Cover -- Table of Contents -- Acknowledgments -- A Chorus of Ecological Voices. Enacting Nature in Contemporary Indigenous Performance (Birgit Däwes and Marc Maufort) -- Stages of Resilience. Heteroholistic Environments in Plays by Marie Clements and Yvette Nolan (Birgit Däwes) -- Mounds, Earthworks, Side Show Freaks and Circus Injuns (Ric Knowles) -- "Civilization" and its Transgressions on the Old Shawnee Trail. Lynn Riggs's "Out of Dust" (Jaye T. Darby) -- "alterNature" in Drew Hayden Taylor's "The Berlin Blues." Construction and De(con)struction of Contested Spaces (Maryann Henck) -- The Collapse of Worlds in Laura Shamas's "Chasing Honey" (Yvette Nolan) -- Eric Gansworth. Dramatizing the Ecology of Haudenosaunee Creation (Nicholle Dragone) -- Voicing Nature in the British Columbia Interior. A Place "Back in the Midst of Time" in Kevin Loring's "Where the Blood Mixes" (Ginny Ratsoy) -- Serving the Living Land. Place and Belonging in Australian Aboriginal Drama (Maryrose Casey) -- Dance, History and Country. An Uneasy Ecology in Australia (Rachael Swain) -- "Je te parle d'harmonie entre les plantes". Ecologies of New Caledonian Nationhood in Pierre Gope's "La Parenthèse" (Diana Looser) -- Unfolding the Cloth. Patterns of Landscape and Identity in The Conch's "Masi" (Lisa Warrington and David O'Donnell) -- Cleansing the Tapu. Nature, Landscape and Transformation in Three Works by Māori Playwrights (Hilary Halba) -- Performing the Spirit of the Earth. Multi-faceted Aesthetics of Ecology in Contemporary Indigenous Drama (Marc Maufort) -- Notes on Contributors -- Index.