Les collections des arts du spectacle et leur traitement Performing Arts Collections and Their Treatment : Congres de Rome SIBMAS (2002) SIBMAS Congress in Rome (2002).
Title:
Les collections des arts du spectacle et leur traitement Performing Arts Collections and Their Treatment : Congres de Rome SIBMAS (2002) SIBMAS Congress in Rome (2002).
Author:
Leclercq, Nicole.
ISBN:
9783035261677
Personal Author:
Physical Description:
1 online resource (273 pages)
Contents:
Table des matières / Table of Contents -- SÉANCE INAUGURALE / OPENING SESSION -- Opening Speech (Claudia Balk) 13 -- Mot d'ouverture (Claudia Balk) 17 -- Introduction (Maria Teresa Iovinelli) 21 -- Introduction (Maria Teresa Iovinelli) 23 -- PREMIÈRE PARTIE. LES COLLECTIONS DES ARTS DU SPECTACLE : TYPOLOGIES ET PROBLÈMES FIRST PART. PERFORMING ARTS COLLECTIONS: TYPOLOGIES AND PROBLEMS -- En matière d'art du théâtre, quelles archives, pour quelle vie, au sein d'un organisme vivant ou d'un centre d'archivage ? (Vincent Radermecker) 27 -- The Institute for Letters, Theatre and Melodrama of the Cini Foundation (Maria Ida Biggi) 43 -- The Herla Project: Inventorying Gonzaga's Italian and European Documentation on Performance (Simona Brunetti) 49 -- The Archives of the Teatro Comunale of Florence. Now Called the Teatro del Maggio Musicale Fiorentino - Fondazione: 1933-2002 (Moreno Bucci) 65 -- DEUXIÈME PARTIE. CONSERVATION ET ORGANISATION DE L'ESPACE SECOND PART. PRESERVATION AND SPACE ORGANISATION -- Reorganisation of Stack Space in the Performing Arts Collection at the Harry Ransom Humanities Research Center (Helen Adair) 73 -- Using New Technologies to Overcome the Problem of Museum Space (Ksenija Radulović) 79 -- TROISIÈME PARTIE. LES RÉSEAUX ET LES RÉPERTOIRES EN LIGNE THIRD PART. NETWORKS AND ONLINE DIRECTORIES -- The SIBMAS International Directory of Performing Arts Collections and Institutions Online. The Transition from Printed Volume to Online Service, How It Was Done, Why Was It Done, How Is It Being Received? (Paul Ulrich) 85 -- Le Répertoire des arts du spectacle (RASP) (Christelle Cazaux) 103 -- Backstage. Discovering Performing Arts Resources (Claire Hudson) 115 -- AusStage. Recording Performing Arts Events in Australia (Richard Stone) 121 -- QUATRIÈME PARTIE. LES COLLECTIONS NUMÉRISÉES FOURTH PART. DIGITAL COLLECTIONS.
Sveriges Teatermuseum. The Combined Databases and a New Project: "Documentation of Performing Arts on DVD" (Inga Lewenhaupt) 127 -- Theatre Iconography and the Challenge of Digitalization. An Account of a Pilot Project Carried out in the Library of the University of Amsterdam (Willem Rodenhuis) 135 -- De la mémoire vivante au fonds documentaire (Jocelyne Philippekin, Alain Bert) 147 -- The Petrolini Collection: a Project of Multimedia Archive (Maria Teresa Iovinelli) 151 -- C.a.r.m.e.n.: a Virtual Access to the Archives of La Monnaie (Jan Van Goethem) 161 -- Access to the Illustrative Graphic Arts Material of the Russian State Arts Library: CD The Russian Service Uniform (Ada Kolganova) 169 -- CINQUIÈME PARTIE. LE CATALOGAGE DES COLLECTIONS FIFTH PART. CATALOGUING THE COLLECTIONS -- Does TANDEM Still Exist? (Claudia Balk, Petra Kraus) 173 -- Barry Russell: CÉSAR's Standard-bearer (Anastassia Sakhnovskaia, Mark Bannister) 185 -- Performing Art Libraries in Düsseldorf. Their Role in the Field of Introducing Computer-based Information and the Management within the Theatre Museum and the Film Museum (Margret Schild) 189 -- The Matriz Software Implemented to the Collections of the National Theatre Museum of Portugal (José Carlos Alvarez) 205 -- Traitement informatique des collections relatives au Festival d'Avignon (Marie-Claude Billard) 211 -- Les arts du spectacle en Roumanie (Anişoara Burlacu, Camelia Savu) 221 -- ANNEXES -- André Veinsten (1916-2001) (Noëlle Guibert) 229 -- Assemblée générale 231 -- General Assembly 233 -- Rapport de la présidente (Claudia Balk) 235 -- President's Report (Claudia Balk) 241 -- Rapport de la secrétaire générale (Claire Hudson) 247 -- Secretary General's Report (Claire Hudson) 249 -- Réunions des Comités 251 -- Committee Meetings 257 -- Liste des participants / List of Participants 263.
Notices biographiques / Biographical Notes 267.
Abstract:
Comment se compose la memoire du spectacle ? Les bibliotheques et les musees s'attachant a l'entretenir ont parfois du mal a contenir une matiere aussi multiforme. Chaque collection a son histoire, chaque institution a du faire face a diverses difficultes. Dans cette mission, la technologie peut contribuer a approfondir la memoire du spectacle et a elargir virtuellement a l'infini les espaces qui l'accueillent. Le congres de la SIBMAS qui s'est tenu a Rome en 2002 temoignait d'une etape dans la reflexion suscitee par l'utilisation des nouvelles technologies dans les bibliotheques et les centres d'archives. Cet ouvrage en presente les communications. How is the memory of a show evoked and brought back to life? Libraries and museums, by focusing on conservation, sometimes struggle to control the many details of the subject matter. Each collection has its own history and each institution has faced a multitude of difficulties. The aim of the papers put forward in this book is to illustrate how technology can help deepen the memory of each show and expand the virtually infinite spaces that keep them. The SIBMAS Congress held in Rome in 2002 represented a step forward in thinking about the use of new technologies in libraries and archives.
Local Note:
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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