Music in Early Franciscan Thought -- Copyright -- Dedication -- Contents -- List of Illustrations -- Abbreviations -- Introduction -- I. Music and Preaching in the Life of St. Francis of Assisi -- Hagiographical Sources -- Music in the Life of a Wanton Youth -- Fiddle Sticks, Dancing for Joy, and the Heavenly Cithara -- Music and Preaching in the Rule of St. Francis -- The Nativity Play and Mass at Greccio -- Francis and his Joculatores Domini -- II. Music and the Narrative of Penance in Lotario dei Segni's De missarum mysteriis -- Pope Innocent III (Lotario dei Conti di Segni) -- De missarum mysteriis -- Prologue -- Epistle, Gradual, Alleluia, and Gospel -- The Epistle -- The Gradual -- The Alleluia -- The Gospel -- Conclusion -- III. William of Middleton's Opusculum super missam: Musical Instruction for Simple Priests and Clerics -- De opusculum super missam -- The Epistle -- The Gradual -- The Alleluia -- The Gospel -- Conclusion -- IV. David von Ausburg: Music for the Outer and Inner Human -- Musical Comportment -- Vocal Prayer -- Scribal Reception of De exterioris et interioris hominis compositione -- De exterioris et interioris hominis compositione in Augsburg, Universitätsbibliothek, cod. II.1.2o 5 -- De exterioris et interioris hominis compositione in Munich, Bayerische Staatsbibliothek, Clm. 16072 -- Conclusion -- V. Robert Grosseteste on Music, Science, and the Cura animarum -- De artibus liberalibus and Templum Dei -- Septenary Virtue -- Music as Motion -- The Ministry of Music -- Conclusion -- VI. Roger Bacon on the Science of Music and Preaching -- Scholarship and Controversy -- The Opus maius -- Grammar and Logic Through the Measurement of Music -- Bodily Motion, and Music as a Universal Science -- Music and Moral Philosophy -- The Opus Tertium -- Music and Bodily Motion -- Singing and Preaching.

"The Modus of All Church Music was Established as Enharmonic" -- Music and Preaching -- Berthold von Regensburg's Preaching -- Conclusion -- VII. Bartholomaeus Anglicus on Music and Preaching in De proprietatibus rerum -- Sensual Perception of Music in De proprietatibus rerum -- Concord in Music and Relationships -- Vocal Timbre and the Voice of the Preacher -- Concord in Music and Among Religious -- Universal Concord and the Music of Preaching -- Conclusion -- VIII. The Ars musica of Juan Gil de Zamora: Musical Expression and Instruments of the Reconquista -- Historia naturalis, Dictaminis Epithalamium, and Ars musica -- Who Commissioned Ars musica? -- St. Cecilia, the Music of the Bees, and Preaching in Historia naturalis -- Ars musica as a Primer for Singing Chant -- Ars musica -- The Ethos of the Church Modes -- The Ethos of Mode Five -- "Musicalia instrumenta inventa fuerunt secundum diversitatem temporum a diversis" -- Conclusion -- Conclusion -- Bibliography -- Index.