Cover -- Table of Contents -- Introduction -- I. Text - Score -- II. "Classical" Theory of Intertextuality -- III. Consequences for Literary Studies -- IV. New Take on Intertextuality -- V. Intertextuality and Literary Score -- Part One: Towards Modern Comparative Literature -- Stereotype(s) of Music in Literature -- I. The Stereotype of Analogy (General Aesthetics) -- II. Stereotype of (Non)Musicality of Literature -- III. Musical Contexts and Intertexts -- IV. Music in Literature (Attempts at Typology) -- Literary Score. Subject Matter of Interdisciplinary Comparative Literature -- I. Literature - Music (Methodological Remarks) -- II. "Scores" Without Notes (Review of the Issues) -- Artistic activities -- Analytical-interpretive activities -- Theoretical activities -- III. Literary Score (Musical Intertext) -- IV. Research Perspectives -- Interdisciplinarity and Comparative Studies -- I. Introductory Remarks -- II. Around Interdisciplinarity -- III. Comparative Literature - Interdisciplinarity -- IV. Interdisciplinary Comparative Literature -- V. Cultural Comparative Literature -- VI. Closing Remarks -- Part Two: Text - Sound Text - Verbal Score -- Scores of Sound Poetry (Bernard Heidsieck's Poèmes-partitions Cycle) -- I. Score - Sound Text -- II. Sound Poetry: Source, Tendencies, Definitions -- III. Bernard Heidsieck's Experiments -- 1. Visual text - sound text -- 2. Intermedial text -- 3. Sound Poetics - rhetorical figures -- IV. Repercussions -- Miron Białoszewski's (Sound) Text -- I. Types of Textuality (Theses) -- II. Noises - Clusters - Sounds (Aesthetics of Orality) -- III. Verbal Scores -- IV. From Score To "Knitting ..." (Imiesłów) -- V. Parallels -- Around Schaeffer's Scores -- I. "Interdisciplinary Creator" -- II. Musical Experiments and Instrumental Theatre -- III. Theatrical/Stage/Dramaturgical Scores (Próby).

IV. Consequences -- Part Three: The Limits of Interpretation: Implied Score -- The Effect (Defect) of Translation of Chopin (Kornel Ujejski's Zakochana) -- I. Introductory Remarks -- II. Kornel Ujejski and Music -- III. Chopin - Leonia Wild - Ujejski -- IV. Zakochana - Mazurka in A minor, Op. 7 No. 2 -- V. Conclusions -- The Peripheral Significance of Music (Stanisław Barańczak's Aria: Awaria) -- I. Mozart's Don Giovanni - Literary Repercussions -- II. Intertextual Parallels -- Da Ponte - Barańczak (Phonetic-Compositional Parallels) -- Mozart - Barańczak (Prosodic-Semantic Parallels) -- III. Semantic Effects of Stylisation -- IV. Consequences -- Michel Butor's Text-score (Dialogue avec 33 variations de Ludwig van Beethoven sur une valse de Diabelli) -- I. "Generalised Intertextuality -- II. Butor's Musical Discourse -- III. Score (Literary) -- IV. Butor's Dialogue with Beethoven -- V. Other Butor -- Bibliography -- I. Artistic Context -- II. Musical-Literary Research Contexts -- III. Literary Research Contexts (Comparative Literature, Literary Theory, Criticism) -- Bibliographic Notes -- Index -- Subject index -- Summary.