Cover image for Avid Media Composer 6.x Cookbook.
Avid Media Composer 6.x Cookbook.
Title:
Avid Media Composer 6.x Cookbook.
Author:
Hershleder, Benjamin.
ISBN:
9781849693011
Personal Author:
Physical Description:
1 online resource (543 pages)
Contents:
Avid Media Composer 6.x Cookbook -- Table of Contents -- Avid Media Composer 6.x Cookbook -- Credits -- About the Author -- Acknowledgement -- About the Reviewers -- www.PacktPub.com -- Support files, eBooks, discount offers and more -- Why Subscribe? -- Free Access for Packt account holders -- Preface -- What this book covers -- What you need for this book -- Who this book is for -- Conventions -- Reader feedback -- Customer support -- Errata -- Piracy -- Questions -- 1. Getting Assets into Your Media Composer Project -- Introduction -- A strategy for project organization at the desktop level -- How to do it... -- How it works... -- Understanding Media Creation settings -- Getting ready -- How to do it... -- How it works... -- Drive filtering and indexing -- Video resolution -- Video drive/Audio drive -- Media type -- Mixing frame rates -- Getting ready -- How to do it... -- There's more... -- Duplicating clips -- Cloning clips -- Sequences will never be Cloned -- Motion Adapters -- Tape capture tip: Adding Markers while Capturing -- Getting ready -- How to do it... -- How it works... -- There's more... -- Adding notes in a marker during capture -- Tape capture tip: Making Subclips while Capturing -- Getting ready -- How to do it... -- How it works... -- Logging clips tip: Logging from the keyboard -- How to do it... -- There's more... -- See also -- Logging clips tip: Keeping the Capture Tool active after logging a clip -- How to do it... -- See also -- Quickly calculating total duration of clips (or any items in a bin) -- How to do it... -- There's more... -- Combining available drive space and/or controlling where media is stored -- How to do it... -- See also -- Making sure your Batch Capture continues without you -- How to do it... -- There's more... -- Modifying clips before capture -- How to do it...

Modifying clips after capture: Adding tracks -- How to do it... -- See also -- Modifying clips after capture: Deleting tracks -- How to do it... -- Capturing and editing at the same time -- How to do it... -- Preparing to use AMA (Avid Media Access): Getting the plug-ins -- How to do it... -- There's more... -- AMA (Avid Media Access) linking -- Getting ready -- How to do it... -- There's more... -- Linking to files on a camera card -- Changing the link between different resolutions of media -- Having trouble with AMA? -- See also -- Getting the AMA file's image to display as desired -- How to do it... -- How it works... -- Consolidating (copying) AMA Master Clips -- Getting ready -- How to do it... -- See also -- Transcoding AMA Master Clips before beginning to edit -- Getting ready -- How to do it… -- See also -- Transcoding AMA Master Clips after editing has begun -- Getting ready -- How to do it… -- Consolidating an AMA sequence or subclips -- Getting ready -- How to do it... -- Transcoding an AMA sequence -- Getting ready -- How to do it… -- Importing stills and video files such as QuickTime -- Getting ready -- How to do it... -- There's more... -- Image size adjustment -- File Pixel to Video Mapping -- Additional selections -- Layered Photoshop files -- See also -- Importing audio -- Getting ready -- How to do it... -- See also -- Adjusting audio levels before editing -- How to do it... -- There's more... -- Using Import settings -- Using the Audio Mix tool -- Adjusting audio pan settings before editing -- How to do it... -- There's more... -- Using the Audio Mix tool -- Using Import settings -- Setting stereo-audio tracks -- How to do it... -- There's more... -- Using Import Settings -- During capture from tape -- 2. Customizing Your Work Environment -- Introduction -- Settings overview -- Types of settings.

Duplicating settings to create alternate versions -- Naming settings -- Activating alternate settings -- Alternate settings ideas -- Deleting settings and two warnings -- Restoring a setting back to default -- Creating Site Settings -- User Profile Settings - transferring to another workstation -- Getting ready -- How to do it... -- Interface settings -- How to do it... -- Font size adjustment -- How to do it... -- There's more... -- Additional bin font programming -- Effect Editor font size -- Creating Bin Views -- How to do it... -- There's more... -- Creating a custom column -- Changing an existing Bin View -- See also -- Creating Timeline Views -- How to do it... -- There's more... -- Default Timeline View -- Updating Timeline Views -- Offline warning -- Timeline background color -- Switch Timeline Views from the keyboard -- More color selections -- See also -- Customizing Workspaces -- How to do it... -- There's more… -- Workspace example -- See also -- Creating Bin Layouts -- How to do it... -- There's more... -- Linking Bin Layouts with Workspaces -- How to do it… -- Linking other settings with Workspaces -- How to do it… -- Mapping Workspaces and Bin Layouts -- How to do it… -- See also -- Mapping buttons and menu selections -- How to do it... -- There's more… -- Mapping menu items using the command palette -- Erasing a button -- Moving a button -- Copying a button -- Keyboard mapping ideas -- 3. Polishing Gems -- Introduction -- Understanding Track Sensitivity -- How to do it... -- How it works... -- There's more... -- Fast Forward/Rewind -- Mark Clip and Go to Previous/Next Edit -- Snapping actions for the Position Indicator and in Segment Mode -- How to do it... -- There's more... -- Enabling and disabling all Track Selectors from the keyboard -- How to do it... -- There's more...

