Cover image for Writing and Seeing : Essays on Word and Image.
Writing and Seeing : Essays on Word and Image.
Title:
Writing and Seeing : Essays on Word and Image.
Author:
Homem, Rui Carvalho.
ISBN:
9789401201605
Personal Author:
Physical Description:
1 online resource (404 pages)
Series:
Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, 95 ; v.v. 95

Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, 95
Contents:
Contents -- Introduction -- 1. Setting the Tone: The Challenges of Representation I -- Speaking for Pictures: Language and Abstract Art -- 2. Early Modern to Modern: representations, appropriations -- Seeing and Writing Venus in Spenser, Shakespeare, Titian -- John Donne's Arcimboldesque Wit in "To Sir Edward Herbert. At Julyers": A Partial Reading -- Perspective and Framing in Ann Radcliffe's The Mysteries of Udolpho and in the Work of Caspar David Friedrich -- William Hogarth seen by Pinheiro Chagas: looking at Britain and writing about Portugal -- Visual Portraits and Literary Portraits: the Intertextual Dialogue between Holbein and Ford Madox Ford -- 3. Crossing Images, Changing Places -- Fictions of the Art World: Art, Art History and the Art Historian in Literary Space -- A Reading of Michel Butor's La Modification as an Emblematic Iconotext -- The Making of The Eiffel Tower as a Modern Icon -- Reflections on Baudelaire's Paris: Photography, Modernity and Memory -- 4. Women and the Intermedium -- 4.1. Portraits and Causes -- Les Filles d'Ève in Word and Image -- Paula Rego's Painterly Narratives: Jane Eyre and Wide Sargasso Sea - A Dictionary of Images -- Looking for Clues: McGuckian, poems and portraits -- 4.2. Ambivalent Narratives: A.S. Byatt -- Matisse and Women: Portraits by A.S. Byatt -- More than Words: the Elusive Language of A.S. Byatt's Visual Fiction -- Ekphrasis as Portrait: A.S. Byatt's Fictional and Visual Doppelgänger -- 5. The Lens and the Print: text, photo, semiotics -- "A Kind of Patriotism": Jack Kerouac's Introduction to Robert Frank's The Americans (1959) -- 3 (Ultimate) Journeys: Fulton, Weiner & Kiefer -- Karen Knorr and Tracey Moffat: When the photographer chooses the words in order to photograph the images -- An Act of Erasure: October and the Index -- 6. Stage and Screen, East and West.

The Semiotics of the Body: Ritual and Dance in Soyinka's Drama -- An Inheritance of Horror: the Shadow of Das Kabinett des Doktor Caligari in Salman Rushdie's Shame -- The Ethnographer's Eye: Vision, Narration, and Poetic Imagery in Contemporary Anthropological Film -- 7. High and Low, Learned and Popular: straying narratives -- Looking at the Written Text on Television -- Listen to Me: Influence of Shojo manga on contemporary Japanese women's writing -- The Link Between Text and Image in Voyage au bout de la nuit de Céline by Tardi -- 8. Arts and Crafts: composite skills -- Pulsating Visions - Idioms Incarnate: Wassily Kandinsky Amidst Stage, Pen and Brush -- From Medieval Manuscripts to Postmodern Hypertexts in the Art of David Jones -- Visual and Verbal Representations in the Scottish Novel: The Artistry of Alasdair Gray -- When what you see is what you read -- 9. Postscript: the Long Perspective, or, The Challenges of Representation II -- The Root of Forms -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- V -- W -- Y -- Z.
Abstract:
The essays in this volume are informed by a variety of theoretical assumptions and of critical methodologies, but they all share an interest in the intersections of word and image in a variety of media. This unifying rationale secures the present collection's central position in the current critical context, defined as it predominantly is by ways of reading that are based on a relational nexus. The intertextual, the intermedial, the intersemiotic are indeed foregrounded and combined in these essays, conceptually as much as in the critical practices favoured by the various contributions.Studies of literature in its relation to pictorial genres enjoy a relative prominence in the volume - but the range of media and of approaches considered is broad enough to include photography, film, video, television, comic strips, animated film, public art, material culture.The backgrounds of contributors are likewise diverse - culturally, academically, linguistically.The volume combines contributions by prominent scholars and critics with essays by younger scholars, from a variety of backgrounds. The resulting plurality of perspective is indeed a source of new insights into the relations between writing and seeing, and it contributes to making this collection an exciting new contribution to word and image studies.
Local Note:
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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