1 WHY SIGNAGE -- Prologue -Orientation is life -- KATTA CIVIC POLYCLINIC, J -- SURRY HILLS LIBRARY & COMMUNITY CENTRE, AUS -- FORUM NOVÁ KAROLINA, CZ -- Red doors, green doors, yellow doors -- STUDENT QUARTER, OLYMPIC VILLAGE, D -- SENZOKU GAKUEN COLLEGE OF MUSIC, J -- INDUSTRIESCHULE SPORTS HALL, D -- 2 SPACE AND SIGNS -- Integrated signage -- GREEN POINT STADIUM, SA -- BERLIN BRANDENBURG AIRPORT, D -- THE COOPER UNION, USA -- Corporate identity -Building identity -- MUSEION, I -- 9H CAPSULE HOTEL, J -- ADIDAS LACES, D -- 3 PLANNING SIGNAGE -- Integration of signs and space -- STACHUS PASSAGEN, D -- MÉDIATHÈQUE ANDRÉ MALRAUX, F -- HOLON DESIGN MUSEUM, IL -- Universal design -- FAMILY BOX, CN -- UNDERGROUND CAR PARK, HOCHHAUS AM PARK, D -- VOLKSSCHULE TSCHAGGUNS, A -- Analysis and systematic specification of information requirements -- UNIVERSITY HOSPITAL GREIFSWALD, D -- BERNAQUA, CH -- SIGNTERIOR, CN -- Orientation design -- ORDNUNGSAMT STADT FRANKFURT, D -- NAGASAKI PREFECTURAL ART MUSEUM, J -- ETH SPORT CENTER SCIENCE CITY, CH -- 4 REALISING SIGNAGE -- Analogue communication of information -- MORISAWA HEAD OFFICE, J -- LEIBNIZ INSTITUTE FOR BALTIC SEA RESEARCH, D -- PFALZBAU THEATRE, D -- Digital communication of information -- CIUDAD DE LAS ARTES Y LAS CIENCIAS, E -- VIENNA AIRPORT CHECK-IN 3, A -- BRÜHLTOR-PASSAGE, CH -- Epilogue - The iconography of the third millennium -- 5 FACTS -- Project data -- Standards, guidelines, regulations -- Literature -- Photo credits -- Authors -- Index -- Imprint.