Contents -- Acknowledgment -- Introduction -- Part I: Art Spiegelman -- 1. Reading Comics: Art Spiegelman on CD-ROM -- 2. Mourning and Postmemory -- 3. Art Spiegelman and AutobioGRAPHICal Re-Vision -- 4. Breakdowns and Breakthroughs: Looking for Art in Young Spiegelman -- Part II: The Global Scope of Autography -- 5. Human Rights and Comics: Autobiographical Avatars, Crisis Witnessing, and Transnational Rescue Networks -- 6. Picturing Oneself as Another -- 7. Dominique Goblet: The List Principle and the Meaning of Form -- 8. The Animal Witness of the Rwandan Genocide -- 9. Autobiography as Discovery in Epileptic -- 10. Manga and the End of Japan's 1960s -- Part III: Visualizing Women's Life Writing -- 11. Autographic Disclosures and Genealogies of Desire in Alison Bechdel's Fun Home -- 12. Witnessing Persepolis: Comics, Trauma, and Childhood Testimony -- 13. A Story Told in Flashback: Remediating Marjane Satrapi's Persepolis -- 14. Autobiography: The Process Negates the Term -- 15. Up from Surgery: The Politics of Self-Representation in Women's Graphic Memoirs of Illness -- 16. The Gutter Effect in Eve Kosofsky Sedgwick's A Dialogueon Love / -- 17. Photau(gyno)graphy: The Work of Joanne Leonard -- Part IV: Varieties of the Self -- 18. The Diary Comic -- 19. Justin Green: Autobiography Meets the Comics -- 20. Narrative Worldmaking in Graphic Life Writing -- 22. Selective Mutual Reinforcement in the Comics of Chester Brown, Joe Matt, and Seth -- 21. In Praise of Joseph Witek's Comic Books as History -- 23. Keeping it (Hyper)Real: Autobiographical Fiction in 3-D -- 24. Fictional Auto/Biography and Graphic Lives in Watchmen -- 25. American Born Chinese: Challenging the Stereotype -- 26. Materializing Memory: Lynda Barry's One Hundred Demons -- 27. Reflections on Lynda Barry -- Contributors -- Index.