Cover image for Silent Cinema and the Politics of Space.
Silent Cinema and the Politics of Space.
Title:
Silent Cinema and the Politics of Space.
Author:
Horak, Laura.
ISBN:
9780253015075
Personal Author:
Physical Description:
1 online resource (359 pages)
Series:
New Directions in National Cinemas
Contents:
Cover -- SILENT CINEMA AND THE POLITICS OF SPACE -- Title -- Copyright -- Contents -- Acknowledgments -- Introduction -- Part I. Picturing Space -- Introduction -- 1 Location, "Location": On the Plausibility of Place Substitution -- 2 Insurgent Place as Visual Space: Location Shots and Rival Geographies of 1857 Lucknow -- Part II. Prints in Motion -- Introduction -- 3 Robespierre Has Been Lost: D. W. Griffith's Movies and the Soviet Twenties -- 4 An Afterlife for Junk Prints: Serials and Other "Classics" in Late-1920s Tehran -- 5 Translations and Transportation: Toward a Transnational History of the Intertitle -- Part III. Impertinent Appropriations -- Introduction -- 6 From Misemono to Zigomar: A Discursive History of Early Japanese Cinema -- 7 The Crisscrossed Stare: Protest and Propaganda in China's Not-So-Silent Era -- 8 Around the World in Eighty Minutes: Douglas Fairbanks and the Indian Stunt Film -- Part IV. Cosmopolitan Sexualities and Female Stars -- Introduction -- 9 National Soul / Cosmopolitan Skin: Swedish Cinema at a Crossroads -- 10 Queer Crossings: Greta Garbo, National Identity, and Gender Deviance -- 11 Cosmopolitan Women: Marlene Dietrich, Anna May Wong, and Leni Riefenstahl -- Bibliography -- Contributors -- Index.
Abstract:
In this cross-cultural history of narrative cinema and media from the 1910s to the 1930s, leading and emergent scholars explore the transnational crossings and exchanges that occurred in early cinema between the two world wars. Drawing on film archives from around the world, this volume advances the premise that silent cinema freely crossed national borders and linguistic thresholds in ways that became far less possible after the emergence of sound. These essays address important questions about the uneven forces-geographic, economic, political, psychological, textual, and experiential-that underscore a non-linear approach to film history. The "messiness" of film history, as demonstrated here, opens a new realm of inquiry into unexpected political, social, and aesthetic crossings of silent cinema.
Local Note:
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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