Contents -- Acknowledgements -- About the Authors -- Foreword: On Experience -- Introduction: If it Ain't Broke, Don't Fix it -- Or Change is Inevitable, Except from a Vending Machine -- SECTION ONE INSIDE THE WRITING WORKSHOP MODEL -- Chapter 1 Once More to the Workshop: A Myth Caught in Time -- Chapter 2 Workshop: An Ontological Study -- Chapter 3 Small Worlds: What Works in Workshops If and When They Do? -- Chapter 4 Teaching as a Creative Act: Why the Workshop Works in Creative Writing -- Chapter 5 Workshopping and Fiction: Laboratory, Factory, or Finishing School? -- SECTION TWO ENGAGING THE CONFLICTS -- Chapter 6 Poetry, F(r)iction, Drama: The Complex Dynamics of Audience in the Writing Workshop -- Chapter 7 Engaging the Individual/Social Conflict within Creative Writing Pedagogy -- Chapter 8 Potentially Dangerous: Vulnerabilities and Risks in the Writing Workshop -- Chapter 9 'Its fine, I gess': Problems with the Workshop Model in College Composition Courses -- SECTION THREE THE NON-NORMATIVE WORKSHOP -- Chapter 10 The Creative Writing Workshop in the Two-Year College: Who Cares? -- Chapter 11 Workshopping Lives -- Chapter 12 The Things I Used To Do: Workshops Old and New -- SECTION FOUR NEW MODELS FOR RELOCATING THE WORKSHOP -- Chapter 13 Re-envisioning the Workshop: Hybrid Classrooms, Hybrid Texts -- Chapter 14 Introducing Masterclasses -- Chapter 15 Wrestling Bartleby: Another Workshop Model for the Creative Writing Classroom -- Chapter 16 'A Space of Radical Openness': Re-Visioning the Creative Writing Workshop -- Afterword Disciplinarity and the Future of Creative Writing Studies.