Ford Madox Ford'sThe Good Soldier: Centenary Essays -- Copyright -- Dedication -- Contents -- List of Illustrations -- General Editor's Preface -- Introduction: The Good Soldier at 100 -- The Good Soldier: Ford's Postmodern Novel -- July 4 to August 4: Paradigmatic and Palimpsestic Plots in The Good Soldier -- The Good Soldier and the Problem of Compositional (Un)Reliability -- From Disfigured to Transfigured Past: Memory and History in The Good Soldier -- 'It is Melodrama -- but I Can't Help It': Dowell's Melodramatic Imagination -- Screening The Good Soldier -- Dowell and Dopamine: Information, Pleasure and Plot -- The Case of The Good Soldier -- Affairs of the Heart: Illness and Gender Subversion in The Good Soldier -- Caring to Know: Narrative Technique and the Art of Public Nursing in The Good Soldier -- 'Rabbiting On': Fertility, Reformers and The Good Soldier -- The Good Soldier: A Tale of Poison. Lethal Little Bottles in the Work of Ford Madox Ford and Violet Hunt -- 'Early Kipling Told by Henry James': A Reading of The Good Soldier -- Anglo-German Dilemmas in The Good Soldier, or: Europe on the Brink in 1913 -- 'The End is Where We Start from': Spatial Aspects of Retrospection in The Good Soldier and In Parenthesis -- Good People and Chorus Girls: The Notion of Respectability in The Good Soldier and Quartet -- Love's Knowledge: Realisation Beyond Defence: Durrell's Alexandria Quartet After, and Beyond, Ford's The Good Soldier -- 'Don't You See?': Surveillance and Utopian Tranquillity in The Good Soldier -- Contributors -- Other Volumes in the Series -- The Ford Madox Ford Society.