Cover image for Primordial Dance : Diametric and Concentric Spaces in the Unconscious World.
Primordial Dance : Diametric and Concentric Spaces in the Unconscious World.
Title:
Primordial Dance : Diametric and Concentric Spaces in the Unconscious World.
Author:
Downes, Paul.
ISBN:
9783035303933
Personal Author:
Physical Description:
1 online resource (460 pages)
Contents:
Contents -- Acknowledgements -- Figures and Tables -- Figure 1 Diametric Dualism -- Figure 2 Concentric Dualism -- Figure 3 Yin/Yang -- Figure 4 The Scream by Edvard Munch -- Figure 5 The Kiss by Gustav Klimt -- Figure 6 Last Judgement by Hans Memling -- Table 1 Key aspects of a spatial-phenomenology in relation to primordiality -- Table 2. Key aspects of a spatial-phenomenology for Gilligan's (1982) -- Table 3 Freud's death drive and diametric space -- Table 4 The different conceptions of subjectivity -- Table 5 The spatial discourse of implication in yin/yang -- Table 6 Key dimensions of a proposed psychoanalytic graphology -- Table 7 Schema structure-content relativity -- Table 8 The entailments of diametric and concentric spaces -- Part I Setting the Stage for the Primordial Dance -- Chapter 1 Introduction -- 1.1 Dimensions of primordiality -- Chapter 2 A Spatial-Phenomenological Approach -- 2.1 A search for blind spots in the spatial assumption structure of a text -- 2.2 The need to develop spatial structural criteria for priority of some modes of experience -- 2.3 A different, complementary phase to the narratives of lived experience -- 2.4 The need for a primordial cross-cultural phenomenology to go beyond ethnocentrism -- 2.5 Dynamic a priori structures of diametric and concentric space -- Chapter 3 Participants in the Primordial Dance: Diametric and Concentric Space -- 3.1 Primordiality as a cross-cultural truth -- 3.2 Primordiality as a dynamic unity -- 3.3 Features of the primordial dance -- 3.3.1 First entailment of the relative differences between concentric and diametric spaces -- 3.3.2 Second entailment of the relative differences between concentric and diametric spatial -- 3.3.3 Third entailment of the relative differences between concentric and diametric spaces.

Part II Spatial-Phenomenology: Interpersonal and Intrapsychic Dimensions -- Chapter 4 A Spatial-Phenomenological Reinterpretation of the Relational Subject -- 4.1 Diametric and concentric spatial frames for moral choice -- 4.2 Beyond socio-cultural conditioning in Gilligan's relational pragmatism -- 4.3 Extending some postmodern implications for Gilligan's relational pragmatism -- 4.4 Towards a primordial, cross-cultural extension of an ethic of care -- Chapter 5 A Spatial-Phenomenological Reinterpretation of the Psychoanalytic Subject -- 5.1 Key limitations in critique of Freud's causal-temporal claims -- 5.2 Projection of the diametric spatial structure in obsessional neurosis -- 5.3 Primordiality as a more fundamental experience -- 5.4 Primordiality as a more fundamental experience -- Chapter 6 Projections of Diametric Oppositional Structures in the Phenomenology of Psychosis -- 6.1 Uncovering the first entailment of the relative differences between concentric and diametric -- 6.2 Uncovering the second entailment of the relative differences between concentric and diametric -- 6.3 Uncovering the third entailment of the relative differences between concentric and diametric -- 6.4 A spatial-phenomenological reinterpretation of Freud's Eros and Thanathos -- Part III Spatial-Phenomenology as a Discourse Prior to Language and Myth -- Chapter 7 Transcending Subjectivity and Myth in Search of Meaning -- 7.1 A spatial-phenomenological reinterpretation of the central archetype -- 7.2 A dynamic mandala underlying the unconscious world -- 7.3 Beyond structuralism in a spatial-phenomenological reinterpretation -- 7.4 Structure-content relativity in projection -- Chapter 8 Uncovering a Primordial Phenomenological Spatial Discourse Prior to Language -- 8.1 Modernism and postmodernism.

8.2 Diametric and concentric archetypal spaces in the modernist art of Munch's The Scream -- 8.3 Diametric and concentric archetypal spaces in the modernist art of Klimt's The Kiss -- 8.4 A spatial-phenomenological reinterpretation of the archetypal structure of yin/yang -- Chapter 9 Uncovering a Primordial Spatial Discourse Prior to Language -- 9.1 Beyond Foucault's structure of exclusion to a prelinguistic discourse of diametric space -- 9.2 Beyond reification: A spatial-phenomenological reinterpretation of Derrida's deconstruction -- 9.3 Beyond a split between sense and concept of self in Jungian psychology -- 9.4 Concentric and diametric structures as a primordial sense -- Part IV Primordial Structures Prior to Subjectivity: Projections of a Dynamic A Priori Structure -- Chapter 10 Early Heidegger's Search for Concrete, Dynamic A Priori Structures of Being-in-the-World -- 10.1 Dasein's existential spatiality in contrast to categories -- 10.2 Concentric and diametric projections as a structural expression of Heidegger's Angst -- 10.3 Transcending the horizon of diametric space in Being and Time -- 10.4 Care and the temporal horizon of transcendence in early Heidegger -- Chapter 11 A Space Prior to Subjectivity as Cognition and Pure Reason -- 11.1 Diametric spatial projection as an ontology underlying cognitive science -- 11.2 The silent projection of a necessary condition of diametric -- 11.3 Developing a space for more primordial structures than mind -- 11.4 Uncovering a primordial spatial structure prior to Johnson and Lakoff's image schemata -- References -- Index of Subjects -- Index of Names.
Abstract:
This book argues that a silent axis of the unconscious world rests largely undiscovered. It recasts foundational concepts in the psychology of Freud, Jung, Carol Gilligan and R.D. Laing, as well as in cognitive science, to highlight this hidden unconscious axis: primordial spaces of diametric and concentric structures. The author generates fresh approaches to understanding the philosophy of early Heidegger and Derrida, with the idea of cross-cultural diametric and concentric spaces fuelling a radical reinterpretation of early Heidegger's transcendental project, and challenging a postmodern consensus that reduces truths and experiences to mere socially constructed playthings of culture. The book, which also examines projected structures in modernist art, suggests a systematic refashioning of many Western assumptions, but it is more than a deconstruction. It also attempts to offer a new interplay between structures and meaning, as a spatial phenomenology. This significant expansion of the boundaries of human subjectivity opens alternative pathways for imagining what it means to be human, in order to challenge the reduction of experience to instrumental reason.
Local Note:
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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