Musical symbolism in the operas of Debussy and Bartók trauma, gender, and the unfolding of the unconscious
Title:
Musical symbolism in the operas of Debussy and Bartók trauma, gender, and the unfolding of the unconscious
Author:
Antokoletz, Elliott.
ISBN:
9781423726319
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Publication Information:
Oxford ; New York : Oxford University Press, 2004.
Physical Description:
1 online resource (xiv, 346 p.) : ill.
Abstract:
The authors explore the means by which two early 20th-century operas - Debussy's 'Pelléas et Mélisande' (1902) and Bartók's 'Duke Bluebeard's Castle' (1911) - transformed the harmonic structures of the traditional major/minor scale system into a new musical language.
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Electronic Access:
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