Cover -- Contents -- Copyright -- Le statut de l'image dans l'écriture et la peinture surréaliste -- George Perec's Un Cabinet d'amateur: Portrait of the Artist as Iconoclast -- Myths in Butor's Passage de Milan: Works of Mondrian and Duchamp as Generators of the Text -- Duchamp's Early Readymades: The Erasure of Boundaries between Literature and the Other Arts -- The Caméra-stylo of Marguerite Duras: The Translation of a Literary Aesthetic into Film -- Contrastive Characterization in Verga's I Malavoglia and Visconti's La Terra trema -- Political Satire through Popular Music and a Popular Vision of Reality: La Linares, a New Novel from Ecuador -- A Portrait of the Writer as Artist: Silvina Ocampo -- To Have a Voice: The Politics of the Diva -- Simulation, Gender, and Postmodernism: Sam Shepard and Paris, Texas -- The Architecture of Umberto Eco's The Name of the Rose -- Collage Theory, Reception, and the Cutups of William Burroughs -- Eine Kleine Wortmusik: The Marriage of Poetry and Music in the Pisan Cantos.