Introduction: beyond Shakespeare: the contemporary Jacobean film -- Derek Jarman's queer contemporary Jacobean aesthetic: Caravaggio and Edward II -- The preposterous contemporary Jacobean film: Peter Greenaway's Cook, heritage Shakespeare and sexual exploitation in Mike Figgis's Hotel -- Third cinema, urban regeneration and heritage Shakespeare in Alex Cox's Revengers tragedy -- Early modern performance and digital media: remediation and the evolving archival canon -- Bend it like Nagra: mainstreaming the changeling in Sarah Harding's Compulsion -- Conclusion: early modern dramatists on twenty-first century screens.