Cover -- title page -- copyright -- Contents -- Preface -- Introduction: An Ethnomusicological Approach to Music and Conflict -- PART 1: Music in War -- 1. Kosova Calls for Peace: Song, Myth, and War in an Age of Global Media -- 2. Musical Enactment of Conflict and Compromise in Azerbaijan -- PART 2: Music across Boudaries -- 3. Music across the DMZ -- 4. Fife and Fiddle: Protestants and Traditional Music in Northern Ireland -- PART 3: Music after Displacement -- 5. The Suyá and the White Man: Forty-five Years of Musical Diplomacy in Brazil -- 6. Asymmetrical Relations: Conflict and Music as Human Response -- PART 4: Music and Ideology -- 7. Music at the Margins: Performance and Ideology in the Persianate World -- 8. Performing Religious Politics: Islamic Musical Arts in Indonesia -- PART 5: Music in Application -- 9. Music in War, Music in Peace: Experiences in Applied Ethnomusicology -- 10. Music against Fascism: Applied Ethnomusicology in Rostock, Germany -- PART 6: Music as Conflict -- 11. Sound Praxis: Music, Politics, and Violence in Brazil -- 12. Musical Enactment of Attitudes toward Conflict in the United States -- Epilogue: Ethnomusicologists as Advocates -- References -- Contributors -- Index.