Cover image for Elements of Meaning in Gesture.
Elements of Meaning in Gesture.
Title:
Elements of Meaning in Gesture.
Author:
Calbris, Geneviève.
ISBN:
9789027285171
Personal Author:
Physical Description:
1 online resource (398 pages)
Contents:
Elements of Meaning in Gesture -- Editorial page -- Title page -- LCC data -- Table of contents -- Foreword -- Acknowledgements -- Introduction -- Chapter 1. The gestural sign and related key concepts -- 1. The gestural sign drawn from physical experience -- 1.1 Experience of the physical world -- 1.2 Representation of the physical world -- 2. The gestural sign in discourse -- 2.1 Identifying gestural units -- 2.2 Characteristics of the gestural sign demonstrated by examples of Ring gestures -- 2.2.1 A cultural sign -- 2.2.2 A contextual sign -- 2.2.2.1 The kinesic context. -- 2.2.2.2 The verbal context. -- 2.2.3 An analogical sign -- 2.2.4 An isomorphic analogical sign -- 2.3 The symbolic relations between gestures and notions -- 2.3.1 Several gestures represent one notion: Variation -- 2.3.1.1 Gesture variants and cumulative variants. -- 2.3.2 One gesture represents several notions: Polysemy & polysign -- 2.3.2.1 The polysemous gesture. -- 2.3.2.2 The polysign gesture. -- 2.3.2.3 The polysemous polysign gesture. -- 2.4 Interaction between the phenomena of variation and polysemy -- 2.4.1 How to find the analogical link -- 2.4.2 Gestural sequencing -- PART I. The functions of gesture in relation to speech -- Chapter 2. The demarcative function of gesture -- 1. Multimodal communication -- 1.1 Nonverbal aspects of multimodal communication -- 1.2 The multifunctionality of each communication channel -- 2. The demarcative function of gesture in association with the voice -- 2.1 Hierarchic segmentation of discourse -- 2.1.1 Kinesic segmentation of discourse into ideational units -- 2.1.2 Kinesic segmentation of ideational units into rhythmic-semantic groups -- 2.1.3 Kinesic segmentation of rhythmic-semantic groups into words -- 2.2 Recurrence in segmentation of discourse -- 2.2.1 Prosodic recurrence -- 2.2.2 Kinesic recurrence.

2.2.3 Discourse choreography -- 2.2.4 Semantic choreography -- 2.2.5 Segmentation of gestural units related to the referential function -- Chapter 3. Identifying the referential function of gesture -- 1. Some precepts in visual representation -- 1.1 The relation precedes the elements to be related -- 1.1.1 Relation of transfer or of substitution -- 1.1.2 Temporal relation -- 1.1.3 Relation between numbered values -- 1.2 Designation precedes qualification -- 2. The importance of context for identifying the meaning of a gesture -- 2.1 The vocal context -- 2.2 The simultaneous and the successive kinesic contexts -- 3. Example of analysis. -- 4. The representational gesture is not a word illustrator -- PART II. The systematic organization of gestural signs -- Chapter 4. Classification of referential gestures according to their priority components -- 1. The context indicates the relevant body part -- 2. Localization: Body-focused gestures -- 3. Movement: Gestures in space -- 3.1 Form of movement -- 3.1.1 Straight-line gestures and their secondary components -- 3.1.1.1 Directional axes of movement in relation to the planar position and orientation of the body part. -- 3.1.1.2 The body part and the plane in which it is positioned. -- 3.1.1.3 Repeated movement. -- 3.1.1.4 Symmetry. -- 3.1.2 Curved gestures and their secondary components -- 3.1.2.1 Clockwise versus anticlockwise movement. -- 3.2 Direction of movement -- 4. Body part: Gestures in space -- 4.1 Form of the body part: Examples of hand configurations -- 4.2 Direction of the body part: Orientation -- 5. Head gestures -- 5.1 Rotational movement of the head in three planes -- 5.1.1 Movement in the sagittal plane -- 5.1.2 Movement in the horizontal plane. -- 5.1.3 Movement in the frontal plane -- 5.2 A selection of examples: Head tilt -- Chapter 5. Systematic analysis to identify gestural signs.

1. About coding -- 2. Description of the method of analysis -- 2.1 Code gestural components -- 2.1.1 Configuration -- 2.1.2 Configuration and plane -- 2.1.3 Orientation -- 2.1.4 Straight-line movement -- 2.1.5 Laterality/symmetry -- 2.1.6 Localization -- 2.1.7 Eye gaze -- 2.1.8 Example of coding -- 2.2 Extract samples sorted by gestural components -- 2.2.1 Same movement, different gestures: Sample 1 (40-65) -- 2.2.2 Same configuration, different gestures: Sample 2 (53-60, 66-95) -- 2.3 Determine the gestural referent -- 2.3.1 Primary semantic subdivision within Sample 2 -- 2.3.2 Secondary semantic subdivision within Sample 2 -- 2.4 Deduce the potential analogical link(s) between physical and semantic elements -- 2.4.1 Different analogical links in the Frame configuration in Sample 2 -- 2.4.2 The same analogical link in the different gestures in Sample 1 -- 2.4.2.1 Decision -- 2.4.2.2 Categorical character -- 2.5 Validate the analogical link -- PART III. The Symbolic Relations between Gestures and Notions -- Chapter 6. Different gestures represent one notion. Variation -- 1. Gesture variants of time -- 1.1 Localization -- 1.1.1 Localization with respect to the present moment -- 1.1.1.1 Past and Future expressed by a head movement in opposite directions: -- 1.1.1.2 Past and Future expressed by a hand movement in opposite directions: -- 1.1.2 Localization with respect to a given moment -- 1.2 Duration -- 1.2.1 The measurement of time -- 1.2.2 The course of time -- 1.2.2.1 Repetition. -- 1.2.2.2 Regressive unfolding. -- 1.3 Gestural expression of time in different cultures -- 2. Gesture variants obtained by substituting a gestural component -- 2.1 Overview of component substitutions -- 2.2 Stylistic variants -- 2.3 Semantic variants -- 2.3.1 Change of body part -- 2.3.2 Change of movement: from a straight to a curved line.

