Cover -- Title Page -- Copyright Page -- Table of Contents -- List of illustrations -- List of contributors -- Acknowledgements -- Introduction -- 1 VIETNAMESE THEATRE OF RESISTANCE: Thich Nhat Hanh's Metaphysical Sortie on the Margins -- 2 MISE-EN-(COLONIAL-) SCÈNE: The Theatre of the Bengal Renaissance -- 3 POSTCOLONIAL BRITISH THEATRE: Black Voices at the Center -- 4 ERECT SONS AND DUTIFUL DAUGHTERS: Imperialism, Empires and Canadian Theatre -- 5 CONTEMPORARY MAYAN THEATRE AND ETHNIC CONFLICT: The Recovery and (Re)Interpretation of History -- 6 ELECTRIC SALOME: Loie Fuller at the Exposition Universelle of 1900 -- 7 DRESSED TO KILL: A Post-Colonial Reading of Costume and the Body in Australian Theatre -- 8 REPRESENTING EMPIRE: Class, Culture, and the Popular Theatre in the Nineteenth Century -- 9 "THAT FLUCTUATING MOVEMENT OF NATIONAL CONSCIOUSNESS": Protest, Publicity, and Postcolonial Theatre in South Africa -- 10 LINGUISTIC IMPERIALISM, THE EARLY ABBEY THEATRE, AND THE TRANSLATIONS OF BRIAN FRIEL -- 11 DECOLONIZING THE THEATRE: Césaire, Serreau and the Drama of Negritude -- 12 INTERCULTURAL PERFORMANCE, THEATRE ANTHROPOLOGY, AND THE IMPERIALIST CRITIQUE: Identities, Inheritances, and Neo-Orthodoxies -- 13 SATELLITE DRAMA: Imperialism, Slovakia and the Case of Peter Karvas -- 14 ON JEAN GENET'S LATE WORKS -- 15 STRATEGIES FOR SURVIVAL: Anti-Imperialist Theatrical Forms in the Anglophone Caribbean -- Index.