Contents -- Preface -- Introduction -- Part I: Atrocities, Spectatorship, and Memory -- 1. Film and Atrocity: The Holocaust as Spectacle -- 2. Documenting the Holocaust in Orson Welles's The Stranger -- 3. Remembering Revolution after Ruin and Genocide: Recent Chilean Documentary Films and the Writing of History -- 4. "The Power to Imagine" : Genocide, Exile, and Ethical Memoryin Atom Egoyan's Ararat -- Part II: Coloniality and Postcoloniality -- 5. Massacre and the Movies: Soldier Blue and the Sand Creek Massacre of 1864 -- 6. The Other in Genocide: Responsibility and Benevolence in Rabbit-Proof Fence -- 7. Genres of "Yet An Other Genocide" : Cinematic Representations of Rwanda -- Part III: Visual Documentation andGenocide -- 8. The Specter of Genocide in Errol Morris's The Fog of War -- 9. GIs Documenting Genocide: Amateur Films of World War II Concentration Camps -- 10. Through the Open Society Archives to The Portraitist: Film's Impulse toward Death and Witness -- Part IV: Interviews -- 11. Greg Barker, Director of Ghosts of Rwanda (2004) -- 12. Nick Hughes, Director of 100 Days (2001) -- 13. Irek Dobrowolski, Director of The Portraitist (2005) -- Filmography -- Bibliography -- Contributors -- Index.