Cover image for No Second Eden : Poems.
No Second Eden : Poems.
Title:
No Second Eden : Poems.
Author:
Cassity, Turner.
ISBN:
9780804040044
Personal Author:
Edition:
1st ed.
Physical Description:
1 online resource (70 pages)
Contents:
Title -- Copyright -- Contents -- A Member of the Mystik Krewe -- The Metrist at the Operetta -- Stylization and Its Failures -- WTC -- Cities of the Plain and Fancy -- Not to Seize the Moment -- Transpositions -- Aurora Borealis of the Inner Eye -- The Creatures of Prometheus -- Uses of Hot Air -- Junkerdom in Huntsville -- Distant Early Warning -- The Dueling Scar -- Karl and Julius and Gregory, or, Are You a Fructidor? -- Sonar Readings -- Now You See It, Now You Don't -- A Diamond Is Forever -- Oysters and Other Workers -- Smile Please -- Adam with a Garden Hose -- Let My People Go, but not without Severance Pay -- Manual vs. White Collar -- Program Notes for an Orgy -- In the Matter of Graven Images -- Sensitivity Training: The Safecracker -- J. P. Morgan -- Neckties -- A Different Perspective on A Rebours -- Favorites -- Crime and Punishment -- Boxcar Arthur and Other Myth -- Boxcar Arthur, the Sequel -- Enola Gay Rights -- The Second-Guesser -- Estate Planning -- I Dreamed Last Night I Went Again to Manderley -- Victory -- In the Receiving Line -- Venerations -- Hanging On -- Why Geriatrics Are Not Sacrificed -- Watching the Stopwatch Stopping -- The Ultimate National Monument -- The Grateful Minimalist.
Abstract:
If you think that Turner Cassity has mellowed or slowed down since the 1998 release of his selected poems, The Destructive Element, think again. In No Second Eden Cassity is back more Swiftian than ever. Among the targets reduced to ruin are countertenors, parole boards, the French Symbolists, calendar reformers, the Yale Divinity School, and the cult of Elvis. Without turning a blind eye, he even extends a toast to Wernher von Braun. Surprisingly, there is a poem about the Mississippi in which Cassity grew up. Unsurprisingly, it is a vision quite unlike others of that state. Its chilly and amusing precision is about as far from Southern Gothic as you can get, although elsewhere there are faint hints of a failed Good Ole Boy. Indeed, the final poems in the collection are a bit more personal than one expects of this writer. As rigorous in form as they are in feeling, the poems of No Second Eden are not for those with preconceived ideas of poetry or its purpose. Early in Cassity's career, James Merrill described Cassity's work as "an opera house in the jungle." True so far as it goes, but he might also have called it the jungle in the opera house: a glimpse at the savagery behind every façade.
Local Note:
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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