Cover -- Contents -- List of Figures -- Acknowledgements -- The Nineteenth Century General Editors' Preface -- Introduction -- On Critical Assumptions -- On the Adjective 'Jungian' -- A Post-Jungian Methodology -- Anima/Animus Possession -- The Effective Protagonist in the Nineteenth-Century British Novel -- Objectives -- PART ONE: ANIMA POSSESSION -- 1. 'A Victim of his Own Contending Passions': Ivanhoe, Cedric of Rotherwood and the Logic of Romance -- The Argument -- England and the Temple -- Cedric as Effective Protagonist -- Cedric as Thrall to his own Dream -- Rotherwood: Cedric and Bois-Guilbert -- Ashby-de-la-Zouche: The Nature and Function of Coincidence -- The Siege of Torquilstone: Aspects of the Shadow -- Aftermath in the Forest: Reluctance to Learn -- The Trial at Templestowe: The Glory and Limitations of Chivalry -- The Epilogue: Rowena and Rebecca -- Conclusions -- 2. 'Man's Deeper Nature is Soon Found Out': Psychological Typology, the Puer Aeternus, and Fear of the Feminine in The Picture of Dorian Gray -- The Argument -- (1) A Portrait of Basil Hallward -- (2) The Psychology of the Puer Aeternus -- (3) The Fear of the Feminine -- PART TWO: ANIMUS POSSESSION -- 3. 'An Oppression Past Explaining': Wuthering Heights and the Struggle for Deliverance from the Father -- The Present and the Past -- The Argument -- (1) An Oppression Past Explaining -- (2) The Myth (I): Escape from Wuthering Heights -- (3) The Myth (II): Inability to Settle at Thrushcross Grange -- (4) Catherine's History (I): The Evolution of a Father-Complex -- (5) Catherine's History (II): A Tentative Deliverance -- (6) Conclusion -- 4. 'Light Enough To Trusten By': Structure and Experience in Silas Marner -- The Argument -- The Parallels Between the Two Plots -- Nancy, the Animus, and the Shadow -- Nancy and Animus Possession -- 'Light Enough to Trusten By'.

Conclusions -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Z.