Part 1: Identities, Borders, Industries -- Real Location, Fantasy Space, Performative Place: Double Occupancy and Mutual Interference in European Cinema -- Thomas Elsaesser -- C hapter T w o -- The Sublime and the Beautiful in the Time of Terror -- Hamid Dabashi -- Jagged Narratives and Discerning Remembrance in Balkan Cinema -- Dina lordanova C hapter Four -- The Spectre of History in the Age of Globalisation: Notes on German -- Hit Movies and Hit Makers at Home and in the US -- Peter Krdmer -- Your Focus is Your Truth: Turkish Cinema, "Alluvionic" Filmmakers and International Acceptance -- Dervis Zaim -- Rethinking European Media Landscapes: D'oit venonsnous? -- Que sommes-nous? Ot allons-nous? -- Miyase Christensen -- Part 11 : Migration, Space, Transnationality -- C hapter Seven -- A Cinema of Migrations: Ziad Doueiri's West Beyrouth (1998) -- Sharon Willis -- Sound Bridges: Transnational Mobility as Ironic Drama -- Deniz Giiktiirk --

Deterritorialised Spaces and Anomalous Bodies: New Corporeal -- Cartographies in Hungarian Cinema -- Michael Goddard -- Kezban goes to Rome and then Paris: European Twists in the Turkish -- Family Plot -- Nezih Erdogan -- C hapter Eleven -- Live Cities: Film and Media Approaches to European Cities -- Gemma San Cornelio Esquerdo -- Defending, Representing or Branding? Gringo Magazine and Swedish -- Multiculturalism -- Christian Christensen -- C hapter Thirteen 24 -- Shifting Cultural Landscapes, Shifting Boundaries; Diasporic Media in Europe -- Myria Georgiou -- Part 111: Telling Stories: Medium, Form, Message and Beyond -- Postmodern High Noon: 24 and the Shifting Landscape of Television -- Jan Olsson -- Time Code and the Cinematics of Supplementarity -- Terry Rowden -- C hapter Sixteen -- Yol vs Kapt: Journalistic Metaphors in Understanding EU-Turkey -- Relations -- Erkan Saka -- Up Against the Wall of the Signifier: Gegen die Wand -- Mahmut Mutman -- 'Du Deutscher, Toi Franqais, You English: Beautiful!'-The Polyglot -- Film as a Genre -- Chris Wahl -- C ontributors 35