Cover image for Postsouthern Sense of Place in Contemporary Fiction.
Postsouthern Sense of Place in Contemporary Fiction.
Title:
Postsouthern Sense of Place in Contemporary Fiction.
Author:
Bone, Martyn.
ISBN:
9780807156353
Personal Author:
Physical Description:
1 online resource (254 pages)
Series:
Southern Literary Studies
Contents:
Cover -- Title Page -- Copyright Page -- Contents -- Preface -- PART 1. Capital, Land, and Place from Agrarianism to Postsouthernism -- 1. "Not a Mere Real Estate Development": Capital, Land, and the Agrarians' Proprietary Ideal -- 2. (Re)inventing the (Post)southern "Sense of Place" -- PART 2. The Postsouthern Turn: Warren, Percy, Ford, and the Redevelopment of Place -- 3. Toward a Postsouthern Sense of Place: Robert Penn Warren's A Place to Come To and Walker Percy's The Moviegoer -- 4. Neo-Faulknerism or Postsouthernism?: Labor, Parody, and the Problem of Place in Richard Ford's A Piece of My Heart -- 5. Land and Literary Speculations: The Postsouthern World-as-Text in Richard Ford's The Sportswriter -- 6. New Jersey Real Estate and the Postsouthern Sense of Place: Richard Ford's Independence Day -- PART 3. Placing the Postsouthern "International City": The Atlanta Conundrum -- 7. Locating a Nonplace: Atlanta's Absence from Southern Literature and the Emergence of a Postsouthern "International City" -- 8. Urban Renewal and Mixed-Use Developments: Place and Race in Anne Rivers Siddons's Peachtree Road and Downtown -- 9. Placing the Postsouthern "International City": Atlanta in Tom Wolfe's A Man in Full -- 10. Capitalist Abstraction and the Body Politics of Place: Toni Cade Bambara's Those Bones Are Not My Child -- Epilogue: Against the Agrarian Grain, Taking the Transnational Turn -- Bibliography -- Index.
Abstract:
For generations, southern novelists and critics have grappled with a concept that is widely seen as a trademark of their literature: a strong attachment to geography, or a "sense of place." In the 1930s, the Agrarians accorded special meaning to rural life, particularly the farm, in their definitions of southern identity. For them, the South seemed an organic and rooted region in contrast to the North, where real estate development and urban sprawl evoked a faceless, raw capitalism. By the end of the twentieth century, however, economic and social forces had converged to create a modernized South. How have writers responded to this phenomenon? Is there still a sense of place in the South, or perhaps a distinctly postsouthern sense of place?Martyn Bone innovatively draws upon postmodern thinking to consider the various perspectives that southern writers have brought to the concept of "place" and to look at its fate in a national and global context. He begins with a revisionist assessment of the Agrarians, who failed in their attempts to turn their proprietary ideal of the small farm into actual policy but whose broader rural aesthetic lived on in the work of neo-Agrarian writers, including William Faulkner and Eudora Welty. By the 1950s, adherence to this aesthetic was causing southern writers and critics to lose sight of the social reality of a changing South.Bone turns to more recent works that do respond to the impact of capitalist spatial development on the South -- and on the nation generally -- including that self-declared "international city" Atlanta. Close readings of novels by Robert Penn Warren, Walker Percy, Richard Ford, Anne Rivers Siddons, Tom Wolfe, and Toni Cade Bambara illuminate evolving ideas about capital, land, labor, and class while introducing southern literary studies into wider debates around social, cultural, and literary

geography. Bone concludes his remarkably rich book by considering works of Harry Crews and Barbara Kingsolver that suggest the southern sense of place may be not only post-Agrarian or postsouthern but also transnational.
Local Note:
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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