Translation in Anthologies and Collections(19th and 20th Centuries) -- Editorial page -- Title page -- LCC data -- Table of contents -- Foreword -- Introduction: Translation anthologies and collections. An overview and some prospects -- 1. Anthologies, collections and the post-modern condition -- 2. Defining an anthological class -- 3. Functions, purposes and types -- 4. Mixtum compositum: selection and recontextualization -- 5. Dynamism and relationality -- 6. Future perspectives -- References -- I. Discursive practices and scholarly agency -- Forms and functions of anthologies of translations into French in the nineteenth century -- Introduction -- 1. The anthology: a genre? -- 2. The anthology in the nineteenth century -- 3. An inventory of the anthologies and collections of translations in the French language (1810-1840 -- 3.1 Anthologies -- 3.2 Collections -- 3.3 A closer view at a collection -- 4. Conclusions -- References -- The short story in English meets the Portuguese reader -- Introduction -- 1. External history of translation -- 2. Volume categories: Anthologies and collections -- 2.1 Anthology as collection or series -- 2.2 Anthology as single volume -- 2.3 Source languages -- 3. Date of publication -- 3.1 Global analysis -- 3.2 Short stories in English -- 4. On paratexts -- 4.1 Publishing houses -- 4.2 Translators and anthologists -- 4.3 Collection titles -- 4.4 Volume titles -- 4.5 Source text authors -- 5. Further research -- References -- Cancioneiro Chinez: The first Portuguese anthology of classical Chinese poetry -- Introduction -- 1. Source context -- 2. Metatextual information -- 2.1 Front cover -- 2.2 Collection title -- 2.3 Preface -- 3. Macro-level data -- 3.1 Text division -- 3.2 Prose poem versus rhymed verse -- 4. Translation impact factor -- 5. Concluding remarks -- References.

Academic navel gazing? Playing the game up front? Pages from the notebook of a translation antholog -- 1. Academic navel gazing? -- 2. Playing the game up front? -- 3. More on the personal, the experiential, the introspective -- 4. A postcolonial imperative -- 5. What am I trying to do with the anthology project? -- 6. Conclusion -- Acknowledgements -- References -- Las antologías sobre la traducción en la Península Ibérica: Revisión crítica -- Introducción -- 1. Las antologías sobre la traducción: un fenómeno de moda -- 1.1 Tipos de antologías -- 2. Las antologías sobre la traducción: revisión crítica -- 2.1 La reescritura -- 2.2 La selección -- 2.3 Los antólogos -- 2.4 Los títulos -- 2.5 Introducciones y presentaciones -- 3. Conclusiones -- Referencias bibliográficas -- II. National and international canonization processes -- Poetry anthologies as Weltliteratur projects -- 1. Purpose -- 2. Translation as the backbone of a Weltliteratur project -- 3. Anthologies - Design and theoretical implications -- 4. Four anthologies of world poetry - analysis -- 4.1 Rosa do Mundo. 2001 Poemas para o Futuro -- 4.2 Poesia de 26 Séculos - Jorge de Sena -- 4.3 Museum der modernen Poesie - Hans Magnus Enzensberger -- 4.4 Die Erfindung der Poesie - Raoul Schrott -- 4.5 Main contrasting features -- 5. Concluding remarks -- References -- Publishing translated literature in late 19th century Portugal - The case of David Corazzi's catalog -- Introduction -- 1. The Portuguese context of book production in the late 19th century -- 1.1 Translated literature in late-Romanticism -- 1.2 Intellectual property -- 2. An emblematic publisher: David Corazzi -- 3. The Corazzi Catalogue as a collection - origin and description -- 3.1 Popular collections in the Catalogue and their educational purposes -- 3.2 National and translated (Francophone) literature in the Catalogue.

3.3 The outstanding position of Jules Verne's collection -- 3.4 The special collection of "Translations" -- 4. Conclusion -- References -- Short stories from foreign literatures in Portugália's series Antologias Universais -- Introduction -- 1. Portugália's short stories series project in the 1940s and 1950s -- 2. The role of translations and prefaces in Antologias Universais -- 3. A fragmentary debate about the definition of short story throughout the series -- 4. Final remarks -- References -- Patterns in the external history of Portuguese collections with translations of Polish literature (1 -- Introduction -- 1. Corpus -- 2. Methodology for analysing collections -- 3. Results -- 3.1 Preliminary analysis -- 3.2 Collection profiles -- 3.3 Diachronic changes in the labelling of Henryk Sienkiewicz -- 4. Conclusions and outlook -- Acknowledgements -- References -- Extra-European literatures in anthology during the Estado Novo (1933-1974) -- Introduction: colonization and national identity -- 1. Presenting and commenting upon the corpus -- 1.1 Building the corpus -- 1.2 Orientalism in Portugal -- 2. Literary anthologies from India -- 3. Portuguese anthologies of Chinese short stories -- 4. Short stories from Japan -- 5. Conclusion -- References -- Children's literature in translation: Treachery and double crossings? -- 1. Crossing borders -- 2. Verbo's Série 15 -- 3. Translation issues -- 3.1 "Red Fingle's Treasure" and other ripping yarns -- 4. Final comments -- 5. Appendix -- 5.1 Gautier-Languereau and Odhams -- 5.2 Verbo and Odhams -- References -- Translating German poetry into French under the Occupation -- 1. The circumstances surrounding publication -- 2. Programmatic paratexts: The editors' Foreword and K. Epting's preface -- 2.1 The editors' foreword: A text under Influence -- 2.2 Karl Epting's preface: Between dishonesty and propaganda.

3. Reception(s) -- References -- The reception of science fiction and horror story anthologies in the last years of Francoist Spain -- Introduction -- 1. Francoist censorship in the seventies: a system slowly falling into decline -- 2. Science fiction and horror story anthologies during the seventies -- 3. Science fiction anthologies and censorship -- 4. Horror story anthologies and censorship -- 5. Conclusions -- References -- Censored discourse in anthologies and collections of the Far West -- Introduction -- 1. Methods -- 2. Results -- 3. Microtextual analysis -- 4. Conclusions -- References -- Philosophical collections, translation and censorship -- Introduction -- 1. Situation in the early 19th century -- 2. First collections -- 3. Late 19th century collections -- 4. New collections in the early 20th century -- 5. Concluding remarks -- References -- Translation anthologies and British literature in Portugal and Hungary between 1949 and 1974 -- Introduction -- 1. Reference and bibliographic resources -- 2. Criteria for exclusion and inclusion -- 3. The Portuguese and Hungarian reception of translated British literature -- 3.1 Anthologies of short stories -- 3.2 Poetry anthologies -- 3.3 Drama anthologies -- 3.4 The most frequently anthologised authors -- 4. Conclusion -- References -- Notes on contributors and editors -- Name index -- Subject index.