Gorkhmaz Guliyev (Azerbaijan) -- Faustus as archetype. Gonul Bakay (Turkey) -- Archetype of the Russian Manin Dostoyevsky's Work. Mamed Godjaev (Azerbaijan) -- Gods Don't Talk, Poets Talk instead of Them (Archetype of Poet). Khuraman Mursalieva (Azerbaijan) -- Archetype and Symbol of a Wise Old Man. Sevinj Bakish (United Kingdom) -- Part 4: Archetypes in Language and Translation -- The Role of Translation in the İntegration of Western/Christian Archetypes in Contemporary Arabic - Islamic Literature. Saddik M. Gohar (UAE) -- Symbols and Archetypes as Foundation of Phraseological Units in Languages. Khalida Isa-zada (Azerbaijan) -- Part 5: Archetypes in New Transformation or Fan-fiction.
Dostoevsky's Underground Man as a Literary Archetype in Postmodern Literature. Hatice Övgü Tüzün (Turkey) -- The Mill Archetype in Literature. Elnare Garagyezova (Azerbaijan) -- Symbolization of Celestial Bodies as an Archetype in the Azerbaijani New Period Poetry. Gunay Garayeva (Azerbaijan) -- Part 6: Mythology Archetypes and Totems -- Archetypes of Turkic Culture. Anuar Galiev (Kazakhstan) -- Artistic Personification of Opposites: Analyses of Sandro Shanshishvilli's "Medea" by Sandro Shanshiashvili. Irina Modebadze, Tamar Tsitsishvili (Georgia) -- The Holy Grail, Whore of Babylon (or Rome), Mother Earth, and the Purifying World Conflagration in the Works of Nikolay and Lev Gumilyov. Yordan Lyutskanov (Bulgaria) -- Part 7: Archetypical images as a wayof constructing identity -- The Archetype of Construction Sacrifice in the Formation of a City's Identity: from a "City-Factory" towards a "City of Consumer Goods Exhibition". Igor Yankov, Larisa Piskunova (Russia) -- The Archetype of the Four in the Architecture of the Four-īwān Building Tradition. Elena Paskaleva (Russia) -- List of the Authors -- Index.
Abstract:
The formation of new countries after the collapse of the Soviet Union and the Eastern European block necessarily brings about an increased awareness of national identity and has given rise to more urgent attempts to define national literary and cultural facts. Among the facts to be determined are the circulation of similar cultural motifs, situations, symbols, plots, genres, words, and rituals. Such a situation gives rise to questions concerning the relationship between things that were constructed over centuries and relatively new archetypal plots and situations created by different authors, developed in different periods and in national literatures. For example, how does translation influence the migration of plots? Does the blurring of borders between sources and re-interpretations make it difficult to distinguish the original and the kidnapped texts? The forms of archetypes have changed and continue to change, creating a hyper-text. Taking these things into consideration, the question arises: Where are the borders between an original text, influences, and plagiarism?.
Local Note:
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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