Cover image for Syntactic Dislocation in English Congregational Song between 1500 and 1900 : A Corpus-based Study.
Syntactic Dislocation in English Congregational Song between 1500 and 1900 : A Corpus-based Study.
Title:
Syntactic Dislocation in English Congregational Song between 1500 and 1900 : A Corpus-based Study.
Author:
Gather, Kirsten.
ISBN:
9783653038057
Personal Author:
Physical Description:
1 online resource (276 pages)
Series:
English Corpus Linguistics ; v.14

English Corpus Linguistics
Contents:
Cover -- Acknowledgements -- Table of contents -- Spelling conventions -- Abbreviations -- 1 Introduction -- 1.1 Aims of this study -- 1.2 Limits of this study -- 1.3 This study in the context of previous research -- 1.4 The structure of this thesis -- 2 Syntactic Dislocation -- 2.1 The nomenclature of this study -- 2.2 The constituent order of English -- 2.2.1 Old English -- 2.2.2 Middle English -- 2.2.3 Early Modern English -- 2.2.4 Present Day English -- 2.2.5 Summary -- 2.3 Definition and subtypes of syntactic dislocation -- 2.3.1 Definition of syntactic dislocation -- 2.3.2 The syntactic dislocation of objects -- 2.3.3 The syntactic dislocation of complements -- 2.3.3.1 The dislocation of the subject complement -- 2.3.3.2 The dislocation of the object complement -- 2.3.4 The syntactic dislocation of obligatory adverbials -- 2.3.5 Evidence from contemporaries -- 2.4 Summary -- 3 Poetic Factors and Rhetorical Devices -- 3.1 Metre -- 3.1.1 Classification -- 3.1.2 Variability in the syllable structure of words -- 3.1.3 How to assess metrical constraints -- 3.2 Rhyme -- 3.2.1 Classification -- 3.2.2 Pronunciation matters -- 3.2.3 How to assess dislocations due to rhyme -- 3.3 Figures of Speech -- 3.3.1 Hyperbaton -- 3.3.2 Parallelism -- 3.3.3 Chiasmus -- 3.3.4 Emphasis -- 3.4 The mystery of biblical Hebrew poetry -- 3.5 Summary -- 4 The History of Congregational Singing in England -- 4.1 "there may be songe an hymne, or such lyke songe" -- 4.1.1 The Song -- 4.1.2 The Hymn -- 4.1.3 Psalms and their metrical paraphrases -- 4.1.4 The Canticle -- 4.1.5 Definition of congregational song -- 4.1.6 Terminological confusion -- 4.2 Metrical Psalms in England before the Reformation -- 4.3 'Hardware reset' -- 4.4 Metrical Psalmody -- 4.5 "Out-Sternholding Sternhold" -- 4.6 From Watts to Wesley -- 4.7 Hymns Ancient and Modern -- 4.8 "20th-Century Blues".

4.9 "like a crack'd saints' bell jarring in the steeple" -- 4.10 Summary -- 5 The Corpus of Congregational Song -- 5.1 Compilation of the corpus -- 5.1.1 Design parameters -- 5.1.2 Word count -- 5.1.3 Selection criteria of authors and texts -- 5.2 Description of the corpus -- 5.2.1 Overview -- 5.2.2 Description of selected authors and songbooks -- 5.2.2.1 The 16th century -- 5.2.2.2 The 17th century -- 5.2.2.3 The 18th century -- 5.2.2.4 The 19th century -- 5.2.3 Chronological gaps and clusters -- 5.3 Summary -- 6 Analysis -- 6.1 Methodological and terminological preliminaries -- 6.1.1 Statistical methods -- 6.1.1.1 Percentage calculation: Identifying the basic population -- 6.1.1.2 Other statistical terminology -- 6.1.1.3 Statistical significance of the data -- 6.1.1.4 Correlation analysis -- 6.1.2 Exceptions from the counting process -- 6.1.2.1 Counting dislocated objects -- 6.1.2.2 Counting dislocated complements -- 6.1.2.3 Counting dislocated adverbials -- 6.1.2.4 Split constituents -- 6.2 Overall results -- 6.2.1 The 16th century -- 6.2.2 The 17th century -- 6.2.3 The 18th century -- 6.2.4 The 19th century -- 6.2.5 The complete chronology -- 6.3 The impact of poetic factors and rhetorical devices -- 6.3.1 Metre and rhyme -- 6.3.2 Rhetorical devices -- 6.4 Syntactic analyses -- 6.4.1 The three subtypes of syntactic dislocation -- 6.4.2 Constituent order -- 6.4.3 The role of auxiliaries -- 6.4.4 The length of the dislocated constituent -- 6.4.5 The internal phrase structure of the dislocated constituent -- 6.4.5.1 The phrase structure of dislocated objects -- Lord -- 6.4.5.2 The phrase structure of dislocated complements -- 6.4.5.3 The phrase structure of dislocated obligatory adverbials -- 6.5 The connection between syntactic criteria and poetic factors -- 6.5.1 Object dislocation revisited -- 6.5.2 Complement dislocation revisited.

6.5.3 Dislocation of obligatory adverbials revisited -- 6.6 Summary -- 7 Comparison: Syntactic dislocation in other genres -- 7.1 Possible origins -- 7.1.1 English Bible translations -- 7.1.2 Middle English verse -- 7.1.3 Early Modern English verse: ballads -- 7.2 Object dislocation in Early and Late Modern English secular poetry -- 7.3 Summary -- 8 Conclusion -- 8.1 Syntactic dislocation in congregational song -- 8.2 Syntactic dislocation and religious language -- 8.3 The results of this study in the light of corpus and text linguistics -- 8.4 Outlook -- Appendices -- Appendix A -- Chronological lists of authors and titles included in the corpus1 -- The 16th century -- The 17th century -- The 18th century -- The 19th century -- Appendix B -- List of authors, including life dates, denominations and position in society and church -- The 16th century -- The 17th century -- The 18th century -- The 19th century -- Appendix C -- Syntactic dislocation per author, split up into syntactic functions -- Appendix D -- Lists of texts for comparison (chapter 7), sample size in words -- Bible version Title / Chosen Text Year sample size -- Author Title Year sample size -- Author Title Year sample size -- Author Title Year sample size -- List of References.
Abstract:
A famous English hymn does not start with He who would be valiant, but He who would valiant be with valiant in dislocated position in the clause. The aim of this study is to analyse syntactic dislocation in English congregational song between 1500 and 1900 and to examine its motivations and developments. Poetic factors, like metre and rhyme, can be assumed as primary causes. Moreover, two contrasting dislocation patterns emerge, which show the interplay of poetic requirements and syntactic criteria. The first pattern occurs mainly in metrical psalms, while the second pattern is typical of hymns. With these patterns as a basis of comparison, syntactic dislocation is a decisive factor that makes congregational song conservative both compared to secular poetry and to religious prose.
Local Note:
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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