Contents -- Contributors -- Author Biographies -- Acknowledgements -- Introduction -- 1 Examining the Messages of Contemporary 'Tourist Art' in Yucatán, Mexico: Comparing Chichén Itzá and the Puuc Region -- 2 Medialization of Touristic Reality: the Berlin Wall Revisited -- 3 Vision, Translation, Rhetoric: Constructing Heritage in Museum Exhibitions -- 4 Visual Images of Metaphors in Tourism Advertising -- 5 Visual and Tourist Dimensions of Trentino's Borderscape -- 6 The Campi Flegrei: a Case Study -- 7 The Use of Visual Products in Relation to Time-Space Behaviour of Cultural Tourists -- 8 Integrating Multiple Research Methods: a Visual Sociology Approach to Venice -- 9 Using Volunteer-employed Photography: Seeing St David's Peninsula through the Eyes of Locals and Tourists -- 10 Visual Methodologies and Photographic Practices: Encounters with Hadrian's Wall World Heritage Site -- 11 From 'The Dunghill of England' to 'The Jewel of the Commonwealth': Using the Concept of Tourism Image to Explore Identity and Tourism in 19th-century and Early 20th-century Tasmania -- 12 The Construction of Destinations - Symbolic Meanings for Destinations and Visitors -- 13 Destination-promoted and Visitor-generated Images - Do They Represent Similar Stories? -- 14 Photographs in Brochures as the Representations of Induced Image in the Marketing of Destinations: a Case Study of Istanbul -- 15 Rematerializing Tourism Research through Visual Ethnography -- 16 Images of Beauty and Family. Contemporary Imagery at Aquafan -- 17 'You Can Do Anything in Goa, India.' A Visual Ethnography of Tourism as Neo-colonialism -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y.