Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgements -- Introduction -- Chapter 1: Imagining Male Subjects: Representing Argentine Masculinities in Nineteenth-Century Poetry Anthologies -- Chapter 2: Maricas and Lunfardos in Buenos Aires: A Critique of the Latino-Mediterranean Model of Sexuality -- Chapter 3: Masculinities, Modernity and the City in Roberto Arlt's El juguete rabioso -- Chapter 4: Afro-Argentines, Papás, Malevos and Patotas: Characterizing Masculinity on the Stages and in the Audiences of Buenos Aires, 1880-1920 -- Chapter 5: Pariahs in the Wilderness: Abject Masculinity in Horacio Quiroga -- Chapter 6: The Military, Movies and Masculinity: Su mejor alumno and Pampa bárbara -- Chapter 7: Masculinity, Performance and Peronist Nationalism in La traición de Rita Hayworth -- Chapter 8: Marginalized Masculinity and Spaces of the Delinquent in Early New Argentine Cinema -- Chapter 9: From Competing Masculinities to Male Bonding: Father-Son Relationships and Nation in Three Argentine Films -- Chapter 10: Money to Burn, Burnt Money: Crime, Violence and Nonheteronormative Masculinities -- Chapter 11: Middle-Class Masculinities in Juan José Campanella's El hijo de la novia and Luna de Avellaneda -- Chapter 12: Vulnerable Beings/Vulnerable Subjectivities: An Approach to Masculinities in the Narrative of Rodolfo Fogwill -- Chapter 13: Melting Masculinities in Carlos Busqued's Bajo este sol tremendo -- Chapter 14: Masculinities at War: The Military versus the Neoliberal in Accounts of the Falklands/Malvinas War -- Chapter 15: Basic Instincts, Violence and Sex-Driven Creatures: New Argentine Masculinity or Old 'Macho' Culture? -- Chapter 16: Popular Music and Macho Representation: The Case of Cumbia Villera -- Contributors -- Back Cover.