Cover -- Zusammenfassung -- Content -- Introduction -- Acknowledgments -- Re-Inventing Traditions? Preliminary thoughts on the transmission of artistic patterns in late medieval manuscript illumination (Joris C. Heyder) -- Abstract -- Introitus: Mary and joseph at the Inn -- State of Research -- Model and Pattern Books -- From Methods of Work to Illuminators' Guilds -- Rethinking the history of notion and concepts -- Ways to a New "histoire culturelle" or Better Taking a Familiar Path? -- Intermediary and Intermediality -- Tracing the traces -- Explicit: Attempt of a Conclusion -- I. The Transmission of Pictorial Cycles and Isolated Patterns -- La transmission de l'iconographie des vertus dans les manuscrits italiens du 14e siècle: la réinvention de la Somme le roi -- Abstract -- Conclusion -- II. Aspects of Artistic Exchange between Layout, Decoration and llumination -- Manuscript and Charter Decoration: The Transmission of Artistic Patterns (Nataša Kavčič) -- Abstract -- Charter and Manuscript Decoration: Status quaestionis -- Decorated charters: An Overview -- The Transmission of Artistic Patterns between Charters and Manuscripts: Examples from the Archives of the Republic of Slovenia -- Conclusions -- La reproduction des modèles dans des manuscrits hispaniques du XVe siècle (Gemma Avenoza Vera & Marion Coderch) -- Abstract -- L'identité entre copies -- L'illustration mineure : les paratextes comme forme de décoration -- Les éléments structuraux et la décoration mineure -- L'illustration majeure -- Sano di Pietro and the 'Illustrated Initial' (Maria Ferroni) -- Abstract -- O sainct Gond tu as merité : le cas d'un saint oublié -- Abstract -- Calendrier de l'Arsenal ms. 651 -- III. Workshops and Their Models - On the Local and Transregional Tranformation of Artistic Patterns.

The Master of Jeanne de France, duchesse de Bourbon: a bridge between Jean Fouquet and the artists in the Jouvenel Group (Samuel Gras) -- Abstract -- The Master of the Vienna Mamerot / Master of the Yale Missal/Master of Christophe de Champagne: Guillaume Piqueau -- The Master of Jeanne de France, Duchesse de Bourbon -- Between Jean Fouquet and the Jouvenel Group -- The Hours of Mary Stuart -- The Madrid Hours -- The Gulbenkian Hours -- The Livre des Anges (London, BL, Sloan e 3049, c. 1470s) -- The Carm elite Missal -- The Harley Prayer Book (London, BL, Harley 5764) -- Fouquet redivivus: Migrant Motifs in Tours, 1480-1520 (Nicholas Herman) -- Abstract -- Apprenticeship and the Transmission of Motifs -- The Role of Libraires -- The Question of Shop Drawings -- Being a Court Artist: Constraints and Advantages -- Conclusions -- Beyond the 1520s: A Bellemare Workshop Manuscript in Liège (ms. Wittert 29) (Elizabeth L'Estrange) -- Abstract -- Revisiting the corpus -- Wittert 29: Physical Characteristics -- The Decoration of Wittert 29 -- Beyond the 1520s -- Bellifontaine Frames -- Codicology of Liège, ms. Wittert 29 -- IV. Artistic Itineraries and the Rapport between Illumination Artistic Itineraries and the Rapport between Illuminationand Monumental Painting -- Itinéraire artistique et polyvalence technique: le cas d'Antoine de Lonhy (Frédéric Elsig) -- Abstract -- La phase bourguignonne (vers 1445-1454) -- La phase languedocienne-catalane (vers 1454-1462) -- La phase savoyarde (vers 1462-1480) -- Conclusion -- Les modèles romains d'un enlumineur curial du Quattrocento (Valérie Guéant) -- Abstract -- Une approche idéologique de l'héritage antique et chrétien à Rome -- Une justification de la cause politique des pontifes romains -- De la fresque et de la sculpture aux frontispices architecturés des manuscrits.

Exemplary martyrdoms - lost examples. Some theses on the miniatures in the so-called "martyrology" in the Cini Foundation and three related copy drawings (Marion Heisterberg) -- Abstract -- The places of the Conforteria and their media: Inner meditation and public interaction -- "Same same but different " - drawing conclusions from drawn copies -- Parataxis instead of chronology? -- Floral Borders: Some comparative aspects (Nataša Golob) -- Abstract -- Point of departure -- Item laquearia ... mystico opere fulgentia -- Testing the floral decoration -- From manuscript dimension to painted spaces -- V. Re-use of Artistc Patterns in Books of Hours -- De la pierre au parchemin: le livre d'heures de Lodewijk van Boghem et le monastère royal de Brou (Laurence Rivière Ciavaldini) -- Abstract -- Du multiple à l'unique : le cas du livre d'heures de Philibert de Viry (Genève, BGE, lat. 367) (Brigitte Roux) -- Abstract -- Index -- Color plates -- List of contributors -- Photo credits.