Cover image for Shakespeare's Festive Comedy : A Study of Dramatic Form and Its Relation to Social Custom.
Shakespeare's Festive Comedy : A Study of Dramatic Form and Its Relation to Social Custom.
Title:
Shakespeare's Festive Comedy : A Study of Dramatic Form and Its Relation to Social Custom.
Author:
Barber, Cesar Lombardi.
ISBN:
9781400839858
Personal Author:
Physical Description:
1 online resource (322 pages)
Contents:
COVER -- CONTENTS -- FOREWORD -- PREFACE -- ONE: INTRODUCTION: THE SATURNALIAN PATTERN -- THROUGH RELEASE TO CLARIFICATION -- SHAKESPEARE'S ROUTE TO FESTIVE COMEDY -- TWO: HOLIDAY CUSTOM AND ENTERTAINMENT -- THE MAY GAME -- THE LORD OF MISRULE -- ARISTOCRATIC ENTERTAINMENTS -- THREE: MISRULE AS COMEDY -- COMEDY AS MISRULE -- LICENSE AND LESE MAJESTY IN LINCOLNSHIRE -- THE MAY GAME OF MARTIN MARPRELATE -- FOUR: PROTOTYPES OF FESTIVE COMEDY IN A PAGEANT ENTERTAINMENT: SUMMER'S LAST WILL AND TESTAMENT -- "WHAT CAN BE MADE OF SUMMER'S LAST WILL AND TESTAMENT?" -- PRESENTING THE MIRTH OF THE OCCASION -- PRAISE OF FOLLY: BACCHUS AND FALSTAFF -- FESTIVE ABUSE -- "GO NOT YET AWAY, BRIGHT SOUL OF THE SAD YEAR" -- FIVE: THE FOLLY OF WIT AND MASQUERADE IN LOVE'S LABOUR'S LOST -- "LOSE OUR OATHS TO FIND OURSELVES" -- "SPORT BY SPORT O'ERTHROWN" -- "A GREAT FEAST OF LANGUAGES" -- WIT -- PUTTING WITTY FOLLY IN ITS PLACE -- "WHEN … THEN …"-THE SEASONAL SONGS -- SIX: MAY GAMES AND METAMORPHOSES ON A MIDSUMMER NIGHT -- THE FOND PAGEANT -- BRINGING IN SUMMER TO THE BRIDAL -- MAGIC AS IMAGINATION: THE IRONIC WIT -- MOONLIGHT AND MOONSHINE: THE IRONIC BURLESQUE -- THE SENSE OF REALITY -- SEVEN: THE MERCHANTS AND THE JEW OF VENICE: WEALTH'S COMMUNION AND AN INTRUDER -- MAKING DISTINCTIONS ABOUT THE USE OF RICHES -- TRANSCENDING RECKONING AT BELMONT -- COMICAL/MENACING MECHANISM IN SHYLOCK -- THE COMMUNITY SETTING ASIDE ITS MACHINERY -- SHARING IN THE GRACE OF LIFE -- EIGHT: RULE AND MISRULE IN HENRY IV -- MINGLING KINGS AND CLOWNS -- GETTING RID OF BAD LUCK BY COMEDY -- THE TRIAL OF CARNIVAL IN PART TWO -- NINE: THE ALLIANCE OF SERIOUSNESS AND LEVITY IN AS YOU LIKE IT -- THE LIBERTY OF ARDEN -- COUNTERSTATEMENTS -- "ALL NATURE IN LOVE MORTAL IN FOLLY" -- TEN: TESTING COURTESY AND HUMANITY IN TWELFTH NIGHT -- "A MOST EXTRACTING FRENZY".

"YOU ARE BETROTH'D BOTH TO A MAID AND MAN" -- LIBERTY TESTING COURTESY -- OUTSIDE THE GARDEN GATE -- INDEX.
Abstract:
In this classic work, acclaimed Shakespeare critic C. L. Barber argues that Elizabethan seasonal festivals such as May Day and Twelfth Night are the key to understanding Shakespeare's comedies. Brilliantly interweaving anthropology, social history, and literary criticism, Barber traces the inward journey--psychological, bodily, spiritual--of the comedies: from confusion, raucous laughter, aching desire, and aggression, to harmony. Revealing the interplay between social custom and dramatic form, the book shows how the Elizabethan antithesis between everyday and holiday comes to life in the comedies' combination of seriousness and levity. "I have been led into an exploration of the way the social form of Elizabethan holidays contributed to the dramatic form of festive comedy. To relate this drama to holiday has proved to be the most effective way to describe its character. And this historical interplay between social and artistic form has an interest of its own: we can see here, with more clarity of outline and detail than is usually possible, how art develops underlying configurations in the social life of a culture."--C. L. Barber, in the Introduction This new edition includes a foreword by Stephen Greenblatt, who discusses Barber's influence on later scholars and the recent critical disagreements that Barber has inspired, showing that Shakespeare's Festive Comedy is as vital today as when it was originally published.
Local Note:
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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