Front Cover -- Contents -- Preface -- Introduction J. Thomas Rimer -- Part I Painting and the Allied Arts: From Meiji to the Present -- Chapter 1 Western-Style Painting Four Stages of Acceptance Emiko Yamanashi -- Chapter 2 Japanese Painting from Edo to Meiji Rhetoric and Reality Ellen P. Conant -- Chapter 3 The Expanding Arts of the Interwar Period Gennifer Weisenfeld -- Chapter 4 Senso Sakusen Kirokuga Seeing Japan's War Documentary Painting as a Public Monument Mayu Tsuruya -- Chapter 5 From Resplendent Signs to Heavy Hands Japanese Painting in War and Defeat, 1937-1952 Bert Winther-Tamaki -- Chapter 6 How Gendai Bijutsu Stole the "Museum" An Institutional Observation of the Vanguard 1960s Reiko Tomii -- Chapter 7 Fashion Altars, Performance Factors, and Pop Cells Transforming Contemporary Japanese Art, One Body at a Time Eric C. Shiner -- Part II Japanese Art of the Period in Its Cultural Context -- Chapter 8 The Creation of the Vocabulary of Aesthetics in Meiji Japan Michael F. Marra -- Chapter 9 Okakura Tenshin and Aesthetic Nationalism John Clark -- Chapter 10 Japanese Art Criticism The First Fifty Years Mikiko Hirayama -- Part III Individual Forms of Expression -- Chapter 11 Sculpture Shuji Tanaka -- Chapter 12 Can Architecture Be Both Modern and "Japanese"? The Expression of Japanese Cultural Identity through Architectural Practice from 1850 to the Present Jonathan M. Reynolds -- Chapter 13 The Modern Japanese Garden Toshio Watanabe -- Chapter 14 Japanese Prints 1868-2008 Lawrence Smith -- Chapter 15 Aspects of Twentieth-Century Crafts The New Craft and Mingei Movements Chiaki Ajioka -- Chapter 16 Japanese Calligraphy since 1868 Stephen Addiss -- Chapter 17 Adoption, Adaptation, and Innovation The Cultural and Aesthetic Transformations of Fashion in Modern Japan Audrey Yoshiko Seo -- Contributors -- Index -- Back Cover.