Intro -- ‎Contents -- ‎List of Illustrations -- ‎Notes on Contributors -- ‎Introduction -- ‎Chapter 1. "Distant Models"? Italian Fascism, National Socialism, and the Lure of the Classics (Roche) -- ‎Part 1. People -- ‎Chapter 2. The Aryans: Ideology and Historiographical Narrative Types in the Nineteenth and Early Twentieth Centuries (Wiedemann) -- ‎Chapter 3. Desired Bodies: Leni Riefenstahl's Olympia, Aryan Masculinity and the Classical Body (Wildmann) -- ‎Chapter 4. Ancient Historians and Fascism: How to React Intellectually to Totalitarianism (or Not) (Piovan) -- ‎Chapter 5. Philology in Exile: Adorno, Auerbach, and Klemperer (Porter) -- ‎Part 2. Ideas -- ‎Chapter 6. Fascist Modernity, Religion, and the Myth of Rome (Nelis) -- ‎Chapter 7. Bathing in the Spirit of Eternal Rome: The Mostra Augustea della Romanità (Arthurs) -- ‎Chapter 8. "May a Ray from Hellas Shine upon Us": Plato in the George-Circle (Rebenich) -- ‎Chapter 9. An Antique Echo: Plato and the Nazis (Kim) -- ‎Chapter 10. Classics and Education in the Third Reich: Die Alten Sprachen and the Nazification of Latin- and Greek-Teaching in Secondary Schools (Roche) -- ‎Chapter 11. Classical Antiquity, Cinema and Propaganda (Pomeroy) -- ‎Part 3. Places -- ‎Chapter 12. Classical Archaeology in Nazi Germany (Altekamp) -- ‎Chapter 13. Building the Image of Power: Images of Romanità in the Civic Architecture of Fascist Italy (Marcello) -- ‎Chapter 14. Forma urbis Mussolinii: Vision and Rhetoric in the Designs for Fascist Rome (Marcello) -- ‎Chapter 15. National Socialism, Classicism, and Architecture (Whyte) -- ‎Chapter 16. Neoclassical Form and the Construction of Power in Fascist Italy and Nazi Germany (Fortuna) -- ‎Index of Names -- ‎Index of Subjects.