Cover -- Series Page -- Title Page -- Copyright -- Dedication -- Contents -- Preface -- Acknowledgments -- Introduction by Robin Wood -- Part One: Hollywood Cinema -- Cary Grant: Comedy and Male Desire -- A New Servitude: Bette Davis, Now, Voyager, and the Radicalism of the Woman's Film -- The Devil, Probably: The Symbolism of Evil -- Sideshows: Hollywood in Vietnam -- Blissing Out: The Politics of Reaganite Entertainment -- Part Two: Hollywood Movies -- Meet Me in St. Louis: Smith, or The Ambiguities -- Alfred Hitchcock's Spellbound: Text and Countertext -- Detour -- Notes on Pursued -- The Family in The Reckless Moment -- Betrayed by Rita Hayworth: Misogyny in The Lady from Shanghai -- The Exorcist -- Jaws -- Mandingo -- 10 -- The Great Waldo Pepper -- The Other Side of Midnight -- Part Three: European Cinema -- Sexuality and Power, or the Two Others -- Their Finest Hour: Humphrey Jennings and the British Imperial Myth of World War II -- Metaphor and Mimesis: Madame de . . . -- Thinking about Father: Bernardo Bertolucci -- Living Historically: Two Films by Jean-Luc Godard -- "Foxed": Fox and His Friends -- Part Four: Film and Cultural Theory -- In Defense of Criticism -- For Interpretation: Notes Against Camp -- The Ideology of Screen -- The Philosophy of the Pigeonhole: Wisconsin Formalism and "The Classical Style" -- The Myth of Postmodernism: The Bourgeois Intelligentsia in the Age of Reagan -- Consuming Culture: The Development of a Theoretical Orthodoxy -- Invisible Eye -- Notes -- Bibliography -- Index.