3. The semantic contribution of the substitute -- 3.1 The specific character of the thumb -- 3.2 Comparative use of the thumb and the index finger -- 3.2.1 Localization -- 3.2.2 (Self-)Designation -- 3.2.3 One: Priority/Uniqueness -- 3.2.4 Stop: request to stop/rectifying objection -- 3.2.5 Contact -- 4. The choice of variant -- 5. Isolating the semantic features of a notion via its gesture variants -- Chapter 7. One gesture represents different notions -- 1. The polysemous gesture and its explanations -- 1.1 An analogical link subject to semantic derivation -- 1.1.1 Example: Palm(s) Forwards signifying (self-protective) opposition -- 1.1.1.1 Confirmation of the analogical link: Gradational opposition. -- 1.1.2 Example: The fist punch signifying aggression -- 1.1.2.1 Confirmation of the analogical link: an underlying aggression in each case. -- 1.1.3 A contradictory semantic derivation: From negative to positive -- 1.1.3.1 Lateral head-shake. -- 1.1.3.2 Palm forwards. -- 1.2 The presence of several analogical links: Plural motivation -- 1.2.1 Example: The transverse movement of the Level Hand -- 2. The polysign gesture -- 2.1 A bireferential gesture -- 2.2 A bireferential gestural component -- 2.3 A multi-referential gesture -- 2.4 The case of the 'complex' gesture -- 3. The polysemy of the polysign gesture -- Chapter 8. The analogical links between gestures and notions -- 1. The semantics of physical refusal -- 1.1 Active refusal -- 1.1.1 Rejecting an object in front of oneself -- 1.1.2 Removing an object from oneself -- 1.2 Passive refusal -- 1.2.1 The reflexes of rejection -- 1.2.1.1 Vomit reflex. -- 1.2.1.2 Expulsion of gas. -- 1.2.2 The reflexes of self-protection -- 1.2.3 The reflex of evasion -- 1.2.4 The reflex of recoiling -- 1.2.5 Weariness -- 1.3 Semantic derivation in the expression of refusal -- 2. Identifying an analogical link.

2.1 Elucidating a polysemy by comparing gesture variants -- 2.1.1 The projection of the fist -- 2.2 The semantic nuancing of a variant due to the gesture's polysemy -- 2.2.1 Concrete designation -- 2.2.2 Restriction -- 2.3 The correspondence between the analogical link and a variant's use: The case of negation -- 3. Analogical links and their symbolic associations -- 3.1 Is the polysemous gesture a polysign? -- 3.1.1 Determining the analogical link for each notion -- 3.1.2 Comparing the other variants that express each notion -- 3.1.2.1 The notion of stop-refusal and all its gestural and semantic variants. -- 3.1.2.2 The notion of cutting and all its gestural and semantic variants. -- 3.1.3 Nuance contributed by the polysemous gesture to each notion -- 3.2 The symbolic mechanism -- 3.2.1 A facial-gestural ensemble contains one or several analogical links -- 3.2.1.1 One link. -- 3.2.1.2 Several links. -- 3.2.2 A gesture contains one or several analogical links -- 3.2.2.1 One link. -- 3.2.2.2 Several links. -- 3.2.3 A gestural component contains one or several analogical links -- 3.2.3.1 One link. -- 3.2.3.2 Several links. -- 3.2.4 Connective interplay between analogical links -- 3.2.4.1 The complex gesture. -- 3.2.5 The polysemous gesture as a polysign -- 3.2.6 The polysemy of the polysign gesture -- PART IV. The gestural sign in utterance -- Chapter 9. The gestural sign and speech -- 1. Relations between gestural and verbal units -- 1.1 Temporal relations between semantic units -- 1.2 Semantic relations between temporal units -- 2. A co-verbal sign -- 2.1 Simultaneous gestural commentary -- 2.1.1 Attitude to the object of the utterance -- 2.1.2 Attitude to the interlocutor -- 2.1.3 Commentary on the object of the utterance -- 2.2 Simultaneous complementary information -- 2.3 Simultaneous pedagogical explanation.

2.4 The simultaneous disambiguation of one sign by the other.
Abstract:
Summarizing her pioneering work on the semiotic analysis of gestures in conversational settings, Geneviève Calbris offers a comprehensive account of her unique perspective on the relationship between gesture, speech, and thought. She highlights the various functions of gesture and especially shows how various gestural signs can be created in the same gesture by analogical links between physical and semantic elements. Originating in our world experience via mimetic and metonymic processes, these analogical links are activated by contexts of use and thus lead to a diverse range of semantic constructions rather as, from the components of a Meccano kit, many different objects can be assembled. By (re)presenting perceptual schemata that mediate between the concrete and the abstract, gesture may frequently anticipate verbal formulation. Arguing for gesture as a symbolic system in its own right that interfaces with thought and speech production, Calbris' book brings a challenging new perspective to gesture studies and will be seminal for generations of gesture researchers.
Local Note:
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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