Title -- Copyright -- Preface -- Acknowledgements -- Contents -- 1 Introduction -- The Environment -- Screensets -- Linked windows -- Window zooming -- Hyperdraw -- Touch tracks -- Always in record (MIDI Recording only) -- Key commands -- MIDI Editors -- Audio Editor -- The Transport bar -- A note on appearance -- What's next? -- Some good advice -- 2 Installing Emagic Logic Audio -- Version 5 installation -- Macintosh and Windows -- Version 4 or earlier installation -- Mac installation -- Windows 98 installation -- 3 Getting started with Logic Audio -- Booting Logic Audio for the first time -- The Autoload song -- Macintosh -- Windows -- Connecting the bits - the Environment -- MIDI data flow through Logic Audio -- Multi-timbral synthesizer set-up -- Loading standard Logic Audio set-ups -- Mono timbral instrument set up (single sound at once) -- Drum module -- How to set up a Mapped instrument -- Using existing Mapped instrument set-ups -- Creating Mapped instruments for each drum sound -- Other Mapped instrument features -- Velocity -- Cha -- Cable -- Getting a click to play along with -- Hang on just a minute … -- Using Logic Audio with a more complex set up -- Key commands -- To assign a Key command -- Macintosh -- Setting up Logic Audio as a MIDI mixer to control your MIDI devices -- Setting up a 'channel strip' to control a Multi timbral synthesizer -- Highlight the Vol slider -- Highlight the Mute button -- Highlight the Pan knob -- Highlight the Chorus knob -- Highlight the Reverb knob -- Setting up Logic Audio to adjust parameters on your MIDI devices via SysEx -- Logic Audio and GM devices -- GM MIDI Mixer -- Using modifiers in Logic Audio -- Touch tracks (MIDI data only) -- Importing Screensets, score styles and stuff from other songs -- Direct output of instruments -- Audio -- Overview -- Plug-ins -- MIDI and audio together -- Phew!.

4 Using Logic Audio -- Introduction -- Some Logic Audio terminology -- Useful Logic Audio stuff -- Everything is connected to everything else -- Changing values -- Selecting objects -- Parameter boxes -- Scroll bars -- View menu -- Toolboxes -- Pointer -- Pencil -- Eraser -- Text -- Glue -- Solo -- Mute -- Magnifying glass -- Finger -- Crosshair -- MIDI Thru tool -- Layout pointer -- Size tool -- Voice Splitter -- Camera -- Quantize tool -- Editing more than one sequence simultaneously -- Some basic functions -- Multiple Undo and Redo -- Future music -- Setting up your first screenset -- Saving songs -- Saving your song -- Opening a song -- Your first recording -- Select an instrument -- The 'Oh damn, I forgot to press record' method -- The 'Just press record' method -- The 'Press record and go' method -- The 'Count me in' method -- The 'loop' method -- Recording modes -- The 'Drop in while looping' method -- The 'Drop in' method -- Keyboard and step entry -- Playing back the recording -- Using the transport bar -- Skip cycle -- Scrubbing -- Working with tracks -- Moving tracks:Windows -- Deleting empty tracks -- Deleting tracks with sequences on them -- Naming tracks -- Muting tracks -- Working with sequences -- Renaming sequences -- Renaming all sequences on a track -- Moving, copying, cutting, deleting and resizing sequences -- Moving and copying sequences -- Aliases -- Repeating sequences -- Cutting sequences -- Gluing sequences -- Deleting sequences -- Resizing sequences -- Muting sequences -- Other ways to modify sequences - the sequence playback Parameter box -- Quantization -- Looping -- Transposing -- Recording more tracks -- More detailed editing -- Matrix editor -- Matrix editor -- Event list editor -- Running man -- Link mode -- Link - Show Contents mode -- Linking and the Environment -- Editing with the Matrix editor -- Selecting notes.

Quantizing notes -- Changing the velocity of notes -- Changing the velocity of several notes -- Editing with the Event list editor -- Selecting events -- Changing multiple events -- Quantizing -- Editing other data -- Other features you may find useful while recording and editing -- Recording and editing program changes -- Solo mode -- Markers -- To create a marker -- Windows -- Macintosh -- Macintosh -- Windows -- Using the marker list box -- Moving the song position line to a specific marker -- Macintosh -- Windows -- To delete a marker -- Other useful marker functions -- Folders -- To create a folder -- To open a folder -- To close a folder -- To copy sequences to and from a folder -- Unpacking a folder -- Working with songs -- Windows -- Macintosh -- Moving whole parts of songs around -- Adding 'Chorus 1' to the end of the song -- Removing 'Chorus 1' and closing the gap created -- Creating a gap in the song -- Moving parts of one song to another -- Graphically mixing your MIDI data - Hyperdraw -- Tip -- Adjusting the volume of the sequence -- Moving the whole curve -- Deleting individual Hyperdraw events -- Deleting all the Hyperdraw events -- Finer editing of Hyperdraw events -- Tip -- Mixing using faders (see also Chapter 16) -- Merge -- Replace -- Update -- Soft fade time -- Recording -- Logic Audio time signatures and tempo -- Setting time signatures -- Setting the tempo and time signature of a whole Logic Audio song -- Time Signature and Key Editor -- Creating tempo changes in a Logic Audio song -- Creating tempo changes -- Creating continuous tempo changes -- Editing Tempo Changes -- Using the computer keyboard or external MIDI events to set the tempo -- Using the tempo interpreter -- Setting the tempo after recording - reclocking the Song -- Using a guide sequence -- Logic Audio and synchronization -- Internal sync -- MIDI clock (SPP).

SMPTE/EBU (MIDI time code) -- Making sure sequences or notes always stay at the same SMPTE time position -- Groove -- Groove templates -- Deleting groove templates -- Using third party templates -- Quantization in Logic Audio -- Off -- Normal quantization -- Triplet quantization -- Mixed quantization -- ODD quantization -- Fix quantize -- Tip -- Extended sequence parameters -- Q-Swing -- Q-Strength -- Q-Range -- Q-Flam -- Q-Velocity -- Q-Length -- Clip Length -- Transforming MIDI events -- Using the pre-set transform parameter sets -- Logic Audio's Transformer actions -- Select only -- Operate only -- Select and Operate -- Recording audio -- Before you start recording -- Set Record path (Audio>Set Audio Recording Path) -- Use Audio object name for filename. -- Pre-allocate recording files -- Maximum recording time -- Song recording path/Global recording path -- Selecting an input -- Stereo or mono? -- Select an Audio object to record on -- Monitoring -- Auto Input monitoring -- Setting the recording level -- Making a recording -- Audio Cycle recording -- After recording -- Handy recording set-up overview -- Important tip -- Now record some new Audio parts -- More useful audio tricks -- Loading in an audio file from a CD -- CD 'ripping' on a Macintosh -- Importing an audio file -- Creating a drum loop from the file -- Set the song tempo to the tempo of the loop. -- Audio file housekeeping -- Finally -- 5 The Score editor -- Introduction -- The problem with computer based scoring -- Getting around the Score editor -- Producing a piano score -- Score styles -- Display quantization -- Interpretation -- No overlap -- Maximum dots -- Inserting other items into the score -- Inserting graphics into a score -- Inserting text into the score -- Inserting lyrics -- Other automatic text objects -- Global text objects -- Margins and general page layout.

Printing the score -- Printing problems? -- Exporting the score as a graphics file -- Producing some typical scores -- Creating a lead sheet -- Creating a four part string section -- Other Score editor functions -- 6 The Environment -- Overview -- Layers -- The Environment toolbox -- The Pencil tool -- The Erase tool -- The Text tool -- The MIDI tool -- Objects and their parameters -- Physical input and sequencer input -- Multi Instrument, Instrument and Mapped instrument -- Monitor -- Channel splitter -- Keyboard -- Transformer -- Voice limiter -- Delay line -- Arpeggio -- Chord memorizer -- MIDI metronome click -- Output devices - MIDI OUT ports -- Windows -- Various faders -- Other more complex uses of faders -- GM Mixer -- Touch tracks -- Working with cables and objects -- Send all fader values except SysEx -- Send all fader values -- Other Environment lovelies -- Colouring objects -- Mixer automation -- Importing environments -- Here is how you do it -- Audio objects in more detail -- EQ -- Inserts -- Sends -- I/O -- Output -- Pan -- Fader -- Audio object Parameter Box -- 7 The Arrange page -- Overview -- The sequence window (a) -- Track name column (b) -- Instrument name column (c) -- Mute button, MIDI data activity level meter and Track number (d) -- Instrument Parameter box (e) -- Instrument name -- Triangle -- Icon -- Cha -- Prg -- Vol -- Pan -- Lim -- Vlim -- No Seq trp -- No Reset -- Auto -- Toolbox (f) -- Sequence Parameters Box (g) -- Sequence name -- Triangle -- Loop -- Transpose -- Velocity -- Dynamics -- Gate time -- Delay -- Transport buttons (h) and transport display (i) -- Resize cross (j) -- Folders (k) -- Other major areas of the Arrange page -- 8 The Event list editor -- Overview -- Using the Event list editor -- To change a data value -- To change a data value -- To add data -- To delete data.

Using the Edit menu to select data.