Enabling and disabling Track Selectors using the Shift key plus drag method -- How to do it... -- How it works... -- Enabling and disabling Track Selectors using the Lasso -- How to do it... -- How it works... -- Replace Edit: How and why -- How to do it... -- There's more... -- In and Out Marks work too -- Syncing example with Replace Edit -- Fast montage creation -- See also -- Sync Point Editing: How and why -- Getting ready -- How to do it... -- There's more... -- Seeing source material in the Timeline Window -- How to do it… -- Clipboard tips -- How to do it… -- There's more... -- Making Copy To Clipboard faster and more efficient -- Using Copy to Clipboard with Lift and Extract -- Examples of using Copy To Clipboard -- Using the Match Frame function -- Getting Ready -- How to do it… -- There's more -- Using the Reverse Match Frame function -- Getting Ready -- How to do it... -- Setting clip colors in a bin -- How to do it... -- Setting clip colors in the Timeline Window -- How to do it... -- There's more... -- 4. Creating Split Edits -- Introduction -- Creating a Split Edit with Double Roller or Overwrite Trim -- Getting ready -- How to do it... -- There's more... -- See also -- Creating a Split Edit with the Extend function -- Getting Ready -- How to do it… -- See also -- Creating a Split Edit with Asymmetric Trimming -- Getting ready -- How to do it... -- See also -- 5. Maintaining and Regaining Sync -- Introduction -- Adding Filler within a sequence with Splice or Overwrite -- How to do it... -- There's more... -- Additional method for adding Filler at the beginning of a sequence -- See also -- Adding Filler at the end of a sequence -- How to do it... -- There's more -- Sync Break Indicators: Understanding them and making your own -- Getting ready -- How to do it... -- Splicing and Extracting: Methods for staying in sync without Sync Locks.

Getting ready -- How to do it... -- How it works... -- Segment Mode: Methods for staying in sync -- Getting ready -- How to do it... -- How it works... -- Using the option/Alt + Add Edit method to stay in sync in Trim Mode -- How to do it... -- How it works... -- Asymmetric Trimming type 1: A-Side/B-Side -- Getting ready -- How to do it... -- How it works... -- There's more... -- Asymmetric Trimming type 2: Two Heads/Two Tails -- Getting ready -- How to do it... -- How it works... -- There's more… -- Alternate method -- Quickly return to the last used Trim Roller configuration -- Asymmetric Trimming with methods other than dragging -- Opening up the sequence using Splice with Sync Locks enabled -- Getting ready -- How to do it… -- How it works... -- Extracting with Sync Locks enabled -- Getting ready -- How to do it… -- How it works... -- Extending using Ripple Trim with Sync Locks enabled -- Getting ready -- How to do it… -- How it works... -- Shortening using Ripple Trim with Sync Locks enabled -- Getting ready -- How to do it… -- How it works... -- See also -- Getting back in sync -- Getting ready -- How to do it... -- There's more -- Method one: Undo (cmd/Ctrl + Z) -- Method two: Slip/Slide -- 6. Managing Your Media Files -- Introduction -- Moving media files -- Getting ready -- How to do it... -- How it works... -- Copying a borrowed clip's media -- Getting ready -- How to do it... -- How it works... -- Sharing clips/backing-up clips -- How to do it… -- How it works... -- Consolidating Subclips -- Getting ready -- How to do it... -- How it works... -- Consolidating Sequences -- Getting ready -- How to do it... -- How it works... -- Transcoding Sequences for archiving or before up-res -- Getting ready -- How to do it... -- Transcoding Sequences of mixed SD and HD video -- Getting ready… -- How to do it...

Changing the Sample Rate of clips in a bin before editing them into your Sequence.
Abstract:
Written in a Cookbook style, it's packed with logically-sequenced recipes to gain deeper understanding of the software. Each recipe contains step-by-step instructions followed by analysis of what was done in each task and other useful information. The book is designed so that you can read it chapter by chapter, or you can look at the list of recipes and refer to them in no particular order. If you are new to editing with Avid, this book will help you get the most out of Avid Media Composer right from the start. Even if you are intermediately experienced with Avid, you will discover new methods and gain a deeper understanding to take your Avid experience to the next level, with greater confidence.
Local Note:
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
Electronic Access:
Click to View
Holds: Copies: