TRANSLATING POETIC DISCOURSE:QUESTIONS ON FEMINIST STRATEGIES IN ADRIENNE RICH -- Editorial page -- Title page -- Copyright page -- Acknowledgments -- Table of contents -- PREFACE -- I. Verbal Interaction Framework -- 1. TRANSLATION AS SIGN -- 2. READER-RESPONSE CRITICISM -- NOTES -- II. The Translator-Function -- 1. THE TRANSLATOR AS OMNISCIENT READER -- 2. THE TRANSLATOR AS ACTING WRITER -- NOTES -- III. Translating a woman's poetic discourse -- TRANSLATING A WOMAN'S POETIC DISCOURSE -- 1. "A POEM CAN BEGIN/WITH A LIE. AND BE TORN UP. " -- 2. HETEROSOCIAL VERSUS HOMOSOCIAL -- 3. FROM TEXT TO AUTHOR-FUNCTION -- 4. THE INTERTEXTUAL FACTOR AS FEMINIST STRATEGY -- NOTES -- IV. The Speech Situation in Female Identified Discourse -- 1. A POET IN A WOMAN'S BODY -- 2. PERSON DEIXIS AND GENDER MARKERS -- 3. SPEAKER AND ADDRESSEE IN ADRIENNE RICH -- 4. SPEAKER AND ADDRESSEE IN FEMALE-IDENTIFIED DISCOURSE -- NOTES -- V. Prosody, Rhythms, Intonation, and the Acting Writer -- 1. "RE-SCORED FOR A DIFFERENT INSTRUMENT" -- NOTES -- VI. Translation and Women's Studies: Problems and Perspectives -- REFERENCES.