Introduction: situating postsecularism -- Postsecularism and aesthetics: Michael Ondaatje's The English patient -- Minority's Christianity: Allan Sealy's The Everest Hotel -- Postsecularism and violence: Michael Ondaatje's Anil's ghost -- If truth were a Sikh woman: Shauna Singh Baldwin's What the body remembers -- Postsecularism and prophecy: Salman Rushdie's The satanic verses -- Art after the fatwa: Salman Rushdie's Haroun and the sea of stories, The Moor's last sigh, Shalimar the clown, and The enchantress of Florence -- The known and the unknowable: Amitav Ghosh's The hungry tide and Mahasweta Devi's "Pterodactyl, puran sahay, and pirtha" -- Coda.