Punk Productions -- Contents -- Acknowledgments -- Abbreviations and Acronyms -- Introduction. You Are Not What You Own -- ANTI-CAPITALISM -- PUNK: A PROVISIONAL DEFINITION -- A DESIRING PUNK/PUNK DESIRE -- 1. Let's Make a Scene -- THE NEW YORK SCENE -- THE ENGLISH SCENE -- THE CALIFORNIA HARDCORE SCENE -- THE WASHINGTON, D.C. HARDCORE SCENE (FIRST WAVE STRAIGHT EDGE) -- THE NEW YORK HARDCORE SCENE (SECOND WAVE STRAIGHT EDGE) -- THE RIOT GRRRL SCENE -- THE BERKELEY/LOOKOUT! POP-PUNK SCENE -- CONCLUSIONS -- 2. Punk Aesthetics and the Poverty of the Commodity -- PUNK VERSUS THE COMMODITY -- CRASS COMMODITIES -- A PROFANE EXISTENCE -- AESTHETIC PROFANITY -- ECONOMIC PROFANITY -- CRIMETHINC. -- FROM CRASS TO PROFANE EXISTENCE TO CRIMETHINC. AND BEYOND -- 3. Punk Economics and the Shame of Exchangeability -- THE PUNK COMMODITY -- THE TWO POLES OF THE COMMODITY -- COLLECTING PUNK/PUNK COLLECTING -- VIVA LA VINYL -- DISPLACED LABOR -- THE GOOD SIDE OF THE COMMODITY -- 4. Market Failure: Punk Economics, Early and Late -- EARLY PUNK ECONOMICS -- LATE PUNK ECONOMICS -- DISCHORD RECORDS AND FUGAZI -- LOOKOUT! RECORDS -- THE FAILURE/SUCCESS OF DISCHORD, FUGAZI, AND LOOKOUT! -- 5. Screening Punk -- PUNK CINEMA? -- THE PUNK MARQUEE: WHAT'S SHOWING? -- AT THE BIJOUX: RUDE BOY -- IN THE MALL CINEPLEX: FIGHT CLUB -- DÉNOUEMENT -- Epilogue. Beyond Punk -- PUNK'S NOT DEAD -- Notes -- CHAPTER 1 -- CHAPTER 2 -- CHAPTER 3 -- CHAPTER 4 -- CHAPTER 5 -- References -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z.