TABLE OF CONTENTS -- "MIXED" CHAMBER MUSIC OF THE CLASSICAL PERIOD AND THE RECEPTION OF GENRE -- A PILGRIM'S PROGRESS REPORT CONCERNING "MUSIC IN THE CLASSIC ERA" -- THE AMBIVALENCE OF MOZART'S COUNTESS -- MOZART'S INCIDENTAL MUSIC TO LANASSA AND HIS THAMOS MOTETS -- MUSIC LIBRARIES OF TOMORROW: VIRTUAL OR CONCRETE, HARMONY OR DISCORD? -- THE AGE OF JEWISH MUSIC COLLECTING -- THE DISCRETE CHARM OF THE MUSICAL FIRST EDITION: THEODORE M. FINNEY AS SCHOLAR, COLLECTOR, AND LIBRARIAN -- ACADEMIC MUSIC LIBRARIANSHIP: "BACK TO THE FUTURE"? -- RÉPERTOIRE INTERNATIONAL DE LITTÉRATURE MUSICALE (RILM): IMMUTABLE MISSION AMIDST CONTINUAL CHANGE -- HEADINGS AND SUBDIVISIONS FOR MUSICAL WORKS: PATTERNS TO EXPRESS MEDIUM OF PERFORMANCE -- IAML HONORARY MEMBERSHIP CITATIONS FOR LENORE CORAL AND ANDERS LÖNN -- MOONLIGHT EXCURSIONS: BEETHOVEN'S OP. 27 NO. 2 ON RECORDINGS -- VERDI AND VERISMO: THE CASE OF LA TRAVIATA -- SIR ARTHUR FAULKNER HEARS PAGANINI AT MAINZ -- "VENERABLE RELICS": SACRED MUSIC OF ORLANDO DI LASSO IN NINETEENTH-CENTURY ENGLAND -- APPENDIX -- La Lenore.