THE DIVINE COMEDYAND THE ENCYCLOPEDIA OFARTS AND SCIENCES -- Title page -- Copyright page -- Table of contents -- FOREWORD -- A HALF-CENTURY OF DANTE SCHOLARSHIP IN AMERICA -- NOTES -- DANTE'S COMMEDIA AND THE CLASSICAL TRADITION: THE CASE OF VIRGIL -- NOTES -- DANTE ANDTHE ARS GRAMMATICA -- NOTES -- DIALECTIC AND MERCURY (EDUCATION, MAGIC AND RELIGION IN DANTE) -- NOTES -- DANTE'S EARLY READERS: THE EVIDENCE OF ILLUSTRATED MANUSCRIPTS -- NOTES -- DANTE AND ARITHMETIC -- GEOMETRIC METAPHOR AND PROPORTIONAL DESIGN IN DANTE'S COMMEDIA -- I. Scope and Purpose -- II. Context -- III. Geometry and Poetry -- IV. Geometry and Text-Structure -- V. The Metaphor of Textual Space -- NOTES -- ASTROLOGY AND ASTRONOMY -- NOTES -- DANTE'S PHYSICS -- I. Introduction -- II. Dante's Physics -- NOTES -- APPENDIX -- THE METAPHYSICS OF THE COMMEDIA -- 1. The Unity of Dante's Universe -- 2. The Three-Way Correspondence -- 3. The Twofold Unity of the Commedia -- NOTES -- DANTEAND THE ART AND SCIENCE OF MEDICINE RECONSIDERED -- NOTES -- BIBLIOGRAPHY -- DANTE: AMAN FOR ALL HOURS -- NOTES -- BIBLIOGRAPHY -- NOTES -- LORIZZONTE ECONOMICO MEDIEVALE NELLA DIVINA COMMEDIA E NEI PRINCIPALI COMMENTI DEL TRECENTO -- NOTES -- THE FLORENTINE STUDIA AND DANTE'S "LIBRARY" -- NOTES -- DANTEAND THE UNIVERSITIES OF PARIS AND OXFORD -- NOTES -- TRANSLATING DANTE'S COMMEDIA: TERZA RIMA OR NOTHING -- NOTES.