Cover -- Half Title -- Title -- Copyright -- Table of Contents -- Foreword by François Penz -- Introduction -- Part I: Film reviews -- The cinema of the French New Wave and the illusionism of SITE architects Les Carabiniers. 1963 -- The architecture of Diller and Scofidio: The screen and surveillance Das Experiment. 2001 -- The "cut" in the architecture of Jean Nouvel and the scenery of Ken Adam You Only Live Twice. 1967 -- The visual narratives of Resnais in the architecture of Carlo Scarpa Hiroshima Mon Amour. 1959 -- German Baroque architecture and the filming of Resnais: A fusion Last Year in Marienbad. 1961 -- Sigfreid Giedion, Rem Koolhaas and the fragmentary architecture of the city Run Lola Run. 1998 -- The aesthetics and formalism of Godfrey Reggio in the projects of Jean Nouvel Koyaanisqatsi. 1982 -- Boullée on film: An architectural cinematography The Belly of an Architect. 1987 -- Playtime: A commentary on the art of the Situationists, the philosophy of Henri Lefebvre and the architecture of the Modern Movement Playtime. 1967 -- Venturi and Antonioni: The modern city and the phenomenon of the moving image Zabriskie Point. 1970 -- Part II: Applying film to architecture -- Video Installation: Hybrid Artworks -- The physical experience of space and the sensorial perception of image -- Performance 1. Shadows -- Performance 2. Memories -- Performance 3. Echoes -- Incidental Legacy: A technical description -- The physical experience of image and the sensorial perception of space -- The world imagined by Diller and Scofidio -- Performance: Jet Lag -- Installation: Loophole -- Architecture: The Slow House -- Cinematographic architecture: Exercises in theory and practice -- Cinematographic space: A study of Citizen Kane -- Scene 1. Citizen Kane -- Scene 2. Citizen Kane -- Scene 3. Citizen Kane -- Scene 4. Citizen Kane.

From the contradictions of film to the creativity of architecture: Design workshop -- Stage 1. Cinematographic analysis of film -- Stage 2. Filming space -- Stage 3. Storyboarding spaces -- Stage 4. Storyboarding architectural events -- Stage 5. Design proposals -- Part III: Conceptual essays -- The hybridisation of sight in the hybrid architecture of sport: The effects of television on stadia and spectatorship -- Cinematic movement in the work of Le Corbusier and Sergei Eisenstein -- The historical construction of cinematic space: An architectural perspective on the films of Jean Renoir and Yasujiro Ozu -- Cinematic phenomenology in architecture: The Cartier Foundation, Paris, Jean Nouvel -- Cinematic space and time: The morphing of a theory in film and architecture -- Conclusion -- Bibliography -- Index -- Index of Images -- Back Cover.